Today’s choice
Previous poems
Sophie Lankarani
Dear Iran
after Sholeh Wolpé
Even though I only once traced your streets with my own feet,
you wandered into my dreams anyway
sliding in through my grandmother’s stories,
drifting out of the steam of her afternoon tea
searching for a place to land.
You slipped in from the clatter of spoons
against crystal tea glasses,
from the rustle of pistachios in a bowl,
from the smell of warm barbari bread.
You crawled across the living room rug
with its deep red blossoms,
and settled in the hollow of my throat
like an unfinished sentence.
I thought you were gold, Tehran,
and pomegranate-red, bursting with juice,
spice merchants crushing saffron threads
between their fingertips,
the air thick with sumac and smoke
and the hum of bargaining voices.
I dream of you, Tehran, I dream
every night with the ache
of someone trying to read
a language she was never taught.
I searched for you in the slope of my nose,
the olive of my skin.
But I cannot come to you.
You stay sealed behind headlines and rumors,
across news screens and phone calls,
behind the constant warning
“Not now. It’s not safe.”
And so you live inside me instead
a place I carry like a hidden heirloom,
glimmering in the dark.
A city I cannot visit
but that pulls at me anyway,
calling my name
like a prayer in a language I don’t understand
but somehow already know.
Sophie Lankarani is an Iranian-American writer whose poetry explores inheritance, displacement, and memory through Persian imagery and landscape. Her work reflects on cultural fracture, migration, and belonging.
Note: This poem was recently selected as the First Place Winner of the Sherry Pruitt Award by the North Carolina Poetry Society, and will be published in their Pinesong anthology.
JLM Morton
In a dull sky
the guttering flame
of a white heron
Tonnie Richmond
We could tell there was something
we weren’t allowed to know. Something
kept hidden from us children
Morag Smith
When the waters broke we were
out there, borderless, with just
a view of bloodshot sky from
the labour suite
Gordon Scapens
Stripping wallpaper
leaves naked the scrawls
of yesteryear’s children,
small forecasts of flights
that are inevitable.
Chrissy Banks and Antony Owen (from the IS&T archives) for Holocaust Memorial Day
Now I Lay Me Down to Sleep Goodnight moon, goodnight stars, goodnight cherry, pear, apple tree. Goodnight pond, stop wriggling, newts, stop zipping the water, water-boatmen. Goodnight, glossy horses on the hill, rabbits in the field, white...
Clare Bryden
how do I begin?
Yvonne Baker
an etherial whiteness
that covers and disguises
as a strip of white frosted glass
Hilary Thompson
Ambling up North Street
on a Saturday afternoon
at the end of a long Winter,
I am stopped by two women
Irene Cunningham
Lavender seeps. I expect my limbs to leaden, lead the body down through sheet, mattress-cover, into the machinery of sleep where other lives exist.