Today’s choice

Previous poems

Kath Mckay

 

 

 

How to become two-dimensional

Die. You’re soon reduced to a photograph.
Lugubrious Co-op undertakers will zip you in a bag
and keep you cold, until you’re moved care of Michael,
with curly grey locks like Frodo, who has dropped
too much acid in his youth according to my friend: ‘Look at his eyes,’ she says.

Chill for ten days, be dressed in jacket and jeans,
your daughter’s South Park tie: You will respect my authority.
Burn. Reduced to ash, be thrown into a tree hole in Leeds,
and carried to Pittwater and scattered.
As a photograph, people can kiss your face,

but you can’t kiss back, or put your tongue
down her throat, or curl into her.  Nothing left of your arms,
to wrap around her in bed. Only your photo, grinning,
fixed and unchanging. When you were quicksilver, planning
to clear the front garden, take up Spanish, go backpacking in Spain.

 

 

Kath Mckay has published three full poetry collections, the most recent, Moving the Elephant, from Michael Laskey’s Garlic Press . She also publishes short stories and longer fiction.

Trelawney

What is holding you back from building your wormery?

You can’t say there isn’t the time. Everyone has the time
when it comes to a wormery. Born with the right tools to hand.

David Van-Cauter

…4am and the birdsong begins, a wet January in a new city and I’m alone watching a man in Minnesota, murdered for protecting a woman from a fascist hit squad. . .

Paul Moclair

Their shore leave over,
. . . the spirits of the dead are bid farewell
until that time next year, when ritual
grants them reprieve again.