Today’s choice
Previous poems
Sophie Lankarani
Dear Iran
after Sholeh Wolpé
Even though I only once traced your streets with my own feet,
you wandered into my dreams anyway
sliding in through my grandmother’s stories,
drifting out of the steam of her afternoon tea
searching for a place to land.
You slipped in from the clatter of spoons
against crystal tea glasses,
from the rustle of pistachios in a bowl,
from the smell of warm barbari bread.
You crawled across the living room rug
with its deep red blossoms,
and settled in the hollow of my throat
like an unfinished sentence.
I thought you were gold, Tehran,
and pomegranate-red, bursting with juice,
spice merchants crushing saffron threads
between their fingertips,
the air thick with sumac and smoke
and the hum of bargaining voices.
I dream of you, Tehran, I dream
every night with the ache
of someone trying to read
a language she was never taught.
I searched for you in the slope of my nose,
the olive of my skin.
But I cannot come to you.
You stay sealed behind headlines and rumors,
across news screens and phone calls,
behind the constant warning
“Not now. It’s not safe.”
And so you live inside me instead
a place I carry like a hidden heirloom,
glimmering in the dark.
A city I cannot visit
but that pulls at me anyway,
calling my name
like a prayer in a language I don’t understand
but somehow already know.
Sophie Lankarani is an Iranian-American writer whose poetry explores inheritance, displacement, and memory through Persian imagery and landscape. Her work reflects on cultural fracture, migration, and belonging.
Note: This poem was recently selected as the First Place Winner of the Sherry Pruitt Award by the North Carolina Poetry Society, and will be published in their Pinesong anthology.
Susan Jane Sims on Mothering Sunday
Matter cannot be created and it cannot be destroyed.
I think of this as I pour the almost white ash from
the green plastic container that came in the post
into the vibrant red metal urn I have ready.
Daniel Sluman
just as the night sky shifts
beyond the minds
of the animals outside
the ceilings
we are pressed beneath change
in aspect & colour
Farah Ali
Notes from nature on how to survive this:
1. Learn crypsis and mimesis be a gecko or a mossy frog
2. Method actors sway like dead-leaf mantises on branches
James Benger
We tore it all down
just to watch it burn,
standing in that alley
of forgotten refuse.
Graham Clifford
Check the cavities in you where hurt goes,
exactly the right shape to house an insult
like a power tool snug and clipped in its case.
Gill Horitz
I woke to workers with blades
along the verge, yellow-jacketed
to signify contracted rights
Anita Karla Kelly, CE Collins, Clare Painter on International Women’s Day
In the beginning of the end she bit the thing she wasn’t meant to bite.
Apple stuck in her throat, one bite taken, then swallowed whole.
Elaine Baker
To my Ovaries
My cahoonas. My muscular daisies.
Potent white olives. You make me sick.
Jan FitzGerald
What is not to love
when you draw back curtains
and taste clouds
in their newness and innocence