Today’s choice

Previous poems

Day Five of ‘Wonder’ for NPD: Shanta Acharya, Sue Finch, Miriam Otto

 

 

 

Incarnation

Every time I conjure a spell, offer a prayer
in your memory – ask for your forgiveness
for things I did not know, I should’ve known –
ignorance not an acceptable reason for failing,
my inability to see things, the wonder of it all –
with you gone now for over a quarter of a century
and me lost in the continents of my not knowing –
I think of a young man or woman, in their mid-twenties,
somewhere, suddenly feeling on top of the world,
smiling, for no reason in particular. Imagine someone
in the universe uplifted for a moment as if listening
to an unheard piece of music, an ode to joy –
not worrying about anything – not illness, not death,
poverty, homelessness, war, wildfires – suspended in bliss.

 

 

Shanta Acharya is the author of eight collections of poetry. Her latest, Dear Life (2025), received a 5-star review and was an Editor’s Pick at Booklife (Publisher’s Weekly, USA). Her other collections include What Survives Is The Singing (2020), Imagine: New and Selected Poems (2017), and Dreams That Spell The Light (2010). Her doctoral study, The Influence of Indian Thought on Ralph Waldo Emerson, appeared in 2001 and her novel, A World Elsewhere, in 2015.

 

 

 

The Plough

I can almost rely on my ability
to find The Plough in the night sky.

My brother taught me to stand in the darkness,
let my eyes adjust.

There I discovered patience
and a pure silence
which held so much.

Did you know
every time I take you outside
to stand with me
under that steadfast saucepan of seven stars,
I am saying I love you?

I am telling you
my love feels as big as the universe
that I want our days to close with wonder.

 

 

Sue Finch is the author of Magnifying Glass, Welcome to the Museum of a Life, and Vortex Over Wave. She loves the coast, peculiar things, and the scent of ice-cream freezers.

 

 

 

I create little worlds

I step into the darkness as the last light fades.
The stars are not there yet. The campfire gleams
in grey ash. And I am alone with the night.

Deep down we all know our dreams.
I pull my coat tighter around my chest
with the blue hours fading into black.

Tiny stars appear when I listen.
I want to create bigger constellations.
I dream of big suns, supernovas,

I move stars, paint new ones, make worlds
with a circle from the light of Venus.
This is what I want.

I want the storytellers to join me. I map more planets,
and hold them close. Wrap them in my cloak.
Hold them warm, so that I can gift them.

In the morning there is a breeze
of what is left. I return to the forest.
Smell dark soil and wild strawberries.

I create more galaxies, and add them
as little notes into books so that you can touch them.
And sometimes I hear the stars’ soft voices:

My darling, be patient with yourself.

 

 

Miriam Otto is a poet, designer and artist, and also a traveller. She is based in Germany, with a magical wood behind her home. And enjoys talking to trees. Her third poetry collection is called A Little World.

Sylvia Banham

Pigeons have invaded the garden, two then four, then a flock.
They roost in the apple tree to nest, reconnoitre or mate
 
ignore my sorties to deter them and shit without stint
on patio and herb bed, foul lovely hyssop and thyme.

Gordon Vells

Impotent in family life and ineffectual at work,
sometimes he would spend a full quarter-hour
just circulating the mini-roundabout on his moped,
dizzy from the power of blocking everyone else.

Patrick Wright

i protest     say how when i’m gone i’d like to rest before the choice to return & go through 
all this again     you sigh as though that’s absurd & endings are just endings     we’re mulch 
& nothing but endless fucking 

Francis de Lima

Oh London. U useless city. Map to

                                                                        nowhere land. Tight stretch 

                                                                        open eye. The underground metal. 

The night tube. The railway. Smog

Over coaltrip. The presence

                                                                          Of machine upon machine. U

Miriam Swales

When I was 12, I knew the weight of a human head.
8 Heads in a Duffel Bag (a bit of dark comedy).
It grew from there. The curiosity. The calculations.