Today’s choice
Previous poems
Ashia Mirza
Heartbust: (Plato’s Allegory of the Cave)
Someone is taking a photo
at a wedding
of their baby
at a celebration.
There’s a roar of a truck
the hiss of a missile
the boom of a dumb bomb.
The prodigal sun casts shadows in your cave
of
someone taking a photo
at a wedding
of their baby
at a celebration.
There’s a roar of a truck
the hiss of a missile
the boom of a dumb bomb –
breaking your shackles.
You leave the cave blinded
scrambling over
broken lines … broken bones … broken dreams.
Your eyes switch channels.
There’s a dread it’s real.
You swipe up.
There’s a dread it’s real.
There’s a feeling beyond helpless
which you can’t stop: Heartbust.
You gasp for air
like you’re the one trapped
in the rubble
dying to get out.
You return to your shackles
in the cave watching
someone taking a photo
at a wedding
of their baby
at a celebration.
Ashia Mirza is a writer from Bolton. Her poetry has been shortlisted for the Aurora Prize and highly commended by the University of Greater Manchester. Her short fiction has been shortlisted for the HG Wells Prize and published in the anthology Motion and on CafeLit. Her novels have been longlisted and shortlisted in competitions run by The Times/Chicken House, Guppy, Northern Writers, and Commonword. Alongside her writing, she works as an informatics pharmacist.
Meg Pokrass
This is what happens when she sits alone in her dining room, eating smoked trout and canned sardines.
Chen-ou Liu
this fresh morning
so much like the others …
yet starlings shape-shift
Jim Paterson
A Tuesday morning in November
out on the street taking in the bins.
As a flight of crows flashed past
the street lights went out.
Andy Humphrey
Noises are louder now: the kesh
of tyres on tarmac slicked
with leaves. Rain’s drumming thunder.
Chrissie Gittins
When you’ve used one handle to open the door,
use the other handle to close it.
Morgan Harlow
She hadn’t lost a child but if she had she imagined it would be like that.
Antony Owen and Martin Figura on Remembrance Day
Let fathers bind their sons
to altars, so the wind
might winnow the chaff.
Stephen C. Curro
calm river
again, his fishing line
caught on a tree
James Norcliffe
Sarsaparilla Road
travels through swamps
and reeds, over a black
water creek and a narrow bridge