Today’s choice
Previous poems
Karina Jutzi
Lot’s Wife
I think today of the boy in choir class
who closed his eyes when we sang
about Jesus. Who swayed, as if the Lord
himself was in the room.
I sat in the back row and braided
my girlfriend’s hair. Men are allowed
to worship each other. To bow down
at the feet of fellow men. But not to touch them.
They stand shoulder to shoulder,
eyes forward, staring at the same thing.
Women, on the other hand,
must also save their worship for men,
but their touches can go wherever they
damn well want to put their fingers.
The boy told me the story of
Lot’s nameless wife.
Who turned into a pillar of salt,
because she was disobedient.
Why not Ketchup, I said
Why not butter?
But I was missing the point,
which was: These are the rules of men,
follow them.
Karina Jutzi is a multi-genre writer whose work meets at the intersection of art and spirituality. Her poetry, plays, essays, and comedy writing have been featured in various literary magazines and publications. The main themes in her work are death, birth, and anything that peers into the void. She currently lives on a small farm in Vermont with her husband and young children.
Matt Bryden
at the cider farm, eight minutes
before handover, we strike on
feeding the donkeys –
Colin Pink
to embrace you is like clasping
a fist full of briars
Simon Williams
What were these fairies called
before we knew of hummingbirds?
Bumblebee moth because of the size?
Reed-nose moth because of the proboscis?
Elizabeth Barton
On Diamond Hill
I didn’t
think of you once
as I climbed
past stunted willows
straggles of gorse
Susan Jane Sims on Mothering Sunday
Matter cannot be created and it cannot be destroyed.
I think of this as I pour the almost white ash from
the green plastic container that came in the post
into the vibrant red metal urn I have ready.
Daniel Sluman
just as the night sky shifts
beyond the minds
of the animals outside
the ceilings
we are pressed beneath change
in aspect & colour
Farah Ali
Notes from nature on how to survive this:
1. Learn crypsis and mimesis be a gecko or a mossy frog
2. Method actors sway like dead-leaf mantises on branches
James Benger
We tore it all down
just to watch it burn,
standing in that alley
of forgotten refuse.
Graham Clifford
Check the cavities in you where hurt goes,
exactly the right shape to house an insult
like a power tool snug and clipped in its case.