Today’s choice
Previous poems
Daniel Cartwright-Chaouki
The Lean-to Glasshouse
Its timber frame held together by the waste
of its own decay
The rot a kind of glue undisturbed
Cracked panes of glass hold their fractures
still
Hearts tongue ferns grow beneath
the dripping tap
And at the end in the damp where
all the water pools at the bottom of the sloping
shingle path
Bricks crumble to dust
Their profile left behind
miniature terracotta towns in relief
Grey plastic sockets intrude
Dried cardoon heads hang upside down
from routed conduit pipe
Loose stacks of brick and timber slats
make staging for rows and rows of potted
plants
This is where things grow
The wind threatens with a conditioned
response
So I cup my hands to catch it
And wait for somebody to say
words like short unexpected illness
And devastating loss
Daniel Cartwright-Chaouki is a gardener and writer from Birmingham, England. He writes about trees and plants (mostly) and people (sometimes) and other unimportant things. His work has featured widely both in print and online.
Jo Farrant
We’re stuck on a scene, frozen, like the ice cubes I begged Mum to get with the little flowers in them. Like taking a test in the school gym but your knees are so big they’re banging into the desk.
Douglas K Currier
Afternoon hangs in the air, and the birds leave.
Frogs begin to talk to each other, and the heat congeals.
Stephen Chappell
If you could call that friend,
the special one,
the one you always love and know loves you
Marius Grose
Until the dead, sucked from leaf mould graves
are rising in forest sap, to make connections
inside strange green brains
Andrew Keyman
a day later you’re in l.a. picking out cars with the magic
only money can buy
Chrissy Banks
So many times I walked
head down half asleep
along that ordinary road to school
Christopher M James
She’d had the two of us, had learnt
how children bury their riddles, how love
unearths them
Opeyemi Oluwayomi
They are piercing knife between
the city, detaching the body from the head,
& squeezing the blood out of the flesh,
so there can be an end to what hasn’t begun.
Rhian Thomas
I sit to fumble some intrusion from my shoe.
A shard of stone, no bigger than a thought, its ridged face
cutting like some old lover, like a baby or
an old preacher drumming something that irks like a worn out song