Today’s choice
Previous poems
Bel Wallace
Interior
My dear, I washed you out of my sheets.
And now I sleep softly in them.
My dreams are sweet and free.
I opened the windows to air out
your smoke. I liked it for a while, how
it held the past in its wispy fingers.
I emptied your cigarette butts
from my ashtray. The Cuban one, heavy.
Remember? It waited a half-life for you.
I scoured your dense coffee
from my cups. You broke one. Elegant,
with painted roses. It doesn’t matter.
I threw away your shoes. Every time,
you left a pair behind, like two footprints
in ancient rocks.
I put back the furniture you’d rearranged,
restored my writing corner. Low sun
streams in, now we’re past the Equinox.
And still, my love, our dead skin cells
persist. We mingle in the house-dust,
dancing in the slow winter sunlight.
Bel Wallace‘s poetry has been short-listed for the Bridport Prize, nominated for the Pushcart and published in a range of journals, most recently Anthropocene, Magma and Under the Radar. She’s trying to finish her first novel, but keeps getting distracted by poetry.
Romy Morreo
She only speaks to me these days
through groaning floorboards in the night
and slammed doors.
Emma Simon
No-one has seen a ghost while breast-feeding
despite the unearthly hours, the half-light
mad sing-song routines of rocking a child
back to sleep.
Kushal Poddar
The furniture covered in once
transparent now foggy sheets
craft the room a morgue, and we
identity the bodies
Erich von Hungen
And the yellow moths
like some strange throw-away
tissues used up by nature
circle the lamp hanging above.
Helen Frances
I wasn’t in, so she left me a note.
Each word a tangle of broken ends, some oddly linked
to the next with a ghost trail of ink
from her rose-gold marbled fountain pen,
a rare indulgence she’d bought herself.
Suzanne Scarfone
truth be told
part of me has lived
in this box of disquiet
for years and years
let’s see
Julia Webb
Because a woman woke up
and her head had become a flower.
Freyr Thorvaldsson
A candle eats away at air
At the same rate that we do
Konstandinos (Dino) Mahoney
A teacher guides his pupils past headless marble torsos,
dusty cabinets of tiny Attic coins, pockmarked stylobates,
to a large clay pithos . . .