Today’s choice
Previous poems
Irene Cunningham
LULLABY of CALMING – Do you take spec in your tea?
Lavender seeps. I expect my limbs to leaden, lead the body down through sheet, mattress-cover, into the machinery of sleep where other lives exist. Landscapes of folding dimensions intermingle at the drop of an eyelid. Alice meets Titania for lunch with crisp white wine instead of tea. Fizzing accents discuss our failings to hold the world in high esteem – it takes a lifetime to grow into a life, carry the bad, live like glorious humans. Some enchanted future morning I’ll wake, be enamoured by a rose bush tapping at the window, bluest sky behind. I’ll have forgotten who or what I was. A smiling someone will open my door with, Lovely morning. I’ll feel loved. They’ll place a little table on my knees with food waving its aroma. I’ll grasp the fork, pierce lumps of scrambled egg with rolling hills of melted cheese and clap hands as I finish. The daily wandering down corridors peering into paintings means it’ll take forever to mingle in that pleasant state of decay.
Irene Cunningham has poems in many magazines, anthologies over decades. 2019 Hedgehog Press published, SANDMEN: A Space Odyssey, poetry conversation. 2020 FIONA WAS HERE: Amazon. 2022 Dreich Press, No Country for Old Woman. 2023 Amazon: Talking to Walls, and Up@Ground Level.
Maggie Mackay
The teacher is an old spindly man. Grim, out of a Grimm’s tale. Scarecrow hair, thinning. Unsmiling.
Natasha Gauthier
The tawny clutch appeared
on high-heeled evenings only,
slept in a nest of white tissue.
Romy Morreo
She only speaks to me these days
through groaning floorboards in the night
and slammed doors.
Emma Simon
No-one has seen a ghost while breast-feeding
despite the unearthly hours, the half-light
mad sing-song routines of rocking a child
back to sleep.
Kushal Poddar
The furniture covered in once
transparent now foggy sheets
craft the room a morgue, and we
identity the bodies
Erich von Hungen
And the yellow moths
like some strange throw-away
tissues used up by nature
circle the lamp hanging above.
Helen Frances
I wasn’t in, so she left me a note.
Each word a tangle of broken ends, some oddly linked
to the next with a ghost trail of ink
from her rose-gold marbled fountain pen,
a rare indulgence she’d bought herself.
Suzanne Scarfone
truth be told
part of me has lived
in this box of disquiet
for years and years
let’s see
Julia Webb
Because a woman woke up
and her head had become a flower.