Today’s choice

Previous poems

Krishh Biswal

 

 

 

Sanctum Without God

You did not ask for knees —
They found the floor themselves.
Not from command,
But gravity.

Your name became architecture.
Something vaulted.
Something echoing.

Something built to make small sounds feel holy.

I stopped calling it love.
Love implies warmth.
This was colder —

Like stone that remembers every touch
And forgives none.

There were no candles here.
Only a dim, perpetual dusk
Where breath rose visible
Like incense with nowhere to ascend.

You did not reach for me.

You did not need to.
Devotion is a self-inflicted posture.

I learned the angles of you —
Not skin.
Structure.

Where the ribs of silence curved inward.
Where mercy failed to echo back.

I pressed my ear to your absence
And heard something breathing —

Not heart.
Not pulse.

But a vast and patient stillness.

It wanted nothing.

That was the worst of it.

I began offering pieces anyway.

Sleep first.
Then doubt.
Then language.

I let my voice grow quieter
So yours — even unspoken —
Could feel louder.

There is a moment in worship
When surrender stops being beautiful
And becomes necessary.

I crossed it.

No flame.
No ruin.
No collapse.

Just a narrowing corridor
Where the self thins
Until it can pass through something
Too small for daylight.

If this is sin,

It is not loud enough to condemn.

If this is love,
It no longer requires two.

And if I am asked what remains of me —

I will answer softly:

Only the kneeling.

 

 

Krishh Biswal writes dark, philosophical poetry exploring devotion, ritual, and the erosion of self. His work examines the quiet spaces between faith, love, and absence. He is currently working on a poetry collection.

Sylvie Jane Lewis

Being quiet and easily tired by being alive among people, I take
the cowardly route to community. I curate a digital garden of oddity.

At best my phone is a menagerie of queers: trinket makers, amateur
playwrights, witches, and, over and over again, my own personal monarchy.

Magnus McDowall

We rolled out on Seven Sisters Road,
two crates of Tyskie empty in my stairwell.

We were talking from the chest, walking backwards
crackling air above our heads like streetlights

Sarah Boyd

He’s a house of cards, a delicately balanced pyramid
held together by hearing aids and dusty bifocals and
wobbling dentures and ageing pacemaker and
shirt with three buttons missing in action and

Samantha Carr

You became obsessed with nucleated red blood cells when you peeked through an
aperture window at your liquid, viscous nature. You became obsessed with maps

Helen Akers

we’re trying to construct a frame for this
‘highly reactive impulsive emotion’
the nurse is looking into it