Today’s choice
Previous poems
Katie Beswick
Can I Kiss You?
We were on my pink love seat
skin touching skin
I was drunk but longing
circled me, like stars
from a cartoon head wound
I nodded
you moved towards me
and as I parted my lips
little hesitations flew as daggers
out my mouth, though I said nothing
just let the momentous wrongness
come at you rapid, sharp
you ducked your lips were hard
and dry we tried –
oh darling we’re still trying now
the baby’s sleeping between us
and there must be some tenderness
I didn’t shred that first night
unpeeling hurts
sour as unripe oranges
you sucked them down.
Well. You said, That was the worst kiss ever.
Katie Beswick is a writer from south east London. Recent/forthcoming poems appear in Under the Radar, And Other Poems, Barrelhouse, Rattle and Narrative Magazine. Her books include Plumstead Pram Pushers (Red Ogre Review 2024) and the hybrid work of poetry, memoir, cultural history and arts criticism Slags on Stage (Routledge 2025). She teaches at Goldsmiths University of London.
Gordon Scapens
Stripping wallpaper
leaves naked the scrawls
of yesteryear’s children,
small forecasts of flights
that are inevitable.
Chrissy Banks and Antony Owen (from the IS&T archives) for Holocaust Memorial Day
Now I Lay Me Down to Sleep Goodnight moon, goodnight stars, goodnight cherry, pear, apple tree. Goodnight pond, stop wriggling, newts, stop zipping the water, water-boatmen. Goodnight, glossy horses on the hill, rabbits in the field, white...
Clare Bryden
how do I begin?
Yvonne Baker
an etherial whiteness
that covers and disguises
as a strip of white frosted glass
Hilary Thompson
Ambling up North Street
on a Saturday afternoon
at the end of a long Winter,
I am stopped by two women
Irene Cunningham
Lavender seeps. I expect my limbs to leaden, lead the body down through sheet, mattress-cover, into the machinery of sleep where other lives exist.
Graham Clifford
The Still Face Experiment
You must have seen that Youtube clip
where a mother lets her face go dead.
Her toddler carries on burbling for twenty to thirty seconds until she realises there is nothing coming back to her.
Susan Jane Sims
After you died,
someone asked:
What was it like
in those final sixteen days
waiting for your son to die?
Jane Frank
I imagine returning to the house.
Furniture is piled up in the rain—
the ideas that won’t fit.