Today’s choice
Previous poems
Natasha Gauthier
Roman curses
Nobody knows what Cicero’s gardener whistled
to his figs and olives, what the consul’s young wife
hummed to herself while slaves combed beeswax
and perfumed oils from Carthage into her hair.
Did bawdy odes to Octavia’s backside
(Ah, Maximus, she is plump as an Iberian mare)
flow from the taverns Ostia, Massilia, Aquae Sulis?
The Romans, leaving behind no music,
choked their sacred springs with curses.
Tiny, jagged metal tongues folded over
and over upon themselves, rolled over
and over like olive pits in vinegar mouths.
Oh goddess, may the thief who stole
my best gloves lose his mind and his eyes.
Minerva sighs at these razorblade grievances,
sulfurous prayers etched in bile, she is bored,
would prefer to be getting songs about figs,
olives, emperors, Octavia’s ample bottom,
instead of junkmail grudges piling up,
centuries-deep, at her patient doorstep
Natasha Gauthier is a Canadian poet living in Cardiff. She won First Prize in the 2024-25 Poetry Wales Awards, and won the 2025 Borzello Trust/New Welsh Review Prize for poetry. Her debut collection will be published by Parthian next year.
Stewart Carswell
It’s the house at the end.
White paint flakes off the front gate,
wood rots beneath.
Chris Kinsey
Hey cat, you’re doing really well,
three fields stalked and only one to go.
Holly Magill
. . .you’re swallowed whole
into this cocoon: pine-scent, antibac and the dry
whoosh of his heater – lean your careworn bones into
synthetic leather snug, . . .
Dave Simmons
My sky is a hole from which the bucket drops.
Like all heretics, I am put to work processing stones.
Paul Fenn
To impress you, I became
a seven-year-old son of Sparta.
A little hard man, crayon
marching down the page.
Ruth Aylett
God had been playing computer games
for a chunk of eternity when he became aware
he’d left creation in the oven for a long time
Chris Campbell
The View From This Hospital Window
I admire an empty bench for hours –
then a glum couple sit to share strawberries.
Patrick Deeley
He sees a stainless-steel spoon
burned off at the base,
a bunch of wild flowers dropped,
Eliot North
Explaining to my little man
about proportion,
he responds with feeling:
a picture of daddy
with thousands of fingers.