Today’s choice
Previous poems
Ashia Mirza
Heartbust: (Plato’s Allegory of the Cave)
Someone is taking a photo
at a wedding
of their baby
at a celebration.
There’s a roar of a truck
the hiss of a missile
the boom of a dumb bomb.
The prodigal sun casts shadows in your cave
of
someone taking a photo
at a wedding
of their baby
at a celebration.
There’s a roar of a truck
the hiss of a missile
the boom of a dumb bomb –
breaking your shackles.
You leave the cave blinded
scrambling over
broken lines … broken bones … broken dreams.
Your eyes switch channels.
There’s a dread it’s real.
You swipe up.
There’s a dread it’s real.
There’s a feeling beyond helpless
which you can’t stop: Heartbust.
You gasp for air
like you’re the one trapped
in the rubble
dying to get out.
You return to your shackles
in the cave watching
someone taking a photo
at a wedding
of their baby
at a celebration.
Ashia Mirza is a writer from Bolton. Her poetry has been shortlisted for the Aurora Prize and highly commended by the University of Greater Manchester. Her short fiction has been shortlisted for the HG Wells Prize and published in the anthology Motion and on CafeLit. Her novels have been longlisted and shortlisted in competitions run by The Times/Chicken House, Guppy, Northern Writers, and Commonword. Alongside her writing, she works as an informatics pharmacist.
William Collins
We carry the shame of Paragraph 352D
folded into suitcases at foreign borders,
where love is questioned like a crime,
and disbelief stamped heavier than visas.
They tell us to run for our lives —
but only if we can do it quietly.
Oz Hardwick
The ghost of my mother knows the names of everything, but
she can’t tell me, because ghosts, whatever you have heard
to the contrary, can’t speak.
McLord Selasi
I walk the flat barefoot,
step over old dreams
still curled like cats
in the corners.
Warren Mortimer
& you’ll understand if i leave open this theatre of air
not as the invite for another loss
but to honour their world unwilling to collapse
Jena Woodhouse
Language reinvents itself,
coruscates in signs on walls;
falls silent, mute as clay and stone
on tablets that enshrine its form.
Martin Rieser
The river is an old demon
& my heart is an infirm creature
The river is sure of its way
& my heart is capable of lies.
Sreeja Naskar
glass-tooth morning.
salt mouth.
i left the stove on just to feel wanted.
Gordan Struić
Still —
I kept
writing.
Sometimes
just:
“Hi.”
Margaret Poynor-Clark
Inside my bedroom I take a fresh blade
pull off my jumper, examine the ladder
in front of the mirror cut through my laces
rung by rung