Today’s choice
Previous poems
Alicia Byrne Keane
Bureaucracies of Water
I’ve been reading about ghost apples.
They are a real phenomenon, like how
everyone we can see on the wide street
outside this building is still living,
managing thus far, attending appointments,
the fissures in their teeth holding sugar
or leaf-fibre. A ghost apple
is something the name of which I keep
forgetting so I call them glass apples instead,
which is more what they look like.
During a cold snap, fruit breaks
under its own skin; rain settles solid
as information. It takes more for an apple
to freeze, compared to water.
Lower temperature, an increase of nights.
So the flesh falls away & the ice remains,
pitted as an Autumn made of breath
or so it seems, the stalk and branch
leading to cloud-crater, iridescent air.
When we went to the sandspit island
to see our city mirrored, lights wavering
by the bulk of the docks, we each spoke
only briefly from the wind-whip of our bikes
of the lake that was forming there
among dun reeds, tenuous dunes.
This place floodplain & changing shape
from the beginning. A puddle joins another
to become rippled azure, the land
a surprised letter with absence in its middle:
p peninsula, b breakers, d disappearance.
Dr. Alicia Byrne Keane’s poetry has been published in The Stinging Fly, Oxford Poetry and Poetry Ireland Review, among other journals. Alicia’s second collection is forthcoming from Broken Sleep Books in autumn 2026.
Tristan Moss
I try
not to think
about my daughter’s
condition
when I
hug her
Susan J. Atkinson
I tell you my heart is breaking
but the heart has four chambers
and is not shaped like a heart at all
Peter Daniels
No, no one is who they think they are,
nor what we think they are, either:
the demon inside is thinking it
and you can’t tell him.
Paul Stephenson
Like one of those horses
on the carousel
going round and round in circles
sliding up and down a pole
Rob A. Mackenzie
Everything is moving. I have to remind myself
it’s a flat canvas and behind it a wall that’s solid
as I am.
Melanie Branton
A vixen or a reason. A
rave. No air, no sex, nor
Charlotte Oliver
On a bench outside Next,
a punctured woman
traces circles in the air with
a pale finger
Peter Devonald
He is bitterest regrets,
dark chocolate, olives and kale,
The Telegraph and Magritte’s
pipe, the treachery of images.
Anne Ryland
Restless two-hundred-year-old village elder,
a ragged playground of words, or is it weeds –
fragments of chant to slaps of skipping rope.