Today’s choice

Previous poems

Erwin Arroyo Pérez

 

 

New York City at night

Here, in my Manhattan room / insomnia tugs at me like a half-closed taxi door / letting all the echoes in / an ambulance carries the last breath of an asthmatic man / a few blocks away, a party spills over the rim of a rooftop / champagne fizz bleeding onto fire escapes / a wasted man howls into an empty alley / a tourist family dreams in postcard colours / a night-owl jogger runs in sports gear / three floors down, a man folds his infidelity into cheap hotel sheets / across the street, a college student—eyes hollow—types his assignment on a bioluminescent screen / not far, an orgy unfurls its limbs in the unseen crevices of a clandestine club / the first cry of a newborn ricochets throughout a hospital and fuses with the clamor of the street / somewhere, a woman pisses on a plastic stick and learns she is pregnant / and the city is pregnant too / with cosmopolitan offspring that breathe among the skyscrapers / within the lungs of New York City’s crowded womb.

 

 

Erwin Arroyo Pérez is the Founder and Editor-in-Chief at The Poetry Lighthouse. He also teaches literature and works as a translator in Paris. He holds a Master’s degree in English Literature and Linguistics from Université Paris Nanterre and King’s College London. Erwin’s poetry has been published in Paloma Press, The Nature of Our Times, The Winged Moon, Wildscape journal, Respublica Politics, Nanterre University Press, Des Nouvelles Heloise, and other American, British and French literary magazines. thepoetrylighthouse.com

Rosie Garland

      Poem inspired by an imaginary painting by Leonora Carrington Her hair is an updraft of orange flame, expression blurred like an early photograph where the cat is a flurry of paws. She has the small feet of an infant, but calloused from a lifetime...

Dennis Tomlinson

      A Life Where are the aunts of yesteryear? Where are the moles under Granny’s lawn? Where are the pickled frogs and locusts? Where are the lizards, where the kiss on the banks of the Moselle? Where is the Wall behind the Brandenburg Gate? Where is...

Patrick Wright

      SEVERANCE After Aisha Khalid I hear it’s rather like a firewall         that was Swedenborg & here is                                                            the womb where Mozart                                                      can’t...

VJ René

      SELECT BODIES   We didn’t say it coming. Preoccupied  By interchangeable analogies (the jasmine Blossom burdening the Avenues, plus several other factors)  We walked to the library, anxiously Equipped. The afternoon  Swung on its tender,...

Laura Gibbs

      Daffodils  Smarmy cunts. Hiding from me, in chattering spheres, year-round spectres of a season delayed. Budding in a darkness unknown - I will remember numbness. A yellow that melts, butter upon frost, their smooth openings jar in the aisles of...

Rachel Bruce

      Snowdrops I remember you from my crayon days. Clung about the tree like children to a maypole, you held green secrets close, the magic of the changing seasons folded in your petals. In the months before my mother died I anticipated you with...

Catherine Redford

      Death’s Head Moth The effect is to produce the most superstitious feelings among the uneducated, by whom it is always regarded with feelings of awe and terror. ‘The Death’s-Head Hawk-Moth’, in Edward Newman’s An Illustrated Natural History of...

Jessa Brown

      Wulf and Eadwacer’s Daughter Make Meatballs after the Old English poem   Jessa Brown, a UEA creative writing MA student, has been an Acumen Young Poet. Her work has been published in the Brixton Review of Books, The Mays, and Young Writers,...