Today’s choice
Previous poems
Dawn Sands
Prevention Science
Walking home from the lecture on Frankenstein
through the November mizzle, small breaths of exhaust
sighing in the twilight headlights, particles of wet air commingling.
When I look into the branches of the evergreens
I can imagine myself in Shelley’s Geneva, the still lake glittering
in the half-light. It is no surprise
to see her sitting on the bed when I go in, sixteen and pre-Creature.
At night she has sex with her future husband on
or near her mother’s grave, but for now her legs are folded
on the mattress, dark curls brushing her shoulders.
She has read philosophy, and is educated in classical antiquity. Tea?
I ask. She nods. I flick the switch on the kettle. She is unperturbed
by electricity, seems content in this urban microcosm of unwashed plates,
orange rinds and chocolate wrappers, photos of old friends and I in technicolour
— on the bus, in class, in the dresses
we wore to bid farewell to youth. Ciardi’s
High Tension Lines Across a Landscape on a poster
stuck to the wall; laptop, iPad, phone. Bible.
Psalm 21 on the wardrobe, I lift my eyes to the hills.
I take out the pump for the air mattress. Mary grins
and grabs the sleeping bag. She already knows what it is,
this tangle of purple cloth that feels like a cloud. We watch Star Wars:
Revenge of the Sith, because Mary loves sci-fi and men with
troubled designs of great futures. We caterpillar
down the hallway steps in the early hours, land in a heap
of synthetic fabric on the plastic floor. In the morning,
she has gone, crept back to the early nineteenth century in
polyester pyjamas to have sex on her mother’s grave.
I pulled Mary Shelley out of time, and still I could not save her.
Dawn Sands is an undergraduate English student at the University of Warwick. A Foyle and Tower Poet, she has also been published by Poems on the Underground, PERVERSE, and elsewhere. You can find her on Instagram @dawnllswriter.
Sue Wallace-Shaddad
Rectangular, with corners cut off like an octagon, muddy brown shows through the cream exterior where the edges are chipped.
Cally Ann Kerr on International Transgender Day of Visibility
How many blows does it take to crack an egg?
Is a question I never expected to ask
If you don’t know, I should tell you, an egg
Is what they call the girl inside the male mask
Gita Ralleigh, Julian Matthews, Jackie Taylor on Colouring Outside the Lines
The hue of brides, appliquéd dark with henna.
Citron’s acid curl, vernal blades between teeth.
Sue Moules
I sell the postcard
of multi-coloured sheep
over and over again.
Kevin Denwood
Name called.
Not mine.
Wasn’t I
here first?
L Kiew
I leave everything on shingle,
meet surf like a sibling,
crest over playful breakers
and chase the moon’s tail.
Margaret Baldock
We launched, lovingly
into dark and silky water
unknown yet benign.
Krishh Biswal
You did not ask for knees —
They found the floor themselves.
Not from command,
But gravity.
Tamara Salih
That winter the snow kept rising,
a slow white wall climbing the windows,
each morning untouched,