Today’s choice

Previous poems

Adam Cairns

 

 

 

Again

Again the rock is wet. Again no spring.
Sheltered under the ridge the fence post
leans where it always leans. Mud.
A buzzard mews, turns in the wind,
a faraway engine grumbles.

On the ewe-path worn to here,
close to the face of cold granular rock,
I trace the grain of a fracture with my finger.
It turns darker where it is damp,
runs along a seep line stained by lichen.
Water doesn’t make these fractures.
It finds them.

But I know what I want to find.
Not the famous springs. The other side,
where fewer people come. Unnamed,
they trickle downhill to the brook,
months between rain and what seeps out.
No one knows how full the hill is.

Standing at the fracture, there are only signs.
Wet rock, the must of old water,
fern growth at the seep line.
The ferns are green.
That could mean anything.

My hand feels cold as the rock again,
a drop of water runs down my wrist
from the rock or from the air,
I can’t tell.

You come back when you come back.
I know that now. I’ve always known it.

And this path knows my boots.

I look at the stones below.
Exposed, I’d forgotten how pale
they are when the spring fails.
I place my hand back on the rock.

Something at the lip of the fracture—a bead,
or the light shifting. I watch it.
It doesn’t move. It doesn’t go away.
I turn back, find the brook again
running on whatever came before.

 

 

Adam Cairns | Chair of Ledbury Poetry | MA in Writing Poetry from The Poetry School & Newcastle University | Substack – www.thecuttingroom.press | X @adamcairnspoet | Instagram @adamcairnspoet | Bluesky @adamcairnspoet.bsky.social

Antonia Kearton 

On my son’s desk lies
the periodic table of the elements.
I look. Amongst the arcane names
I recognise, easy as breathing,
carbon, oxygen, gold, beloved of kings.

Oormila Vijayakrishnan Prahlad

Oormila Vijayakrishnan Prahlad

A lacquer table, gloss under fingertips. A raised stage with dark linen. A young woman smiles with her hand-held harp, its nine strings glistening. The room swells with the cadence of her pearly notes. Beneath the pendant lights—a vision of serenity.

Finola Scott

Such a knife, a real Et Tu Brute number. Bone handled, incisive. Decades of marriage
had whetted the blade to feather lean. Anniversaries marked in metal.

Max Wallis

god grant us the serenity / to accept the things we cannot change / the courage to change the / things we can / and the wisdom to know el differencio /