Today’s choice
Previous poems
Tom Blake
After Gaston Bachelard and Sabrina Carpenter
We were the housing and the housed,
meaning nothing except that
we were always occupied,
or to put it simply never out.
After a while we walked like we were on stilts
made from string and sweetcorn tins.
We milled ginger biscuits
in our sheets.
We saw the dream house up in the distance
even when the curtains were closed.
Half the battle was not to doodle crenellations
on those final blueprints.
The house grew so large around us
that I could cat out on the bottom stair
waiting for you to pass over me,
an unmoored tower.
I promise none of this is a metaphor.
Tom Blake is a poet and music journalist who has two chapbooks out with The Red Ceilings Press: Ƨ (2023) and Peach Epoch (2025). His poems have appeared in Anthropocene and Perverse, and he is a regular contributor to KLOF magazine. Insta: tom_blake17
Ansuya Patel
Women scrape coins from their purse,
count pennies, one lifts up a watermelon
in mid-air like raising a newborn to light.
Pippa Little
a woman’s rage cannot raise the dead
but it may split stone like lightning
Abiodun Salako
a boy grows tired
of dying again and again.
i am building him a morgue
for Thanksgiving.
Patrick Wright
It’s as if the dream
is telling me we are still joined
somehow, despite waking
and me trudging on, even though
your voicemail is off, your locks
changed.
William Collins
We carry the shame of Paragraph 352D
folded into suitcases at foreign borders,
where love is questioned like a crime,
and disbelief stamped heavier than visas.
They tell us to run for our lives —
but only if we can do it quietly.
Oz Hardwick
The ghost of my mother knows the names of everything, but
she can’t tell me, because ghosts, whatever you have heard
to the contrary, can’t speak.
McLord Selasi
I walk the flat barefoot,
step over old dreams
still curled like cats
in the corners.
Warren Mortimer
& you’ll understand if i leave open this theatre of air
not as the invite for another loss
but to honour their world unwilling to collapse
Jena Woodhouse
Language reinvents itself,
coruscates in signs on walls;
falls silent, mute as clay and stone
on tablets that enshrine its form.