Today’s choice
Previous poems
Krishh Biswal
Sanctum Without God
You did not ask for knees —
They found the floor themselves.
Not from command,
But gravity.
Your name became architecture.
Something vaulted.
Something echoing.
Something built to make small sounds feel holy.
I stopped calling it love.
Love implies warmth.
This was colder —
Like stone that remembers every touch
And forgives none.
There were no candles here.
Only a dim, perpetual dusk
Where breath rose visible
Like incense with nowhere to ascend.
You did not reach for me.
You did not need to.
Devotion is a self-inflicted posture.
I learned the angles of you —
Not skin.
Structure.
Where the ribs of silence curved inward.
Where mercy failed to echo back.
I pressed my ear to your absence
And heard something breathing —
Not heart.
Not pulse.
But a vast and patient stillness.
It wanted nothing.
That was the worst of it.
I began offering pieces anyway.
Sleep first.
Then doubt.
Then language.
I let my voice grow quieter
So yours — even unspoken —
Could feel louder.
There is a moment in worship
When surrender stops being beautiful
And becomes necessary.
I crossed it.
No flame.
No ruin.
No collapse.
Just a narrowing corridor
Where the self thins
Until it can pass through something
Too small for daylight.
If this is sin,
It is not loud enough to condemn.
If this is love,
It no longer requires two.
And if I am asked what remains of me —
I will answer softly:
Only the kneeling.
Krishh Biswal writes dark, philosophical poetry exploring devotion, ritual, and the erosion of self. His work examines the quiet spaces between faith, love, and absence. He is currently working on a poetry collection.
Gail Webb
He cuts. I lie still, teach myself
to dream of St David’s Bay,
seaweed strewn on incoming tides,
surfers slice big waves in half.
Kim Cullen
I pull a dress over my head
calm foggy blue linen
sleeved in lavender,
press frizzed hair
Mark G. Pennington
Vigo in Autumn is still a furnace
the nightjars
roost on ram-tarmacked roads
and hot guapas carrying fish baskets
Ivan McGuinness
Begins
in a bubble
strained by chalk.
Where the brim-full hill cries,
weeping tracks merge
Elizabeth Wilson Davies
There are places in Wales I don’t go: reservoirs that are the subconscious of a people – R S Thomas
Cofiwch Dryweryn, that two-word protest,
white on blood-red background, landscaped in green,
Kay Feneley
Some days I must immerse myself in the waters
These days are more than others
Monday 09.06 – a sewage overflow has activated
David I. Hughes
He does not shout. He charts.
Where treaty lines once hung like old nets,
he inks the deep, the dark, the yet-unmade.
Anne Stewart
Huddled on the cat’s blanket,
hyenas crying through the night.
Scribbled notes regretting tea,
Mark Czanik
I loved the tales Luke told me of starving writers,
and the sacrifices they made following their hearts.