Today’s choice
Previous poems
Rebecca Wheatley
Muscle memory
He thought his heart was broken yet the day began again.
He couldn’t marvel in the shine of sunsets rising and falling
and yet he rose and fell in turn.
His hands resigned themselves to tea making
and his legs carried him much the same.
He bundled her belongings into bin liners
and his heart told him it was not her in those bags,
reminded him of her wisdom and her nonsense,
showed her soft face enveloped in the folds of drawn curtains.
His heart hammered so relentlessly he struggled to hold on to it.
Caught unawares by her handwriting on a scribbled note,
her smile in a photo he hadn’t seen,
a grieving friend he couldn’t remember.
Swelling and contracting it sounded the rhythm of his day,
asking so much of him that he sometimes had to lay down and hide.
Not broken, conjuring love from the loss with every last muscle.
His heart had never worked so hard or been more alive.
Rebecca Wheatley is poet, actress and singer in Brighton. She tours her own one woman shows with music and has poems published in The tide rises , Dreitch, Bindweed, Porridge, The New Ulster’ ,Southlight. Galway Review and Salzburg Journal.
Gareth Culshaw
I tried to work from a van. Sitting in the passenger
seat listening to a guy whistle. His frown, a cloud
he lost when his mother died. Each wrinkle
Jennie Howitt
Those full udders will slowly burst
spitting milk onto the grass strands.
Matt Bryden
at the cider farm, eight minutes
before handover, we strike on
feeding the donkeys –
Colin Pink
to embrace you is like clasping
a fist full of briars
Simon Williams
What were these fairies called
before we knew of hummingbirds?
Bumblebee moth because of the size?
Reed-nose moth because of the proboscis?
Elizabeth Barton
On Diamond Hill
I didn’t
think of you once
as I climbed
past stunted willows
straggles of gorse
Susan Jane Sims on Mothering Sunday
Matter cannot be created and it cannot be destroyed.
I think of this as I pour the almost white ash from
the green plastic container that came in the post
into the vibrant red metal urn I have ready.
Daniel Sluman
just as the night sky shifts
beyond the minds
of the animals outside
the ceilings
we are pressed beneath change
in aspect & colour
Farah Ali
Notes from nature on how to survive this:
1. Learn crypsis and mimesis be a gecko or a mossy frog
2. Method actors sway like dead-leaf mantises on branches