Today’s choice
Previous poems
Khairina Anindya, Genevieve Beech
Khair
At the feet
of al-Ka‘ba
you asked for a daughter.
You named me
Khair – Blessing.
I answered
inside you
forcing myself into your ribs
remaking you
in the emptiness of your lungs.
in the space he made—
his shoes
left in the doorway
your words—
not at the tip of your tongue
but caught at your teeth.
imprinting your face and his
I carry you
under my tongue.
Khairina Anindya is an engineer from Indonesia, currently based in the Netherlands. She writes poetry shaped by culture and memory. She enjoys reading across different literary traditions.
BIRTHLIGHT
You are ordinary
to the teenager on the bus,
the doctor at our six-week check.
Everywhere, mothers birth
their own gold-spun miracles
with features much like yours.
But I felt you move,
little wish, inside
my body, inside its mist.
I knew you first as fable,
a not-yet thing darting under skin,
a lantern held in the halfway.
Before I siphoned your light
outside me, and you flickered,
soared, and the world was changed.
Genevieve Beech is the creator of Motherlore Magazine on care, matrescence and ecology. Motherlore can be found in the Women’s Art Library, Goldsmiths, and featured in ‘M(other)ing’ 2025 at Virginia Tech Perspective Gallery. Genevieve enjoys the many veins of bookmaking.
Angela France
Perhaps some small creature fallen
from where it should be. I am unsure
whether I saw it move.
Adam Horovitz
We cannot update you yet, other than to say we are caught
in a doldrums between stations and that your father can wait
as he has been waiting these past two years . . .
Sue Spiers
A woodpigeon calls
his five-note matins.
Petals ratchet wide
as the sun rises.
Alison Jones
Distance from the ground has become
a way of reminding myself,
how the earth turns her swaying tilt
John Coburn
Inside May’s warm beauty
I think of God and of the Virgin Mary.
I’ve always loved Mary.
Joe Wright
three sheep and a sharp wind, behind
which I feel involvement start
to tug.
Clara-Læïla Laudette
I’m six days late
and this is known as a
delinquent period.
Jan Swann
You seem very far from home
and who would after all choose a grit pocked
pavement to languish on
Gwen Sayers
Clouds spit on the coffin,
wring oily rags, splash
a woman, her violin
cased in sunken purple.