Today’s choice
Previous poems
Ashia Mirza
Heartbust: (Plato’s Allegory of the Cave)
Someone is taking a photo
at a wedding
of their baby
at a celebration.
There’s a roar of a truck
the hiss of a missile
the boom of a dumb bomb.
The prodigal sun casts shadows in your cave
of
someone taking a photo
at a wedding
of their baby
at a celebration.
There’s a roar of a truck
the hiss of a missile
the boom of a dumb bomb –
breaking your shackles.
You leave the cave blinded
scrambling over
broken lines … broken bones … broken dreams.
Your eyes switch channels.
There’s a dread it’s real.
You swipe up.
There’s a dread it’s real.
There’s a feeling beyond helpless
which you can’t stop: Heartbust.
You gasp for air
like you’re the one trapped
in the rubble
dying to get out.
You return to your shackles
in the cave watching
someone taking a photo
at a wedding
of their baby
at a celebration.
Ashia Mirza is a writer from Bolton. Her poetry has been shortlisted for the Aurora Prize and highly commended by the University of Greater Manchester. Her short fiction has been shortlisted for the HG Wells Prize and published in the anthology Motion and on CafeLit. Her novels have been longlisted and shortlisted in competitions run by The Times/Chicken House, Guppy, Northern Writers, and Commonword. Alongside her writing, she works as an informatics pharmacist.
Amy Dugmore
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Did you sip your coffee without worrying
about its diuretic properties? Was it sunny
where you were?
Hannah Linden
I was cutlery left out in the rain, rusty
by morning, a side-slipping fiddlestick
desperate for music, starved for company.
Eve Chancellor
Imagine waking up one day and discovering
that you are a horse. At first, you might not
believe it and think you are dreaming.
Ananya S Guha
The leaves are growing out of
a harangue of loneliness
palms cupped I listen to silences
of winter or summers
Peter Leight
Instead of Dying I’m Taking a Trip
to Kansas
where the light appears
as if walking through a gate
in the air
Daniel Cartwright-Chaouki
Its timber frame held together by the waste
of its own decay
The rot a kind of glue undisturbed
Cracked panes of glass hold their fractures
Rosie Jackson
I Am Trying to Love Frank O’Hara More
I really am! I am trying not to see his exclamation marks as cheap melodrama and his endless conjunctions as some kind of separation anxiety or fear of mortality for what do full stops signify except dying
Charlotte Holm, Jennifer A McGowan
A leaky drainpipe drips
creating damp patches on uneven paving,
slime green algae blossoms
forming viridescent ripples
James McDermott
if samsara’s concrete please don’t come back
as black jackal for I live in Norwich
nor spineless worm as I don’t have a lawn