Today’s choice
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Day Seven of ‘Wonder’ for NPD: Helen Anderson, Sue Johns
I Wish This Phone Had a Better Camera
I need to show you these sunsets/
feisty last breaths/coral on flamingo/blood
yellow carcass/tiny theatre/blazing deaths/o soothing
apocalypse, haul my agitations on your olden back/blue borne/ shallow
purple/day vanquished/deft dip/off-black relief/pledged resurrection/
o so… very… pretty
Helen Anderson writes poetry and prose in a small town on the North Yorkshire coast. Her debut poetry pamphlet ‘Sagrada Familia’ was published by Nine Pens Press in 2022. www.facebook.com/
Written by Candlelight in March
When the light returns
I will remind the garden.
Along with the robins
who have cast off
their Christmas card coyness
to mate.
They’ll say and I’ll agree
that every worm-blind soul
must immerse themselves
in soil.
Embrace a pot plant
as worthy as an acre
pausing only for birdsong –
any bird
or in their absence
a child.
Sue Johns originates from Cornwall where she started performing as a punk poet, in the 1980’s. Publications include Hush (Morgan’s Eye Press, 2011) , Rented, Poems on Prostitution and Dependency (Palewell Press, 2018) and Track Record (Dempsey & Windle, 2021). She was highly commended in the Prole pamphlet and the Amnesty International competition. She has an MA (distinction) in Writing Poetry from Newcastle University/ The Poetry School.
Her work has appeared in anthologies such as can You Hear the People Sing (Palewell Press, 2020), Alter Egos (Bad Betty, 2019) Welling Up (Palewell Press, 2019) and Time for Song, Contemporary Cornish Poetry ( Morgan’s Eye Press, 2009), Ver Prize anthology, 2022 and magazines including Poetry News, The Morning Star, Southbank Poetry, Dreich, The Atlanta Review, Prole, The Alchemy Spoon, Brittle Star, The Big Issue, London Grip, Dream Catcher, Black Iris, Tears in the Fence, Orbis, Magma, Obsessed by Pipework and Culture Matters
@suejohns facebook
@johns_sue insta
Alex Josephy
Let us now praise hi-vis men
who gather together
round a pothole, filling the gap
with their sticky black remedy.
Claire Lynn
I lie back, arch my throat,
pretend to relax. Contemplate
ceiling tiles . . .
Peter Daniels
This is not you, but someone soaked in fake Brut
coming at me in a gesture of fake generosity.
Emma Farmer
Your face was on a bus pass,
your hair falling around your face like a curly straw,
pressed in a puddle between the Queen’s old face
and an Aldi receipt for slippers and chicken.
Carson Wolfe
I owned a g-string like this,
the back connected by a rhinestone butterfly.
Starved myself at school to save
my dinner money, bought it from Poundland.
Poetry from Gurmeet Kaur, UEA’s Birch Family Scholar 2025/2026
I kill lines of ant. Heat arrives
in the wrong season. It feels important
to know the names of birds under
the thrum of a flight corridor.
Sarah Nathan
The ash that screams into the night,
the lake that dries, the child amongst the rubble,
the heat, the fire, the lack of books,
Anna Bowles
Akademichna Street
is bombed-out flats, is
the hot-pink Sweet Bakery Café, is
straggly new-planted trees, is
Philip Athans
Never shows up late to a single thing he’s invited to
Always brings the most thoughtful and carefully curated and perfect gift
Never shows up early and never once overstays his welcome
Always appears well groomed and clean and appropriately dressed
