Today’s choice
Previous poems
Krishh Biswal
Sanctum Without God
You did not ask for knees —
They found the floor themselves.
Not from command,
But gravity.
Your name became architecture.
Something vaulted.
Something echoing.
Something built to make small sounds feel holy.
I stopped calling it love.
Love implies warmth.
This was colder —
Like stone that remembers every touch
And forgives none.
There were no candles here.
Only a dim, perpetual dusk
Where breath rose visible
Like incense with nowhere to ascend.
You did not reach for me.
You did not need to.
Devotion is a self-inflicted posture.
I learned the angles of you —
Not skin.
Structure.
Where the ribs of silence curved inward.
Where mercy failed to echo back.
I pressed my ear to your absence
And heard something breathing —
Not heart.
Not pulse.
But a vast and patient stillness.
It wanted nothing.
That was the worst of it.
I began offering pieces anyway.
Sleep first.
Then doubt.
Then language.
I let my voice grow quieter
So yours — even unspoken —
Could feel louder.
There is a moment in worship
When surrender stops being beautiful
And becomes necessary.
I crossed it.
No flame.
No ruin.
No collapse.
Just a narrowing corridor
Where the self thins
Until it can pass through something
Too small for daylight.
If this is sin,
It is not loud enough to condemn.
If this is love,
It no longer requires two.
And if I am asked what remains of me —
I will answer softly:
Only the kneeling.
Krishh Biswal writes dark, philosophical poetry exploring devotion, ritual, and the erosion of self. His work examines the quiet spaces between faith, love, and absence. He is currently working on a poetry collection.
JLM Morton
In a dull sky
the guttering flame
of a white heron
Tonnie Richmond
We could tell there was something
we weren’t allowed to know. Something
kept hidden from us children
Morag Smith
When the waters broke we were
out there, borderless, with just
a view of bloodshot sky from
the labour suite
Gordon Scapens
Stripping wallpaper
leaves naked the scrawls
of yesteryear’s children,
small forecasts of flights
that are inevitable.
Chrissy Banks and Antony Owen (from the IS&T archives) for Holocaust Memorial Day
Now I Lay Me Down to Sleep Goodnight moon, goodnight stars, goodnight cherry, pear, apple tree. Goodnight pond, stop wriggling, newts, stop zipping the water, water-boatmen. Goodnight, glossy horses on the hill, rabbits in the field, white...
Clare Bryden
how do I begin?
Yvonne Baker
an etherial whiteness
that covers and disguises
as a strip of white frosted glass
Hilary Thompson
Ambling up North Street
on a Saturday afternoon
at the end of a long Winter,
I am stopped by two women
Irene Cunningham
Lavender seeps. I expect my limbs to leaden, lead the body down through sheet, mattress-cover, into the machinery of sleep where other lives exist.