Today’s choice
Previous poems
Tim Brookes
Flock
In the charity shop I try on a coat
flocked with fake shearling,
shaved-soft almost: fibres
fired onto plastic to fool the wrist.
At home I snap it.
A dust of fur lifts, hangs,
then drifts onto the draining board,
the bulb, the bruised apples.
Kettle clicks. The day adds up
in what catches:
tin-lid nick, salt sting,
the flinch I don’t record.
Above the library we meet
in a room of hot carpet, wet cuffs.
Radiator tick-tick.
A laminated notice by the sink:
PLEASE RINSE MUGS
ringed with old tea.
On the table: a plastic tub
of instant coffee, white sachets,
a stack of paper cups
soft at the rim from thumbs.
No circle. Just a scatter,
knees, bags, paper cups,
space left like manners
and fear.
Someone’s brought finger Nice biscuits,
sugar stamped in little diamonds,
coconut-sweet, too delicate
to dunk.
A man worries a bus ticket
into a thin white curl.
Someone re-ties
the same shoelace, again.
When one voice breaks
we all lean a fraction,
one hinge between us.
Walking home, bypass wind
throws grit at my eyes.
Overhead the birds bunch, loosen,
bunch again,
a dark seam unpicked and re-stitched
by the air.
I zip the coat to my chin.
Static lifts the fine fur, makes it cling,
not one wing: many.
The flock opens, closes,
a mouth.
I don’t look up.
Tim Brookes is a poet and spoken-word writer/performer from West Yorkshire. His work focuses on place, memory and the pressure of systems on the body, mixing lyrical bite with everyday detail. His pamphlet Keep Taking Six from 100 (Yaffle Press) was published in 2023 his first collection The Holy Ordinary will be published in 2026 with Yaffle Press. He hosts Under The Lobby Lights and Soul Shed Spoken Word nights in Wakefield.
Rosie Jackson
Today, I talked with a friend about death
and what it means to have arrived in my life
before I have to leave it . . .
Mariam Saidan
they said sing in private,
Zan shouldn’t sing.
Brian Kirk
The train is the way,
the tracks a scar cut
deep in the land
you can’t help but touch.
Michelle Diaz
Mum was
a raised axe and a party hat.
Alice O’Malley-Woods
i run like a goat
tongue-lolled
Caiti Luckhurst
But first the sun has to break in two
Mara Adamitz Scrupe
on that new broke land I don’t anymore
recall there may have been a tree line or a hedgerow
a grove named & a bird’s sternum
George Sandifer-Smith
Spring 1833 – mists folding their sheets in the fields.
Isaac Roberts feels the turned earth, his father’s
farm an island in the hurtling Milky Way –
Sharon Phillips
Wet tarmac blinks red and gold,
names shine outside the Gaumont.
‘Stop dreaming, you’ll get lost.’