Today’s choice
Previous poems
Day Five of ‘Wonder’ for NPD: Shanta Acharya, Sue Finch, Miriam Otto
Incarnation
Every time I conjure a spell, offer a prayer
in your memory – ask for your forgiveness
for things I did not know, I should’ve known –
ignorance not an acceptable reason for failing,
my inability to see things, the wonder of it all –
with you gone now for over a quarter of a century
and me lost in the continents of my not knowing –
I think of a young man or woman, in their mid-twenties,
somewhere, suddenly feeling on top of the world,
smiling, for no reason in particular. Imagine someone
in the universe uplifted for a moment as if listening
to an unheard piece of music, an ode to joy –
not worrying about anything – not illness, not death,
poverty, homelessness, war, wildfires – suspended in bliss.
Shanta Acharya is the author of eight collections of poetry. Her latest, Dear Life (2025), received a 5-star review and was an Editor’s Pick at Booklife (Publisher’s Weekly, USA). Her other collections include What Survives Is The Singing (2020), Imagine: New and Selected Poems (2017), and Dreams That Spell The Light (2010). Her doctoral study, The Influence of Indian Thought on Ralph Waldo Emerson, appeared in 2001 and her novel, A World Elsewhere, in 2015.
The Plough
I can almost rely on my ability
to find The Plough in the night sky.
My brother taught me to stand in the darkness,
let my eyes adjust.
There I discovered patience
and a pure silence
which held so much.
Did you know
every time I take you outside
to stand with me
under that steadfast saucepan of seven stars,
I am saying I love you?
I am telling you
my love feels as big as the universe
that I want our days to close with wonder.
Sue Finch is the author of Magnifying Glass, Welcome to the Museum of a Life, and Vortex Over Wave. She loves the coast, peculiar things, and the scent of ice-cream freezers.
I create little worlds
I step into the darkness as the last light fades.
The stars are not there yet. The campfire gleams
in grey ash. And I am alone with the night.
Deep down we all know our dreams.
I pull my coat tighter around my chest
with the blue hours fading into black.
Tiny stars appear when I listen.
I want to create bigger constellations.
I dream of big suns, supernovas,
I move stars, paint new ones, make worlds
with a circle from the light of Venus.
This is what I want.
I want the storytellers to join me. I map more planets,
and hold them close. Wrap them in my cloak.
Hold them warm, so that I can gift them.
In the morning there is a breeze
of what is left. I return to the forest.
Smell dark soil and wild strawberries.
I create more galaxies, and add them
as little notes into books so that you can touch them.
And sometimes I hear the stars’ soft voices:
My darling, be patient with yourself.
Miriam Otto is a poet, designer and artist, and also a traveller. She is based in Germany, with a magical wood behind her home. And enjoys talking to trees. Her third poetry collection is called A Little World.
J.P. Lancaster
Ivy thrives
despite dependency.
It hangs on, has its other day.
Amy Dugmore
How much water did you have to drink this morning?
Did you sip your coffee without worrying
about its diuretic properties? Was it sunny
where you were?
Hannah Linden
I was cutlery left out in the rain, rusty
by morning, a side-slipping fiddlestick
desperate for music, starved for company.
Eve Chancellor
Imagine waking up one day and discovering
that you are a horse. At first, you might not
believe it and think you are dreaming.
Ananya S Guha
The leaves are growing out of
a harangue of loneliness
palms cupped I listen to silences
of winter or summers
Peter Leight
Instead of Dying I’m Taking a Trip
to Kansas
where the light appears
as if walking through a gate
in the air
Daniel Cartwright-Chaouki
Its timber frame held together by the waste
of its own decay
The rot a kind of glue undisturbed
Cracked panes of glass hold their fractures
Rosie Jackson
I Am Trying to Love Frank O’Hara More
I really am! I am trying not to see his exclamation marks as cheap melodrama and his endless conjunctions as some kind of separation anxiety or fear of mortality for what do full stops signify except dying
Charlotte Holm, Jennifer A McGowan
A leaky drainpipe drips
creating damp patches on uneven paving,
slime green algae blossoms
forming viridescent ripples