Today’s choice
Previous poems
Rich Yates
The Bird
The bird
crept up on him, threw its voice into an empty tree,
he started to notice the aliveness of things,
wondered how
he had slept through his adult life
without ever having inhabited a bush.
The bird
followed him into a glade, revealed
certain important objects, a surging eyeball,
fully encased, a weapons-grade flask, army slacks
ideal for losing himself in,
he was rabid for the hunt.
The bird
was pleased with his progress, sent dispatches to other birds
on how he filled the air
with a librarian’s conceit,
recorded everything
in notebooks and photographs, a wayward inheritance.
To his family
it was nothing more than the latest hobby,
but quietly, assuredly, on those hot and cold days,
he learnt
how to hold the enemy in his crosshairs
and choose mercy.
Rich Yates is working on his first collection of poetry. His poems have so far appeared in Viper’s Tongue magazine. He is a proud Essex boy, works in conservation where he can enjoy the quiet beauty of the saltmarsh, and is a keen musician.
Ansuya Patel
Women scrape coins from their purse,
count pennies, one lifts up a watermelon
in mid-air like raising a newborn to light.
Pippa Little
a woman’s rage cannot raise the dead
but it may split stone like lightning
Abiodun Salako
a boy grows tired
of dying again and again.
i am building him a morgue
for Thanksgiving.
Patrick Wright
It’s as if the dream
is telling me we are still joined
somehow, despite waking
and me trudging on, even though
your voicemail is off, your locks
changed.
William Collins
We carry the shame of Paragraph 352D
folded into suitcases at foreign borders,
where love is questioned like a crime,
and disbelief stamped heavier than visas.
They tell us to run for our lives —
but only if we can do it quietly.
Oz Hardwick
The ghost of my mother knows the names of everything, but
she can’t tell me, because ghosts, whatever you have heard
to the contrary, can’t speak.
McLord Selasi
I walk the flat barefoot,
step over old dreams
still curled like cats
in the corners.
Warren Mortimer
& you’ll understand if i leave open this theatre of air
not as the invite for another loss
but to honour their world unwilling to collapse
Jena Woodhouse
Language reinvents itself,
coruscates in signs on walls;
falls silent, mute as clay and stone
on tablets that enshrine its form.