Today’s choice
Previous poems
Robin Lindsay Wilson
Miss Betina Wauchope Disappears
From the 1927 painting ‘Interior: Orange Blind’ by FCB Cadell.
The single crimson rose
she wears in her lapel,
to test his imperfections,
draws him into detail;
pointing a thinner brush
at her wintery cheeks,
the bones of her hands.
A face ready for regard,
emptied with white spirit,
cancelled with a rag wipe,
begun again with doubt.
Behind her, the orange blind,
fuses matter and antimatter.
It guillotines space and time,
until there’s no judgment.
She pretends to love art,
as the rose petals soften.
She tries to love herself,
while he paints her portrait
as orange stupefaction.
She feels anonymous,
not responsible for sunset,
or the malice of the furniture.
Her immortality is powerless –
his contempt is complete.
Robin Lindsay Wilson is a prizewinning playwright and poet. He has three collections of poetry published by Cinnamon Press. His forth collection, The Tender Shore, is scheduled to be published in Spring of 2027 by Cinnamon Press. Robin’s work has appeared in many national and international poetry magazines, including, Acumen, The Amsterdam Review, Magma, The Rialto, Ink, Sweat & Tears, New Writing Scotland, Dream Catcher and Poetry Salzburg.
Philip Gross
Enough of scorch, scald, sore- and rawness.
Sometimes flesh longs for eclipse.
Nick Allen
she told me about the still hours
spent at the coast watching the east
Phil Vernon
Because we were four
and I only had strength to carry one
and knew no other way
I carried the one who called out loudest;
threatened us most.
Patrick Deeley
As you rummage of a morning
among dust-furred personal effects
jumbled in an old
wooden suitcase under a bed . . .
Terry Jones
The Lake District Tourist Board
has had no input into what
you are now reading, but I so
miss Cumbria in Holy Week
Mary Mulholland
Who will pick the apples now she’s gone?
Samantha Carr
She has few secrets with her translucent map skin of blue underground rivers visible to scale.
Alison Patrick
A dozen snail shells exposed on dry soil
in the archangel’s cut brown stalks.
Banded like fairground sweets and helter-skelters . . .
Julie Egdell
At the shore of impossibility
last moments come to nothing
all our plans die in the salt air
of another new day on the black sea.