Today’s choice
Previous poems
Claire Harnett-Mann
Common Ground
Behind the block, the night tears in scrub-calls.
Fox kill scores the morning,
ripped by prints in muck.
There’s a form for this, a number to call,
an action plan, a statement
on how the city manages its wild,
what to do when it breaches the scheme.
Rain fingers the concrete.
Walls sweat. Moss thickens on the sills
where pigeons nest.
Doors swell in their frames.
The lift’s out again.
Kids chalk round the mould,
name them death zones.
Someone’s planted potatoes
in a washing-up bowl.
Roots force through the split base,
muscle for the ground below.
This place won’t stay as it’s built.
It shifts, it breaks, gets dragged
to the scrub, to the night calls,
to the unmanaged wild.
Claire Harnett-Mann is a Birmingham-based poet whose work appears in Tears in the Fence and elsewhere. A Nine Arches Press Primers 8 Highly Commended poet, her novella How to Bring Him Back (Fly on the Wall, 2021) was nominated for a Saboteur Award. She can be found on Instagram and Bluesky @clairehmwriter
Anne Symons
She was only a little woman
five feet nothing in nylon stockings.
‘If I stood sideways they’d mark me absent.’
Ben
When she said ‘could’, it was clearly in italics
and when she said ‘one day’, the creak of glaciers
shuddered around its edges.
Dragana Lazici
the days are long but the years are short.
seconds are tiny kitchen knives in my back.
i stopped reading Dickinson, her voice is a sad parrot.
Abigail Ottley
Faces, unless they come swimming up close. are a blur of piggy-pink and ice-
cream. In the street, she doesn’t know, cannot be certain when to smile, when to
look away
Maggie Mackay
The teacher is an old spindly man. Grim, out of a Grimm’s tale. Scarecrow hair, thinning. Unsmiling.
Natasha Gauthier
The tawny clutch appeared
on high-heeled evenings only,
slept in a nest of white tissue.
Romy Morreo
She only speaks to me these days
through groaning floorboards in the night
and slammed doors.
Emma Simon
No-one has seen a ghost while breast-feeding
despite the unearthly hours, the half-light
mad sing-song routines of rocking a child
back to sleep.
Kushal Poddar
The furniture covered in once
transparent now foggy sheets
craft the room a morgue, and we
identity the bodies