Today’s choice
Previous poems
Tom Blake
After Gaston Bachelard and Sabrina Carpenter
We were the housing and the housed,
meaning nothing except that
we were always occupied,
or to put it simply never out.
After a while we walked like we were on stilts
made from string and sweetcorn tins.
We milled ginger biscuits
in our sheets.
We saw the dream house up in the distance
even when the curtains were closed.
Half the battle was not to doodle crenellations
on those final blueprints.
The house grew so large around us
that I could cat out on the bottom stair
waiting for you to pass over me,
an unmoored tower.
I promise none of this is a metaphor.
Tom Blake is a poet and music journalist who has two chapbooks out with The Red Ceilings Press: Ƨ (2023) and Peach Epoch (2025). His poems have appeared in Anthropocene and Perverse, and he is a regular contributor to KLOF magazine. Insta: tom_blake17
Cherry Doyle
/ on the days / blood rushes at the corner of a nail / you cannot keep your jumper off the door handle / table tackles leg / expect the bruise in two days’ time / pansies nodding in speckles of rain /
Jennie E. Owen
and in that last moment
the dead shrug, shake
off their boots, shuffle off
jackets and shirts,
Martin Figura for Mental Health Awareness Week
Children in care do not have much of a voice, they often accept whatever is given and do not dare to speak up.
Julie Stevens for Mental Health Awareness Week
Are these the words you want me to say
about how my day became a raging river
crashing through my bones?
Fianna Russell Dodwell for Mental Health Awareness Week
I’ll tell you a bedtime story . . .
William Manning for Mental Health Awareness Week
My room is infested with bedbugs
I’m covered in bites, not love bites
Anna Brook
I want to borrow gods
(as Adrienne does,
though she knew better)
their sad logic
their templates
Nigel King
Turn the mud. Bo Peep’s head tumbles out,
wide-eyed, mouth a little open.
Mohsen Hosseinkhani translated by Tahereh Forsat Safai
Men are the color of soil
Women are sitting on the ashes
