Today’s choice
Previous poems
Gwil James Thomas
The Art of Walking Nowhere
Terrestrial locomotion
across concrete,
the inverted pendulum,
moving flesh and boot –
the touchdown
softened by slightly
worn inner soles.
Fascinated by gum stained slabs,
I sidestep snails and ants
and cut through the park,
before I cross a discarded plank
over the puddle to the exit –
some risks pay off,
if we can just keep moving.
With the sun on my body,
I shoegaze without sound –
going nowhere in particular.
When I’m dead –
even this I will miss.
Gwil James Thomas is a poet, novelist and inept musician from Bristol, England. Over the years his poetry has been published by Tangerine Press, Vipers Tongue, Paper and Ink and River Dog Zine, amongst others. IG: @gwiljamesthomas
Eryn McDonald
It is here that the day breaks apart
Like ice on frustrated frozen pond
Here in the grounds of Ashton Court
I wish to bury myself amongst the green
Gordan Struić
Outside,
the city slides by,
blurred lines
of glass and rain.
Stephen Keeler
The days were huge and kind
and sometimes after school
we’d buy a bag of broken biscuits
for the long walk home
across the heavy heat of afternoon
on lucky days she wouldn’t take
the pennies offered up in supplication
Joseph Blythe
I swear I felt the swirly patterned paper
rip from the walls of my childhood bedroom.
It was the same stained cream shade as my skin –
pockmarked, cut and scabbed, dry and peeling…..
Denise Bundred
Shadowed boats bereft of sail
absorb the surge and slap
constrained by a blue-grey chink
of mooring chains.
Rahma O. Jimoh
A bird skirts across the fence
& I rush to the window
to behold its flapping wings—
It’s been ages
since I last saw a bird.
Samuel A. Adeyemi
I can already hear the chorus of my tribe.
They want the ancient blade,
the guillotine that hovered
above my head like a halo of death.
Mofiyinfoluwa O.
when you
know that your time with someone has almost run out, that is what you do. you look for
tiny things buried in the sand so that you do not have to look at the huge broken thing
standing between you both.
Chris Emery
and if we walk to the same sea later
we’ll see something heaving up beside us:
caskets of grey, white-capped, barren and loose,
the way memories are.