Today’s choice
Previous poems
Seán Street
Candlelight
We lit a candle for you
that day in Sacre Coeur,
under its white-flame dome
as high as Paris could go
and still be Paris, stood there
awhile as the dark fire
caught, aspiring to spirit,
then turned as the dusk church rang
with candles, remembering
beers and salades gourmand
in the streets by the Sorbonne
held by a small fountain of light
that became the pole star
for this blank page, and which
as far as I know burns still
as high as Paris can go,
and Sacre Coeur, escaping
like you the prison of shape
through this small portal, glows white.
Seán Street’s latest is Running Out of Time (Shoestring Press, 2024). Prose includes works on Gerard Manley Hopkins and the Dymock Poets, as well as a number of studies of sound poetics, the latest of which, Wild Track: Sound, Text and the Idea of Birdsong was published by Bloomsbury, (paperback edition in May, 2025.) Previous prose includes The Poetry of Radio, The Memory of Sound and The Sound of a Room, published by Routledge. He has worked in audio production for more than 50 years and lives in Liverpool. He is emeritus professor at Bournemouth University.
Nigel King
My compass – its needle set with a sliver of blue stone – spins and spins. Breath mists my snow
goggles. I wipe them endlessly. Even in these thick seal-skin mitts my hands are frozen. I have been
no place as still as this.
Clare Bryden
seek justice
and you hold
a seashell to your ear
hear
Gail Webb
He cuts. I lie still, teach myself
to dream of St David’s Bay,
seaweed strewn on incoming tides,
surfers slice big waves in half.
Kim Cullen
I pull a dress over my head
calm foggy blue linen
sleeved in lavender,
press frizzed hair
Mark G. Pennington
Vigo in Autumn is still a furnace
the nightjars
roost on ram-tarmacked roads
and hot guapas carrying fish baskets
Ivan McGuinness
Begins
in a bubble
strained by chalk.
Where the brim-full hill cries,
weeping tracks merge
Elizabeth Wilson Davies
There are places in Wales I don’t go: reservoirs that are the subconscious of a people – R S Thomas
Cofiwch Dryweryn, that two-word protest,
white on blood-red background, landscaped in green,
Kay Feneley
Some days I must immerse myself in the waters
These days are more than others
Monday 09.06 – a sewage overflow has activated
David I. Hughes
He does not shout. He charts.
Where treaty lines once hung like old nets,
he inks the deep, the dark, the yet-unmade.