Today’s choice
Previous poems
Peter Daniels
Changes
No, no one is who they think they are,
nor what we think they are, either:
the demon inside is thinking it
and you can’t tell him.
Being lion or crab, how did you imagine
how your life started , what it became,
reinterpreted as a pig,
recast as a snail?
Old man flattered into desire for what
he was, his own self half his age,
look at the change in him, look
at what he wants again.
Make me a new set of cells, give me
a new Russian identity, send me off
with a mission to understand
myself again, my facts.
You want a new self, too. You have
reasons to get into my inside,
and me into yours. You
animal. You angel.
Peter Daniels has published four poetry collections, the latest Old Men (Salt, 2024). He has a Creative Writing PhD from Goldsmiths, has translated Vladislav Khodasévich from Russian (Angel Classics, 2013), and as queer writer in residence at the London Archives wrote the obscene Ballad of Captain Rigby. Website: www.peterdaniels.org.uk
Anne Symons
She was only a little woman
five feet nothing in nylon stockings.
‘If I stood sideways they’d mark me absent.’
Ben
When she said ‘could’, it was clearly in italics
and when she said ‘one day’, the creak of glaciers
shuddered around its edges.
Dragana Lazici
the days are long but the years are short.
seconds are tiny kitchen knives in my back.
i stopped reading Dickinson, her voice is a sad parrot.
Abigail Ottley
Faces, unless they come swimming up close. are a blur of piggy-pink and ice-
cream. In the street, she doesn’t know, cannot be certain when to smile, when to
look away
Maggie Mackay
The teacher is an old spindly man. Grim, out of a Grimm’s tale. Scarecrow hair, thinning. Unsmiling.
Natasha Gauthier
The tawny clutch appeared
on high-heeled evenings only,
slept in a nest of white tissue.
Romy Morreo
She only speaks to me these days
through groaning floorboards in the night
and slammed doors.
Emma Simon
No-one has seen a ghost while breast-feeding
despite the unearthly hours, the half-light
mad sing-song routines of rocking a child
back to sleep.
Kushal Poddar
The furniture covered in once
transparent now foggy sheets
craft the room a morgue, and we
identity the bodies