Today’s choice

Previous poems

Kath Mckay

 

 

 

How to become two-dimensional

Die. You’re soon reduced to a photograph.
Lugubrious Co-op undertakers will zip you in a bag
and keep you cold, until you’re moved care of Michael,
with curly grey locks like Frodo, who has dropped
too much acid in his youth according to my friend: ‘Look at his eyes,’ she says.

Chill for ten days, be dressed in jacket and jeans,
your daughter’s South Park tie: You will respect my authority.
Burn. Reduced to ash, be thrown into a tree hole in Leeds,
and carried to Pittwater and scattered.
As a photograph, people can kiss your face,

but you can’t kiss back, or put your tongue
down her throat, or curl into her.  Nothing left of your arms,
to wrap around her in bed. Only your photo, grinning,
fixed and unchanging. When you were quicksilver, planning
to clear the front garden, take up Spanish, go backpacking in Spain.

 

 

Kath Mckay has published three full poetry collections, the most recent, Moving the Elephant, from Michael Laskey’s Garlic Press . She also publishes short stories and longer fiction.

Helen Finney

At my feet the window sprawls a view of kneaded land,
craggy baked by the hand of the gods, dusted green
with short bit grass.

Eugene O’Hare

It hasn’t been this bright all year –
the moon’s white scalp, spot-lit,

a head turned away from a thing
the rest of us fear: unearthly dark

Mark Czanik

I loved the tales Luke told me of starving writers,
and the sacrifices they made following their hearts.
Philip K Dick eating dog food. Bukowski’s candy bars.

Nigel King

My compass – its needle set with a sliver of blue stone – spins and spins. Breath mists my snow
goggles. I wipe them endlessly. Even in these thick seal-skin mitts my hands are frozen. I have been
no place as still as this.

Gail Webb

He cuts. I lie still, teach myself
to dream of St David’s Bay,
seaweed strewn on incoming tides,
surfers slice big waves in half.