Today’s choice
Previous poems
Sheila Saunders
Man in a Room
after Interior at Paddington – Lucian Freud.
Which is the subject?
Limp-leaved yucca
reluctantly dying,
the foreground figure
in its stony pot?
Or the man with a stare
glassy-eyed behind spectacles,
fixed into absence
or challenging the viewer.
He inhabits, but barely, the slovenly mackintosh,
a cigarette hardly held, unlit,
the only suggestion of purpose
his curled fist of yellow fingers.
Can this be a home, sordid,
uncared for, or just a waiting room
where he stands in a purgatorial present?
In fear perhaps of the loiterer under a gas lamp,
boy or man undefined,
seeming absorbed into the street wall,
looking up to the window grille-
– this no protection from the imagined
or real.
Sheila Saunders graduated from St Anne’s College, Oxford, with a degree in English Language and Literature, and since then worked as a reporter on local weekly and daily newspapers in Lancashire, Lincolnshire and Buckinghamshire. She has always loved theatre, music and art, but it is her observation and fascination with her natural surroundings, including the wildlife of the coast, that has inspired most of her poetry. Her poems have been published in journals including As It Ought to Be and Words for the Wild.
Mark Czanik
I loved the tales Luke told me of starving writers,
and the sacrifices they made following their hearts.
Stephen Chappell
She has a way of tilting your head
as if lining up a thought.
Tristan Moss
I try
not to think
about my daughter’s
condition
when I
hug her
Susan J. Atkinson
I tell you my heart is breaking
but the heart has four chambers
and is not shaped like a heart at all
Peter Daniels
No, no one is who they think they are,
nor what we think they are, either:
the demon inside is thinking it
and you can’t tell him.
Paul Stephenson
Like one of those horses
on the carousel
going round and round in circles
sliding up and down a pole
Rob A. Mackenzie
Everything is moving. I have to remind myself
it’s a flat canvas and behind it a wall that’s solid
as I am.
Melanie Branton
A vixen or a reason. A
rave. No air, no sex, nor
Charlotte Oliver
On a bench outside Next,
a punctured woman
traces circles in the air with
a pale finger