Today’s choice
Previous poems
Day Five of ‘Wonder’ for NPD: Shanta Acharya, Sue Finch, Miriam Otto
Incarnation
Every time I conjure a spell, offer a prayer
in your memory – ask for your forgiveness
for things I did not know, I should’ve known –
ignorance not an acceptable reason for failing,
my inability to see things, the wonder of it all –
with you gone now for over a quarter of a century
and me lost in the continents of my not knowing –
I think of a young man or woman, in their mid-twenties,
somewhere, suddenly feeling on top of the world,
smiling, for no reason in particular. Imagine someone
in the universe uplifted for a moment as if listening
to an unheard piece of music, an ode to joy –
not worrying about anything – not illness, not death,
poverty, homelessness, war, wildfires – suspended in bliss.
Shanta Acharya is the author of eight collections of poetry. Her latest, Dear Life (2025), received a 5-star review and was an Editor’s Pick at Booklife (Publisher’s Weekly, USA). Her other collections include What Survives Is The Singing (2020), Imagine: New and Selected Poems (2017), and Dreams That Spell The Light (2010). Her doctoral study, The Influence of Indian Thought on Ralph Waldo Emerson, appeared in 2001 and her novel, A World Elsewhere, in 2015.
The Plough
I can almost rely on my ability
to find The Plough in the night sky.
My brother taught me to stand in the darkness,
let my eyes adjust.
There I discovered patience
and a pure silence
which held so much.
Did you know
every time I take you outside
to stand with me
under that steadfast saucepan of seven stars,
I am saying I love you?
I am telling you
my love feels as big as the universe
that I want our days to close with wonder.
Sue Finch is the author of Magnifying Glass, Welcome to the Museum of a Life, and Vortex Over Wave. She loves the coast, peculiar things, and the scent of ice-cream freezers.
I create little worlds
I step into the darkness as the last light fades.
The stars are not there yet. The campfire gleams
in grey ash. And I am alone with the night.
Deep down we all know our dreams.
I pull my coat tighter around my chest
with the blue hours fading into black.
Tiny stars appear when I listen.
I want to create bigger constellations.
I dream of big suns, supernovas,
I move stars, paint new ones, make worlds
with a circle from the light of Venus.
This is what I want.
I want the storytellers to join me. I map more planets,
and hold them close. Wrap them in my cloak.
Hold them warm, so that I can gift them.
In the morning there is a breeze
of what is left. I return to the forest.
Smell dark soil and wild strawberries.
I create more galaxies, and add them
as little notes into books so that you can touch them.
And sometimes I hear the stars’ soft voices:
My darling, be patient with yourself.
Miriam Otto is a poet, designer and artist, and also a traveller. She is based in Germany, with a magical wood behind her home. And enjoys talking to trees. Her third poetry collection is called A Little World.
Alice Huntley
slack in a bag from the freezer aisle
shaken out like shrunken grey memes
I long for the podding of beans
Rhonda Melanson
The magic of growing things, its tangible beauty, I did not understand.
Clive Donovan
I go to the top of the risen hill,
above the trees, beyond the grass,
where only hard ground lives
Gary Akroyde
We searched for it
through the tarmac in every rain-bruised sky
in dark Pennine shadows where great mills
spewed out ringlets of ghost-grey fog
Nathan Curnow
I like to think it’s a story about himself and Einstein
floating in zero gravity, Albert sailing through the capsule
toward his drifting pipe, Brian playing We Will Rock You—
Paul Short
Sleep.
Elusive as lucid dreams.
Closed eyes teem wotsit-orange,
spiderweb scarlet &
thatch-brown
Ash Bowden
Out again with the pitchfork churning
compost into the old green bin, stinking
and silent as an ancient earthen vat.
Mallika Bhaumik
This is not a frilly, mushy love letter
to a city whose allure lies in defying all labels and holding the mystery key to a man’s heart, though none has ever been able to lay an absolute claim on it,
Jena Woodhouse
Around midnight, the hour when pain
reasserts its dominance, a voice
behind the curtain screening
my bed from the next patient’s:
an intonation penetrating abstract thoughts