Today’s choice
Previous poems
Jon Miller
Moving In
The upper floor of the old byre
a darkness made of owl-stare—
its blink drinks you in.
A scythe hung under the last gasp
of a rafter. An armchair sprouts
the beards of men who died in it.
The skylight a cataract woven
by funnel-spiders; a car roof-box
full of barbells and throwing knives
and scattered across creaking planks
that any moment might give—
fur balls, owl pellets, rickles of tiny bones.
As I descend the ladder each worn tread
a hand cupping my foot: take care take care
says the dust in my hair, you live here now.
Jon Miller was shortlisted for the Wigtown Poetry prize, was winner of the Neil Gunn Poetry competition and was one of the winners of the International Book and Pamphlet Competition in 2022. His latest pamphlet Past Tense Future Imperfect is published by Smith|Doorstop.
On the sixth day of Christmas, we bring you Amy Rafferty, Tim Kiely and D.A.Prince
We pick up where you left off, searching still,
choosing random cards from a dealer’s deck:
twenty-one crows in a night-time tree,
deep within the dark, with all that chatter
On the fifth day of Christmas, we bring you Paul McGrane, Kevin Reid and Helen Evans
As regular as Santa Claus, she’d call
around at Christmas, the next-door neighbour
and my Sunday school teacher, Mrs Williams.
On the fourth day of Christmas, we bring you Leusa Lloyd, Lydia Benson and Charlotte Johnson
It is always Christmas in the loft
On the third day of Christmas, we bring you K. S. Moore, Kate Noakes and Rachael Smart
Picture this:
little witch girl
in Alaskan wilderness.
On the second day of Christmas, we bring you Gill McEvoy, Rachel Burns and Cindy Botha
On the way to the registry office it snows, flecks of white like spittle hitting the steamed-up bus windows, I worry the petals from my wedding posy.
On the first day of Christmas, we bring you Hannah Linden, John White and Stephen Keeler
. . . Now the villages is
en fête: dressed for a party in the dark,
across the fields, along uneven paths . . .
Anna Chorlton
She curled emerald
tights about the core of
an oak
slumbering with thick bare
limbs.
John Greening
On Stage in a home-made model theatre, c.1967 Glued to your block, in paint and ink you wait for Ah, Sweet Mystery of Life to stop. Smell of hardboard and hot bakelite. The lino curtain’s ready to go up. At which, the straightened coat hanger is shoved and on you...
Anna Bowles
Nothing bad can happen on a plane.
Engine fires, earache, hijackers; but no new grief.