Today’s choice
Previous poems
Daniel Sluman
Ceilings
just as the night sky shifts
beyond the minds
of the animals outside
the ceilings
we are pressed beneath change
in aspect & colour
each evening they drop
a little closer
in rooms that carry us
from one year
to the next
we float below water stains
& cracks
lit like reels of stars
my faith
in a better reality frayed
to a single thread
as I scan the cobwebbed beams
in silence
& wait for a sign
that refuses to drop
lidocaine-bright
or yellowed from bowers of smoke
some nights only darkness seems
to keep the roof up
& each evening
the quietness wraps
a little tighter
as we sink into the sheets
eyes dazed shut
our prayers like hands
crawling
over the drips of faux-plaster
how our shirts slip from one colour
to the next
& time is always in deficit
catching up or catching on
to something half-gone
Daniel Sluman is a 39-year-old poet and disability rights activist. He co-edited the first major UK Disability poetry anthology Stairs and Whispers: D/deaf and Disabled Poets Write Back, and he has published three poetry collections with Nine Arches Press. His most recent collection, single window was released in September 2021, and was shortlisted for the TS Eliot Prize.
Tristan Moss
I try
not to think
about my daughter’s
condition
when I
hug her
Susan J. Atkinson
I tell you my heart is breaking
but the heart has four chambers
and is not shaped like a heart at all
Peter Daniels
No, no one is who they think they are,
nor what we think they are, either:
the demon inside is thinking it
and you can’t tell him.
Paul Stephenson
Like one of those horses
on the carousel
going round and round in circles
sliding up and down a pole
Rob A. Mackenzie
Everything is moving. I have to remind myself
it’s a flat canvas and behind it a wall that’s solid
as I am.
Melanie Branton
A vixen or a reason. A
rave. No air, no sex, nor
Charlotte Oliver
On a bench outside Next,
a punctured woman
traces circles in the air with
a pale finger
Peter Devonald
He is bitterest regrets,
dark chocolate, olives and kale,
The Telegraph and Magritte’s
pipe, the treachery of images.
Anne Ryland
Restless two-hundred-year-old village elder,
a ragged playground of words, or is it weeds –
fragments of chant to slaps of skipping rope.