Today’s choice
Previous poems
Robin Lindsay Wilson
Miss Betina Wauchope Disappears
From the 1927 painting ‘Interior: Orange Blind’ by FCB Cadell.
The single crimson rose
she wears in her lapel,
to test his imperfections,
draws him into detail;
pointing a thinner brush
at her wintery cheeks,
the bones of her hands.
A face ready for regard,
emptied with white spirit,
cancelled with a rag wipe,
begun again with doubt.
Behind her, the orange blind,
fuses matter and antimatter.
It guillotines space and time,
until there’s no judgment.
She pretends to love art,
as the rose petals soften.
She tries to love herself,
while he paints her portrait
as orange stupefaction.
She feels anonymous,
not responsible for sunset,
or the malice of the furniture.
Her immortality is powerless –
his contempt is complete.
Robin Lindsay Wilson is a prizewinning playwright and poet. He has three collections of poetry published by Cinnamon Press. His forth collection, The Tender Shore, is scheduled to be published in Spring of 2027 by Cinnamon Press. Robin’s work has appeared in many national and international poetry magazines, including, Acumen, The Amsterdam Review, Magma, The Rialto, Ink, Sweat & Tears, New Writing Scotland, Dream Catcher and Poetry Salzburg.
Seán Street
There was a time when I took my radio
into the night wood and tuned its pyracantha
needle along the dial through noise jungles
to silent darkness at the waveband’s end.
J.S. Dorothy
Find yourself by the lake,
its icy membrane split by the long
arrow of a skein, reflected
flurry of wings, cries
bawling.
Sarah Rowland Jones
The terns lift as one
from the salt-pools behind the beach
– a thick undulating line
Jean O’Brien
Winter soil is hard and hoar crusted,
birds peck with blunted beaks,
pushing up are the blind green pods
of what will soon be yellow daffodils,
given light and air.
Jean Atkin
We scoured the parish tip most weeks, when we were kids.
We clambered it in wellies. Ferals, we scavenged
in the debris of the adults’ lives.
Sally Festing
Life lines still arc round the base of each thumb
though the bulk of hand’s muscle mass
Joe Crocker
There was always, of course, the cold
– its freezing pretty fingerprints on our side of the pane.
Julie Sheridan
They married in a chapel of black steel
bars, tethered up their feathers to serve as
stained glass. . .
Maxine Sibihwana
here, water does not run. instead it
sits obediently in old plastic containers