Today’s choice
Previous poems
Karina Jutzi
Lot’s Wife
I think today of the boy in choir class
who closed his eyes when we sang
about Jesus. Who swayed, as if the Lord
himself was in the room.
I sat in the back row and braided
my girlfriend’s hair. Men are allowed
to worship each other. To bow down
at the feet of fellow men. But not to touch them.
They stand shoulder to shoulder,
eyes forward, staring at the same thing.
Women, on the other hand,
must also save their worship for men,
but their touches can go wherever they
damn well want to put their fingers.
The boy told me the story of
Lot’s nameless wife.
Who turned into a pillar of salt,
because she was disobedient.
Why not Ketchup, I said
Why not butter?
But I was missing the point,
which was: These are the rules of men,
follow them.
Karina Jutzi is a multi-genre writer whose work meets at the intersection of art and spirituality. Her poetry, plays, essays, and comedy writing have been featured in various literary magazines and publications. The main themes in her work are death, birth, and anything that peers into the void. She currently lives on a small farm in Vermont with her husband and young children.
Ansuya Patel
Women scrape coins from their purse,
count pennies, one lifts up a watermelon
in mid-air like raising a newborn to light.
Pippa Little
a woman’s rage cannot raise the dead
but it may split stone like lightning
Abiodun Salako
a boy grows tired
of dying again and again.
i am building him a morgue
for Thanksgiving.
Patrick Wright
It’s as if the dream
is telling me we are still joined
somehow, despite waking
and me trudging on, even though
your voicemail is off, your locks
changed.
William Collins
We carry the shame of Paragraph 352D
folded into suitcases at foreign borders,
where love is questioned like a crime,
and disbelief stamped heavier than visas.
They tell us to run for our lives —
but only if we can do it quietly.
Oz Hardwick
The ghost of my mother knows the names of everything, but
she can’t tell me, because ghosts, whatever you have heard
to the contrary, can’t speak.
McLord Selasi
I walk the flat barefoot,
step over old dreams
still curled like cats
in the corners.
Warren Mortimer
& you’ll understand if i leave open this theatre of air
not as the invite for another loss
but to honour their world unwilling to collapse
Jena Woodhouse
Language reinvents itself,
coruscates in signs on walls;
falls silent, mute as clay and stone
on tablets that enshrine its form.