Today’s choice
Previous poems
Alicia Byrne Keane
Bureaucracies of Water
I’ve been reading about ghost apples.
They are a real phenomenon, like how
everyone we can see on the wide street
outside this building is still living,
managing thus far, attending appointments,
the fissures in their teeth holding sugar
or leaf-fibre. A ghost apple
is something the name of which I keep
forgetting so I call them glass apples instead,
which is more what they look like.
During a cold snap, fruit breaks
under its own skin; rain settles solid
as information. It takes more for an apple
to freeze, compared to water.
Lower temperature, an increase of nights.
So the flesh falls away & the ice remains,
pitted as an Autumn made of breath
or so it seems, the stalk and branch
leading to cloud-crater, iridescent air.
When we went to the sandspit island
to see our city mirrored, lights wavering
by the bulk of the docks, we each spoke
only briefly from the wind-whip of our bikes
of the lake that was forming there
among dun reeds, tenuous dunes.
This place floodplain & changing shape
from the beginning. A puddle joins another
to become rippled azure, the land
a surprised letter with absence in its middle:
p peninsula, b breakers, d disappearance.
Dr. Alicia Byrne Keane‘s poetry has been published in The Stinging Fly, Oxford Poetry and Poetry Ireland Review, among other journals. Alicia’s second collection is forthcoming from Broken Sleep Books in autumn 2026.
Jenny Robb
The nun in charge of the children is thin, her back straight as punishment.
Ken Evans
You try doing star-jumps, steps,
or squats, in knee-high wellies.
Joe Williams
I was born in a town of shadows.
Anne Symons
She was only a little woman
five feet nothing in nylon stockings.
‘If I stood sideways they’d mark me absent.’
Ben
When she said ‘could’, it was clearly in italics
and when she said ‘one day’, the creak of glaciers
shuddered around its edges.
Dragana Lazici
the days are long but the years are short.
seconds are tiny kitchen knives in my back.
i stopped reading Dickinson, her voice is a sad parrot.
Abigail Ottley
Faces, unless they come swimming up close. are a blur of piggy-pink and ice-
cream. In the street, she doesn’t know, cannot be certain when to smile, when to
look away
Maggie Mackay
The teacher is an old spindly man. Grim, out of a Grimm’s tale. Scarecrow hair, thinning. Unsmiling.
Natasha Gauthier
The tawny clutch appeared
on high-heeled evenings only,
slept in a nest of white tissue.