Ink Sweat & Tears is a UK based webzine which publishes and reviews poetry, prose, prose-poetry, word & image pieces and everything in between. Our tastes are eclectic and magpie-like and we aim to publish something new every day.
We try to keep waiting-time short, but because of increased submissions, the current waiting time between submission and publication is around twelve weeks.
If you have come here looking for more information on our ‘Uprising & Resistance’ Project in conjunction with Spread the Word and Black Beyond Data, please go here.
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Featured Poetry/Prose of the Day
Previously featured
Elijah MacBean
My Name is My Name Ami never let anyone call my sister Sam – it always had to be Samina. She said she’d rather be waterboarded than let her daughter be whitewashed by whites too conservative to spare the extra syllables. Ami never let anyone call...
Damen O’Brien
The coastline’s smile is sharp with blackened teeth,
seabird shelters, scarps, cutaways, broken reefs:
the bloody mouth of a boxer who can’t be dropped,
punch drunk with the brain’s purple pounding . . .
Recent Prose
Recent Haiku
News
‘Patterned with cows’ by Jackson is IS&T’s May 2026 Pick of the Month. Read and hear it here!
‘The mixture of love, longing, nostalgia and its undercurrent of exasperation perfectly sums up the emotions involved in dealing with the loss and attendant tasks and duties when our parents die.’
Word & Image
From the Archives: C. Albert
Flora the Poet
In Roundling time when
days were young and she
grew younger –
Flora
Filmpoems
Panya Banjoko
She had seen more of the world
than there was left to see
and now the world saw her as old.
Featured Poetry/Prose of the Day
News
‘Patterned with cows’ by Jackson is IS&T’s May 2026 Pick of the Month. Read and hear it here!
‘The mixture of love, longing, nostalgia and its undercurrent of exasperation perfectly sums up the emotions involved in dealing with the loss and attendant tasks and duties when our parents die.’
Word & Image
From the Archives: C. Albert
Flora the Poet
In Roundling time when
days were young and she
grew younger –
Flora
Filmpoems
Panya Banjoko
She had seen more of the world
than there was left to see
and now the world saw her as old.
Previously featured
Elijah MacBean
My Name is My Name Ami never let anyone call my sister Sam – it always had to be Samina. She said she’d rather be waterboarded than let her daughter be whitewashed by whites too conservative to spare the extra syllables. Ami never let anyone call...
Damen O’Brien
The coastline’s smile is sharp with blackened teeth,
seabird shelters, scarps, cutaways, broken reefs:
the bloody mouth of a boxer who can’t be dropped,
punch drunk with the brain’s purple pounding . . .
Recent Prose
Recent Haiku
Picks of the Month
‘Pivotal’ by Tadhg Carey is the October 2025 Pick of the Month. Congratulations! Revisit the Poem and Hear it Read Here.
‘Beautiful, subtle merging of that moment of sporting destiny and the creative process’
‘This poem captures the momentum of sport, the exhilaration and tension, whilst also almost imperceptibly focuses our attention on the mechanics of writing poetry.’
Read and Hear it Here: Clara-Læïla Laudette’s ‘The purpose’ is our Pick of the Month for September 2025. Huge Congratulations!
‘Quietly devasting poem’
‘Fresh, alive, original, funny’
Read, and Hear, ‘sclerenchyma’ by John Bartlett – the IS&T Pick of the Month for August 2025!
‘Evocative, descriptive, challenging and uplifting’
‘The eloquence of phrase and sentiment and timing is brilliant.’
Reviews
Zain Rishi on Meredith MacLeod Davidson
From the opening poem of Meredith MacLeod Davidson’s transpiration, we find ourselves in a landscape haunted by cycles of loss. ‘Anchorless / a boat bangs against sea-weathered pylons,’ and this same lack of purpose and the inevitably of decay is infused throughout the imagery of “Deltaville”.
Shannon Clinton-Copeland on Lewis Buxton
“Every poem in Mate Arias is a supporting column in the architecture of a tenderly rendered pantheon to friendship and the myriad forms of platonic love, particularly between men. The pamphlet is made up of twenty-three sonnets, each a vignette of affection, contemplation and memory.”
Chris Hardy on Quentin Cowdry
The poems are carefully structured in regular stanzas, with well-paced, rhythmical lines and deft use of enjambment. The various subjects and themes, which differentiate and unite the work, are built on close observation of the world, of nature and human experience, and how we relate to and respond to it.