Today’s choice
Previous poems
Antonia Kearton
Elements
On my son’s desk lies
the periodic table of the elements.
I look. Amongst the arcane names
I recognise, easy as breathing,
carbon, oxygen, gold, beloved of kings.
He shows me how it’s laid out – from left to right
by increasing atomic number;
in columns, by similar reaction.
I think of alchemists, the early pioneers
first discovering these elemental secrets;
and Mendeleev, dreamer, scientist, placing
each element in precise and perfect order,
like the notes of a Bach fugue.
My son tells me
there were gaps within the table,
elements predicted, later found,
exactly right. Gods in white coats, now
we hold this map of universal matter in our hands,
and create new elements, each in their proper place
until the table ends.
I think: what if we could order
our lives like this,
emotion along one axis, action on the other,
step by step.
And if there must be absence,
we would know with certainty where it will be,
its shape, its substance,
and what we have to do
to fill it.
Antonia Kearton is an occasional writer of poetry, based in the Scottish Highlands. She has been published in various journals including Dust Poetry, Atrium, Black Nore Review and Northwords Now, and can be found intermittently on Bluesky as @antoniakearton.bsky.social
Dragana Lazici
the days are long but the years are short.
seconds are tiny kitchen knives in my back.
i stopped reading Dickinson, her voice is a sad parrot.
Abigail Ottley
Faces, unless they come swimming up close. are a blur of piggy-pink and ice-
cream. In the street, she doesn’t know, cannot be certain when to smile, when to
look away
Maggie Mackay
The teacher is an old spindly man. Grim, out of a Grimm’s tale. Scarecrow hair, thinning. Unsmiling.
Natasha Gauthier
The tawny clutch appeared
on high-heeled evenings only,
slept in a nest of white tissue.
Romy Morreo
She only speaks to me these days
through groaning floorboards in the night
and slammed doors.
Emma Simon
No-one has seen a ghost while breast-feeding
despite the unearthly hours, the half-light
mad sing-song routines of rocking a child
back to sleep.
Kushal Poddar
The furniture covered in once
transparent now foggy sheets
craft the room a morgue, and we
identity the bodies
Erich von Hungen
And the yellow moths
like some strange throw-away
tissues used up by nature
circle the lamp hanging above.
Helen Frances
I wasn’t in, so she left me a note.
Each word a tangle of broken ends, some oddly linked
to the next with a ghost trail of ink
from her rose-gold marbled fountain pen,
a rare indulgence she’d bought herself.