Today’s choice
Previous poems
Graham Clifford
Poem as Instruction for How to Respond to an Insult
First, know it.
Really inspect every word
like a woodsman would hold a finch upside down, and blow
on the soft feathers to reveal its sex
(even then, it’s fifty fifty).
Don’t be too quick to bat it back.
The spin may be devious, you might
blacken a friend’s eye, wind a mentor
or shatter crockery heirlooms.
Acknowledge sophistication in dark machinery
like when someone said the Beatles
were dying in the wrong order.
Do not laugh.
Remember, it’s always all in the eyes
so take a long look.
What’s happening in there?
See the little girl chastised. See
the intergenerational hallway of desilvered mirrors.
Check the cavities in you where hurt goes,
exactly the right shape to house an insult
like a power tool snug and clipped in its case.
Don’t do this.
Prefer the cavity.
You should have already opened yourself up
like a serial killer’s grubby fridge,
and become familiarised with your inexorable crimes:
the jam-jarred-eye-on-its-stalk of envy,
a severed, long-penis-and-balls of lust.
Half a ballerina’s foot and three toes
in the sauerkraut.
Do not forget: everyone is guilty.
Do this, so there’ll be no surprises
and when it happens
take a deep breath
then tell them their breath stinks.
Graham Clifford is a poet whose work has been featured in the Forward Book of Poetry. He is the author of collections with Seren and Against the Grain. Graham’s poems have appeared or are forthcoming in Scientific American, The Manchester Review, The Madrid Review, Berlinlit, The Rialto, and Mugwort.
Pippa Little
a woman’s rage cannot raise the dead
but it may split stone like lightning
Abiodun Salako
a boy grows tired
of dying again and again.
i am building him a morgue
for Thanksgiving.
Patrick Wright
It’s as if the dream
is telling me we are still joined
somehow, despite waking
and me trudging on, even though
your voicemail is off, your locks
changed.
William Collins
We carry the shame of Paragraph 352D
folded into suitcases at foreign borders,
where love is questioned like a crime,
and disbelief stamped heavier than visas.
They tell us to run for our lives —
but only if we can do it quietly.
Oz Hardwick
The ghost of my mother knows the names of everything, but
she can’t tell me, because ghosts, whatever you have heard
to the contrary, can’t speak.
McLord Selasi
I walk the flat barefoot,
step over old dreams
still curled like cats
in the corners.
Warren Mortimer
& you’ll understand if i leave open this theatre of air
not as the invite for another loss
but to honour their world unwilling to collapse
Jena Woodhouse
Language reinvents itself,
coruscates in signs on walls;
falls silent, mute as clay and stone
on tablets that enshrine its form.
Martin Rieser
The river is an old demon
& my heart is an infirm creature
The river is sure of its way
& my heart is capable of lies.