Today’s choice
Previous poems
Sylvia Banham
Pigeon Politics
Pigeons have invaded the garden, two then four, then a flock.
They roost in the apple tree to nest, reconnoitre or mate
ignore my sorties to deter them and shit without stint
on patio and herb bed, foul lovely hyssop and thyme.
Their droppings soil plant pots, the al fresco table and chairs
and the crumbling path I must tread to the washing line.
In mating they have no finesse. Coy, the female resists.
The male pecks her then mounts her and is done in a trice.
Puffed up and portly, they waddle yellow-eyed down paths
turning their heads side to side, vigilant garden police
unlike the robin who listens, head cocked, when I greet him,
or the blackbird virtuoso whose arias at sunset entrance.
Even their handsome grey silk with its sheen of purple and green
seems commonplace now, an assertion of the power of the flock
amongst shyer or dowdier birds, nuthatch or sparrow.
Pigeons inspire not joy but a sharp rap on the window.
Sylvia Banham has had poems published most years since 2016 in Ver Poets members’ ten liner pamphlet, occasionally in the Ver annual prize pamphlet and also in their fiftieth and sixtieth anniversary anthologies in 2016 and 2026.
Abigail Ottley
Faces, unless they come swimming up close. are a blur of piggy-pink and ice-
cream. In the street, she doesn’t know, cannot be certain when to smile, when to
look away
Maggie Mackay
The teacher is an old spindly man. Grim, out of a Grimm’s tale. Scarecrow hair, thinning. Unsmiling.
Natasha Gauthier
The tawny clutch appeared
on high-heeled evenings only,
slept in a nest of white tissue.
Romy Morreo
She only speaks to me these days
through groaning floorboards in the night
and slammed doors.
Emma Simon
No-one has seen a ghost while breast-feeding
despite the unearthly hours, the half-light
mad sing-song routines of rocking a child
back to sleep.
Kushal Poddar
The furniture covered in once
transparent now foggy sheets
craft the room a morgue, and we
identity the bodies
Erich von Hungen
And the yellow moths
like some strange throw-away
tissues used up by nature
circle the lamp hanging above.
Helen Frances
I wasn’t in, so she left me a note.
Each word a tangle of broken ends, some oddly linked
to the next with a ghost trail of ink
from her rose-gold marbled fountain pen,
a rare indulgence she’d bought herself.
Suzanne Scarfone
truth be told
part of me has lived
in this box of disquiet
for years and years
let’s see