Today’s choice
Previous poems
Ananya S Guha
Halting Dreams
The leaves are growing out of
a harangue of loneliness
palms cupped I listen to silences
of winter or summers
and unmask faces caught in
tangle of storm, the history of
what was not written or recorded
in books, time’s erasure in moments
fraught with changing paths or charge
with turbulence of rains;
A vast momentary haul of a ship’s load
or a vessel’s yachting,
it is fun to remember and demonise time
in these hills where a cloudburst thumps
the heart, pounds on it like merciless beating
of bird’s wings, or like the beak of a crow
steals thunder, I walk and then a reservoir
pumps blood into the hiatus of living the dead.
Or, the dead living. Shadows typically torment,
lengthen or shorten to spin yarns
in these dead blue hills where a rosary
does not match prayer, but the bluish hue
carps on dreams and a thicket of grass
stumbles in front of you. I wash pains momentarily as a rising quicksand halts
my dreams.
Ananya S Guha lives in Shillong. He has ten collections of poetry in English and has been writing and publishing his poetry for the last forty years.
Matt Bryden
at the cider farm, eight minutes
before handover, we strike on
feeding the donkeys –
Colin Pink
to embrace you is like clasping
a fist full of briars
Simon Williams
What were these fairies called
before we knew of hummingbirds?
Bumblebee moth because of the size?
Reed-nose moth because of the proboscis?
Elizabeth Barton
On Diamond Hill
I didn’t
think of you once
as I climbed
past stunted willows
straggles of gorse
Susan Jane Sims on Mothering Sunday
Matter cannot be created and it cannot be destroyed.
I think of this as I pour the almost white ash from
the green plastic container that came in the post
into the vibrant red metal urn I have ready.
Daniel Sluman
just as the night sky shifts
beyond the minds
of the animals outside
the ceilings
we are pressed beneath change
in aspect & colour
Farah Ali
Notes from nature on how to survive this:
1. Learn crypsis and mimesis be a gecko or a mossy frog
2. Method actors sway like dead-leaf mantises on branches
James Benger
We tore it all down
just to watch it burn,
standing in that alley
of forgotten refuse.
Graham Clifford
Check the cavities in you where hurt goes,
exactly the right shape to house an insult
like a power tool snug and clipped in its case.