Today’s choice
Previous poems
Francis de Lima
Portrait
Oh London. U useless city. Map to
nowhere land. Tight stretch
open eye. The underground metal.
The night tube. The railway. Smog
Over coaltrip. The presence
Of machine upon machine. U
behemoth. Sea urchin. Fricative city.
And yet. Nightlamp burning into
the chippy down and out. Art in
the stuck gum on the Millenium.
And Wren
turned St Pauls upside down to count
a broken weightline
distance into the future. Momentum scream.
A liars’ cant. Tragedy at play. But so vast
Life in the kingdom. Test tube. Raucous.
Speakers in the round. Wringing poems.
Irish epiphany. Cream of glass.
Capable of cracking. Capable.
Brittle plant. Chewing.
Something growing. On Primrose
Hill.
The heath. Episodes and vignettes.
Untouchable happiness. Insulated time.
Francis de Lima is a Finnish-Brazilian poet living in London, where they recently completed their MA in Poetic Practice at Royal Holloway. Many of their poems can be found in literature magazines and some have even been nominated for an award or two.
Jo Farrant
We’re stuck on a scene, frozen, like the ice cubes I begged Mum to get with the little flowers in them. Like taking a test in the school gym but your knees are so big they’re banging into the desk.
Douglas K Currier
Afternoon hangs in the air, and the birds leave.
Frogs begin to talk to each other, and the heat congeals.
Stephen Chappell
If you could call that friend,
the special one,
the one you always love and know loves you
Marius Grose
Until the dead, sucked from leaf mould graves
are rising in forest sap, to make connections
inside strange green brains
Andrew Keyman
a day later you’re in l.a. picking out cars with the magic
only money can buy
Chrissy Banks
So many times I walked
head down half asleep
along that ordinary road to school
Christopher M James
She’d had the two of us, had learnt
how children bury their riddles, how love
unearths them
Opeyemi Oluwayomi
They are piercing knife between
the city, detaching the body from the head,
& squeezing the blood out of the flesh,
so there can be an end to what hasn’t begun.
Rhian Thomas
I sit to fumble some intrusion from my shoe.
A shard of stone, no bigger than a thought, its ridged face
cutting like some old lover, like a baby or
an old preacher drumming something that irks like a worn out song