Today’s choice
Previous poems
Stephen Chappell
At the Barbers
She has a way of tilting your head
as if lining up a thought.
Neither rough nor tender—decisive,
like someone used to responsibility.
She remembers names,
gently enquires after sick wives,
errant sons, daughters who never phone,
knees that won’t work on the stairs.
Old blokes come in for the cut,
eyebrow decluttering,
nose tweezering,
ears tweaked of fluff.
She works quickly, cheaply.
Cash only. Her father’s rule.
Upstairs he “keeps the books,”
which means smoking by the window.
She wanted to stay at school
she tells me
but left at fifteen
learned the grammar of heads—
quiffs, cowlicks, scars,
the way grief settles.
When I sit she listens
as if the day depends on it.
At the end she brushes my collar clean,
steps back, checks a job well done.
I leave,
feeling better.
Stephen Chappell came to poetry late (he is 72 and counting), finding the writing and reading of it a pleasure and an addiction. He lives on the side of the Malvern Hills with dog, cat and significant other and is mostly happy, especially when writing.
Steven Taylor
A very long time ago
Stephen Fry’s godfather, the
Justice, Sir Oliver Popplewell
Who chaired the inquiry
Into the Bradford City
Amirah Al Wassif
Beneath my armpit lives a Sinbad the size of a thumb.
His imagination feeds through an umbilical cord tied to my womb.
Now and then, people hear him speaking through a giant microphone—
Singing,
Cracking jokes,
Mark Smith
In the portacabin that morning, men smoked
and looked at last week’s paper again.
There was no water to fill the urn.
The first job – to get connected
Toby Cotton
A blustery day –
the wind too strong for kites
or for lifts to the sky.
“To a thoughtful spot,” it cites
and pins me to the earth.
Ansuya Patel
except this burnt red vase.
Hand shaped in the muffled roar,
devouring flame in the furnace’s mouth.
Hannah Ward
Look, Drew, the
plums are in
pieces beneath
us. I dreamt:
Andrea Small
a flower is not a heron
does not stand on one leg
spear-billed over golden carp
Usha Kishore
At dawn and dusk, my father
becomes a chant, that flies above
the courtyard of the old house
Jane Frank
The leaves are a colour you’ve never seen
but that I will learn to expect
and there’s a fracas-induced full moon