Today’s choice
Previous poems
Stephen Keeler
How to get here
Among the joys of love was when we got
our first apartment on a boulevard
above the trams and tree-tops and the wires
that cut the street like tangram puzzles and
our friends would come with olives and cheap wine
they found the place by following the maps
I drew in coloured inks with metro stops
hand-lettered street names and my drawing of
the dappled fountain they must pass to find
us and I drew these maps for you so that
you’d find me too I having been brought up
on maps and globes and paths marked out for on
and off the beaten track the map of you
the glorious map of you that even now
I could bring back in inks from memory
indelible as tram-lines and the paths
that crossed the park the dogs on leads the girls
with prams the foreign grass marked out with signs.
Stephen Keeler’s award-winning poetry is widely published in journals, magazines, anthologies and online. His small collection ‘They Spoke No English’ is published by Nine Pens Press and his (prose) memoir, ’50 Words for Love in Swedish’, won the 2022/23 People’s Book Prize. He was long-listed in this year’s National Poetry Competition and has edited anthologies for, among others, Candlestick Press. Substack @stephenkeelerwriter
Steph Ellen Feeney
My mother is here, and might not have been,
so I hold things tighter:
the small-getting-smaller of her
running with my daughter down the beach . . .
Anna Fernandes
My stubby maroon glove spent a chill night
on the velvet ridge of Clent Hills
tangled in summer-dried grasses
Jo Eades
It’s Wednesday and / again / I’m laying pages of newspaper on the kitchen table / tipping up the food waste bin /
Sue Butler
We cultivate the knack
of getting down on the floor and
back up three or four times each day.
JLM Morton
In a dull sky
the guttering flame
of a white heron
Tonnie Richmond
We could tell there was something
we weren’t allowed to know. Something
kept hidden from us children
Morag Smith
When the waters broke we were
out there, borderless, with just
a view of bloodshot sky from
the labour suite
Gordon Scapens
Stripping wallpaper
leaves naked the scrawls
of yesteryear’s children,
small forecasts of flights
that are inevitable.
Chrissy Banks and Antony Owen (from the IS&T archives) for Holocaust Memorial Day
Now I Lay Me Down to Sleep Goodnight moon, goodnight stars, goodnight cherry, pear, apple tree. Goodnight pond, stop wriggling, newts, stop zipping the water, water-boatmen. Goodnight, glossy horses on the hill, rabbits in the field, white...