Today’s choice
Previous poems
Peter Daniels
Changes
No, no one is who they think they are,
nor what we think they are, either:
the demon inside is thinking it
and you can’t tell him.
Being lion or crab, how did you imagine
how your life started , what it became,
reinterpreted as a pig,
recast as a snail?
Old man flattered into desire for what
he was, his own self half his age,
look at the change in him, look
at what he wants again.
Make me a new set of cells, give me
a new Russian identity, send me off
with a mission to understand
myself again, my facts.
You want a new self, too. You have
reasons to get into my inside,
and me into yours. You
animal. You angel.
Peter Daniels has published four poetry collections, the latest Old Men (Salt, 2024). He has a Creative Writing PhD from Goldsmiths, has translated Vladislav Khodasévich from Russian (Angel Classics, 2013), and as queer writer in residence at the London Archives wrote the obscene Ballad of Captain Rigby. Website: www.peterdaniels.org.uk
Ash Bowden
Out again with the pitchfork churning
compost into the old green bin, stinking
and silent as an ancient earthen vat.
Mallika Bhaumik
This is not a frilly, mushy love letter
to a city whose allure lies in defying all labels and holding the mystery key to a man’s heart, though none has ever been able to lay an absolute claim on it,
Jena Woodhouse
Around midnight, the hour when pain
reasserts its dominance, a voice
behind the curtain screening
my bed from the next patient’s:
an intonation penetrating abstract thoughts
Kate Bailey
They’ve mended the park fence again,
patched it over with the usual ugly metalwork,
like a riot barricade.
Ibrar Sami
Across the barren land
where blood once played its savage Holi,
the fearless migratory birds
have returned again.
Anyonita Green
It wobbles slightly, red wine jelly.
I peer at it, nose close enough
to smell the iron, the scent of coagulant,
inhaling through slightly parted lips
Soledad Santana
Seen as she’d hung her cranial lantern
from the roof of her step-father’s garden shed,
the parabolic formula was skipped; like two calves, we followed the fence
to the end of the foot-ball pitch.
Claire Harnett-Mann
Behind the block, the night tears in scrub-calls.
Fox kill scores the morning,
ripped by prints in muck.
Hedy Hume
Stepping into the opposing seat
I smile, and the look I receive
Makes me feel the antisocial one.