Today’s choice

Previous poems

Tom Blake

 

 

 

After Gaston Bachelard and Sabrina Carpenter

We were the housing and the housed,
meaning nothing except that
we were always occupied,
or to put it simply never out.

After a while we walked like we were on stilts
made from string and sweetcorn tins.
We milled ginger biscuits
in our sheets.

We saw the dream house up in the distance
even when the curtains were closed.
Half the battle was not to doodle crenellations
on those final blueprints.

The house grew so large around us
that I could cat out on the bottom stair
waiting for you to pass over me,
an unmoored tower.

I promise none of this is a metaphor.

 

 

Tom Blake is a poet and music journalist who has two chapbooks out with The Red Ceilings Press: Ƨ (2023) and Peach Epoch (2025). His poems have appeared in Anthropocene and Perverse, and he is a regular contributor to KLOF magazine. Insta: tom_blake17

Ansuya Patel

Women scrape coins from their purse,
count pennies, one lifts up a watermelon
in mid-air like raising a newborn to light.

Abiodun Salako

a boy grows tired
of dying again and again.

                                                                                                                                       i am building him a morgue
                                                                                                                                                       for Thanksgiving.

Patrick Wright

It’s as if the dream
is telling me we are still joined
somehow, despite waking
and me trudging on, even though
your voicemail is off, your locks
changed.

William Collins

We carry the shame of Paragraph 352D
folded into suitcases at foreign borders,
where love is questioned like a crime,
and disbelief stamped heavier than visas.
They tell us to run for our lives —
but only if we can do it quietly.

Oz Hardwick

The ghost of my mother knows the names of everything, but
she can’t tell me, because ghosts, whatever you have heard
to the contrary, can’t speak.

Warren Mortimer

& you’ll understand if i leave open this theatre of air
not as the invite for another loss
but to honour their world unwilling to collapse

Jena Woodhouse

Language reinvents itself,
coruscates in signs on walls;
falls silent, mute as clay and stone
on tablets that enshrine its form.