Today’s choice
Previous poems
On the second day of Christmas, we bring you Gill McEvoy, Rachel Burns and Cindy Botha
The Christmas Market
Her mother doesn’t want to linger here –
cheap stuff from South America
at cruelly inflated prices.
Disgrace.
But Nuala won’t be dragged away.
There are wooden frogs that sing
an ugly croaking song. Their coats
are bright, bright green with yellow
flowers on. Rattles you can shake
to make the sound of thunder;
sticks you can upend and rain
comes hushing through the air.
Nuala turns them round again, again.
How do they work?
A little magic, smiles the man.
But Mum won’t buy.
He hands to Nuala a fragile reed.
Inside it is a twig: he shows her how
to blow and move the twig about
so out come bird-notes,
sweet and pure,
like nothing she has heard before.
She cannot put it down.
Her eyes have grown so round
her mother can’t hold out –
it may be a disgrace but
this is Christmas
and the vendor knows.
Mum opens her unwilling purse
and off they go,
Nuala filling the air
with forest sounds
of emerald and scarlet birds.
Gill McEvoy’s recent publication was a Selected Poems (Hedgehog Press, 2024). She was one of the winners of the 2024 Cinnamon Press Award and a pamphlet Summer to Summer, Looking will be out in 2025.
White Wedding
On the way to the registry office it snows, flecks of white like spittle hitting the steamed-up bus windows, I worry the petals from my wedding posy. On the back seat, the wedding cake, white Royal icing, the plastic figurine, the bride and the groom, white piped edging. The baby in my arms, crying.The baby in a long white nightie, knitted white booties. It snowed when I was in labour, snowed and snowed and snowed. The staunch matron in herstarched white uniform telling me I was a silly girl, that a baby couldn’t possibly save me. The weeks before I sorted through the baby clothes, donated from the church good doers, keeping all the white, discarding the pink and blue. The cold council flat not yet decorated, the bedroom, a white cot, walls freshly plastered. I spent an hour in Defty’s Haberdashery, staring at tins of paint I could ill afford. Sloe flower, rock salt, magnolia, alabaster, cornsilk, eggshell, wing of dove.
Rachel Burns lives in County Durham and is a poet, short story writer and playwright. Short stories published in Mslexia and Signs of Life anthology. She has been placed in poetry competitions including The Julian Lennon Prize for Poetry and The Classical Association Poetry Competition.
prayer of the suckling pig
oh grass dandelion
sweet smellness can i
mother mother
i mouth your milkness
your warm
but out-there looks so
green
could i might i
grass
maybe dayafterthis
clover
the crate is tight cold
my hoofs so soft
mother how long
to Christmas
i’m fourteen birdsongs big
oh crate’s opening
the up-there so
yellow-warm
shining
purslane milkweed
thisday the grass
oh mother?
Cindy Botha was born and raised in Africa and now lives in New Zealand where she began writing late in life. Her poems appear in magazines and anthologies in NZ, Australia, the UK and USA.
Maggie Mackay
The teacher is an old spindly man. Grim, out of a Grimm’s tale. Scarecrow hair, thinning. Unsmiling.
Natasha Gauthier
The tawny clutch appeared
on high-heeled evenings only,
slept in a nest of white tissue.
Romy Morreo
She only speaks to me these days
through groaning floorboards in the night
and slammed doors.
Emma Simon
No-one has seen a ghost while breast-feeding
despite the unearthly hours, the half-light
mad sing-song routines of rocking a child
back to sleep.
Kushal Poddar
The furniture covered in once
transparent now foggy sheets
craft the room a morgue, and we
identity the bodies
Erich von Hungen
And the yellow moths
like some strange throw-away
tissues used up by nature
circle the lamp hanging above.
Helen Frances
I wasn’t in, so she left me a note.
Each word a tangle of broken ends, some oddly linked
to the next with a ghost trail of ink
from her rose-gold marbled fountain pen,
a rare indulgence she’d bought herself.
Suzanne Scarfone
truth be told
part of me has lived
in this box of disquiet
for years and years
let’s see
Julia Webb
Because a woman woke up
and her head had become a flower.