Today’s choice
Previous poems
Jean Atkin
Lighting the Strangers into the cave
for Celia Fiennes, who rode 3000 miles around England on horseback in 1697
She hears the locals call it
the Devil’s Arse.
the hill on one End jutting out
in two parts and joyns in one at ye top
this Cleft between you Enter a great Cave
She creeps under the opening, then stands.
Her guide passes her the stub of a candle,
holds up his own to show the ceiling rock.
She hears the drip of water. In her riding skirt
that sweeps the ground, her narrow, heeled boots,
Celia clambers over stones and under stalactites
there is often Cause of Stooping very Low to pass by
and ye Rocks do drip water in many places
wch makes it damp and strikes Cold to you
haveing Lost ye sight of day
Although a Puritan, Celia writes it in her diary:
‘the Devil’s Arse’.
She is less prudish than the men
who come exploring
a generation later, resort
to asterisks.
Jean Atkin’s third full collection High Nowhere is was published last year by IDP. Previous publications include How Time is in Fields (IDP); The Bicycles of Ice and Salt (IDP) and Fan-peckled (Fair Acre Press). She is a poet in education and community. www.jeanatkin.com
Matt Bryden
You used to wind yourself in curtain turning taut,
look down at your feet, pirouette
as the fabric hugged you in.
James Coghill
the undershrub, shored up,
stakes its waspish claim,
its hereabouts
Peter Bickerton
The gull
on the meadow
taps her little yellow feet
like a shovel-snouted lizard
dancing on a floor of lava
Lydia Harris
ask this place
ask the silver day
the steady horizon
the self-heal the buttercup
the hard fern in the ditch
ask the bee and the tormentil
Seán Street
Dogs in spring park light
pulled by intent wet noses
through luminous grass
Becky Cherriman
What does it wake me to
as sky is hearthed by morning
and my home warms slow?
Mark Carson
he dithers round the kitchen, lifts his 12-string from her hook,
strikes a ringing rasgueado, the echo bouncing back
emphatic from the slate flags and off the marble table.
Elizabeth Worthen
This is how (I like to think) it begins:
night-time, August, the Devon cottage, where
the darkness is so complete . . .
Elly Katz
When naked with myself, I feel where a right elbow isn’t, then is. I let my left palm guide me through the exhibition of my body.