Today’s choice
Previous poems
Rosie Jackson
I Am Trying to Love Frank O’Hara More
I really am! I am trying not to see his exclamation marks as cheap melodrama and his endless conjunctions as some kind of separation anxiety or fear of mortality for what do full stops signify except dying and I wish he didn’t use the word metaphysical as an insult or talk about form as nothing but a pair of pants that need to be tight enough so everyone will want to go to bed with you for as an older woman poet I feel I must navigate punctuation and line breaks with some finesse and elegance though I admit this grievance may arise from envy for even though Frank was gay he was kind of alpha male so confident and cavalier and even though he died so tragically young on Fire Island that July morning I will never reach his heights and I nearly inserted a parenthesis there or at least comma or hyphen out of habit but sometimes to be honest it is a thrill to relinquish control and to take in the smoky air of New York the jazz of those reckless American cities and share Frank’s carnal celebration of love’s life-giving vulgarity and practise his distinct style so profligate exultant unstoppable
Rosie Jackson lives in Teignmouth, Devon. Collections: Love Leans over the Table (2023), Two Girls and a Beehive: Poems about Stanley Spencer (2020), The Light Box (2016). Recent Pamphlets: Light Makes it Easy (2022), Aloneness is a Many-headed Bird (with Dawn Gorman, 2020).
Helen Ivory for International Women’s Day
A woman somewhere is typing on the internet
my heart wakes me up like clockwork.
Hélène Demetriades
At breakfast my man sticks a purple
magnolia bud in my soft boiled egg.
The flower opens, distilling to lilac.
Stuart Henson
Sometimes I’m surprised there’s light
in dark places, those corridors, those alleys
where you wouldn’t stray if you didn’t need
Richard Stimac
Trends of lead, silver, copper, and zinc
vein the middle of Missouri . . .
David R. Willis
. . . something, cold
wet and bitter, saline
sided by yellow sand . . .
Jim Murdoch
and I said,
“I understand,”
and I did, ishly . . .
Sue Spiers
Thirsty Shadow
the kind of being
that won’t post
an image
Julian Dobson
Street after street, ears bright to bass and tune
of two thudding feet, gradients of breathing. But rain
is brooding. Sparse headlights, ambient drone
of cars kissing tarmac, merging
Oliver Comins
Working the land on good days, after Easter,
people would hear the breaks occur at school,
children calling as they ran into the playground,
familiar skipping rhymes rising from the babble.