Today’s choice
Previous poems
Tamara Salih
Buried
That winter the snow kept rising,
a slow white wall climbing the windows,
each morning untouched,
the whole world muffled under it.
A hush so complete it felt like a hand
pressed gently over the mouth.
I pulled on my snow pants, my jacket.
No one home, I went outside.
Back then we wore our house keys
on shoelaces around our necks—
mine a fluorescent yellow
because I lost things.
I thought I was building an igloo,
though it was only a mound of snow
with a tunnel carved into its center.
Still, I imagined fur, seal oil,
families folded into warmth,
a fire licking the dark.
Inside my tunnel the snow leaned in,
heavy, watching through my mittens.
Sweat cooled against my wrists,
a thin film turning to ice.
For a moment I thought of resting—
the work had been hard,
the quiet so complete—
the ceiling gave way.
I took a breath.
Under that sudden weight
I wasn’t sure
I could get myself out.
Tamara Salih is a physician and writer. Her poetry has appeared in MedMic and Poet in Verse Journal. Her work explores memory, inheritance, and the body. She lives on the west coast of Canada near the Salish Sea.
Stephen Chappell
She has a way of tilting your head
as if lining up a thought.
Tristan Moss
I try
not to think
about my daughter’s
condition
when I
hug her
Susan J. Atkinson
I tell you my heart is breaking
but the heart has four chambers
and is not shaped like a heart at all
Peter Daniels
No, no one is who they think they are,
nor what we think they are, either:
the demon inside is thinking it
and you can’t tell him.
Paul Stephenson
Like one of those horses
on the carousel
going round and round in circles
sliding up and down a pole
Rob A. Mackenzie
Everything is moving. I have to remind myself
it’s a flat canvas and behind it a wall that’s solid
as I am.
Melanie Branton
A vixen or a reason. A
rave. No air, no sex, nor
Charlotte Oliver
On a bench outside Next,
a punctured woman
traces circles in the air with
a pale finger
Peter Devonald
He is bitterest regrets,
dark chocolate, olives and kale,
The Telegraph and Magritte’s
pipe, the treachery of images.