Today’s choice

Previous poems

L. Haiman

 

 

 

O is the Mother Letter

 

My baby is hungry. Grabs

me with both hands. I am

an apple, apparently no will. I give in

to his teeth and hate it. Him I love! I can’t say No and even when I do

I go back

On my word. It must be that consent is

Ancient.

                    Older even.

                                           A code written

In our body, a binary of unspoken NO’s / misspoken YES’s,

I guess it must have started with a

                        ( o )

Breast.

And mouths to feed: the need

to quench and satiate an Other at the great

Expense of self. Give comfort, forfeit

Feeling safe.

 

L. Haiman is a Romanian-born multidisciplinary artist who lives and works in Margate, UK. L. Haiman’s work explores bilingualism, cultural identity, and intergenerational trauma across concrete poetry and prose. L. Haiman’s poetry writing has appeared in West Trade Review, The William and Mary Review, and Ink Sweat & Tears and was shortlisted for the Alpine Fellowship.

Abiodun Salako

a boy grows tired
of dying again and again.

                                                                                                                                       i am building him a morgue
                                                                                                                                                       for Thanksgiving.

Patrick Wright

It’s as if the dream
is telling me we are still joined
somehow, despite waking
and me trudging on, even though
your voicemail is off, your locks
changed.

William Collins

We carry the shame of Paragraph 352D
folded into suitcases at foreign borders,
where love is questioned like a crime,
and disbelief stamped heavier than visas.
They tell us to run for our lives —
but only if we can do it quietly.

Oz Hardwick

The ghost of my mother knows the names of everything, but
she can’t tell me, because ghosts, whatever you have heard
to the contrary, can’t speak.

Warren Mortimer

& you’ll understand if i leave open this theatre of air
not as the invite for another loss
but to honour their world unwilling to collapse

Jena Woodhouse

Language reinvents itself,
coruscates in signs on walls;
falls silent, mute as clay and stone
on tablets that enshrine its form.