Today’s choice
Previous poems
Natasha Gauthier
Roman curses
Nobody knows what Cicero’s gardener whistled
to his figs and olives, what the consul’s young wife
hummed to herself while slaves combed beeswax
and perfumed oils from Carthage into her hair.
Did bawdy odes to Octavia’s backside
(Ah, Maximus, she is plump as an Iberian mare)
flow from the taverns Ostia, Massilia, Aquae Sulis?
The Romans, leaving behind no music,
choked their sacred springs with curses.
Tiny, jagged metal tongues folded over
and over upon themselves, rolled over
and over like olive pits in vinegar mouths.
Oh goddess, may the thief who stole
my best gloves lose his mind and his eyes.
Minerva sighs at these razorblade grievances,
sulfurous prayers etched in bile, she is bored,
would prefer to be getting songs about figs,
olives, emperors, Octavia’s ample bottom,
instead of junkmail grudges piling up,
centuries-deep, at her patient doorstep
Natasha Gauthier is a Canadian poet living in Cardiff. She won First Prize in the 2024-25 Poetry Wales Awards, and won the 2025 Borzello Trust/New Welsh Review Prize for poetry. Her debut collection will be published by Parthian next year.
Jennifer A. McGowan
You have buried your mother and put
a memorial bench on a high hillside where
the wind blows sunsets straight through
and it’s always better to wear something warm.
Matt Bryden
You used to wind yourself in curtain turning taut,
look down at your feet, pirouette
as the fabric hugged you in.
James Coghill
the undershrub, shored up,
stakes its waspish claim,
its hereabouts
Peter Bickerton
The gull
on the meadow
taps her little yellow feet
like a shovel-snouted lizard
dancing on a floor of lava
Lydia Harris
ask this place
ask the silver day
the steady horizon
the self-heal the buttercup
the hard fern in the ditch
ask the bee and the tormentil
Seán Street
Dogs in spring park light
pulled by intent wet noses
through luminous grass
Becky Cherriman
What does it wake me to
as sky is hearthed by morning
and my home warms slow?
Mark Carson
he dithers round the kitchen, lifts his 12-string from her hook,
strikes a ringing rasgueado, the echo bouncing back
emphatic from the slate flags and off the marble table.
Elizabeth Worthen
This is how (I like to think) it begins:
night-time, August, the Devon cottage, where
the darkness is so complete . . .