Today’s choice

Previous poems

Daniel Dean

Man Eating Leeks
Watercolour on ivory
C. 1824–5

 

Today I make myself green ivories,
Unfix a broken rib and blacken it
With carbon, drip on water so it spreads,
Mix egg wash watercolour pigments fit
To reinforce the scenes. The creatures grow,
Bone of my bone, flesh of my flesh, my self
Before me.
One such miniature depicts
A beastly man swallowing leeks. His throat
Is dirt, and yet his ghost could sit with Raphael
In feast and listen to his fairest speech:
And from these corporal nutriments perhaps
Your bodies may at last turn all to Spirit
.
Through his visage I recast elements,
Sustain my form across regeneration.

*Lines 6, 7, 11 and 12: From Paradise Lost, Milton

 

Daniel Dean (he/him), born and raised in Staffordshire, graduated with a degree in English Language & Literature from the University of Oxford. A fan of art, archives and oddballs, he writes poetry that delves into and reworks the past.

Fokkina McDonnel

    what will you do now you’re alone in the sun ask your shadow to leave you for a while send your shadow to market where it can frighten chickens, the women selling red powder let your shadow enter the forest of tall trees stroke the snouts of grunting...

Cheryl Pearson

    How To Write A Poem First, forget the moon. Forget your lover. I want you blind to weather. Stars. All kinds of water. Start with I, with you. With what you know. No reimaginings. No Salomes with milky thighs, serrated knives. No penitent Medusas....

Jill Abram

  Did Philippe Petit come to Heptonstall? At the top of the mill chimney some hundred feet above the stream, level with my eyes and my open mouth is a man in a leotard. It is purple, gleaming neon against lichen on stones to which he clings, brighter even than...

Susan Castillo Street

      Witches Brooms and Winter Roses This year is nearly over. We walk arm in arm, hear the sound of sirens incessant background dirge. On our street, three cases. One next door, one across the way. Another, three doors down. No dead so far. Stubborn...

Hilary Menos

      Collation It’s Izabelle’s funeral collation so we’re driving into Gaillac wearing proper clothes. I’m driving, you are listening to some mad YouTuber who claims that water has memory because if you say nice things to one tub of water and nasty...

Sam Hickford

      A Willow-Tree in Hiroshima Softly & impossibly, her roots still beckon growth. It is a slow hope she is drawing. Their ends were swift - echoes in the floorboards. I am reliving it, since I am solitary. A thrawning suffocation grabs the sky so...

Julian Dobson

      Wave We have learned to wave distantly through glowing windows    glimpsing a well-placed bookcase or houseplant imagining the corners of a room their piled-up flotsam we have learned not to ask what happens at the watershed we observe flows   ...

Sue Spiers

    The Glow I recognise the tingle at my nape my face melts, oxters darken, make-up slides, instantly wet through layers meant to cope. Tissues, useless until the wave subsides, my bright red fan announces to the place the hormone flush that’s difficult to...