Today’s choice
Previous poems
L. Haiman
O is the Mother Letter
My baby is hungry. Grabs
me with both hands. I am
an apple, apparently no will. I give in
to his teeth and hate it. Him I love! I can’t say No and even when I do
I go back
On my word. It must be that consent is
Ancient.
Older even.
A code written
In our body, a binary of unspoken NO’s / misspoken YES’s,
I guess it must have started with a
( o )
Breast.
And mouths to feed: the need
to quench and satiate an Other at the great
Expense of self. Give comfort, forfeit
Feeling safe.
L. Haiman is a Romanian-born multidisciplinary artist who lives and works in Margate, UK. L. Haiman’s work explores bilingualism, cultural identity, and intergenerational trauma across concrete poetry and prose. L. Haiman’s poetry writing has appeared in West Trade Review, The William and Mary Review, and Ink Sweat & Tears and was shortlisted for the Alpine Fellowship.
Ash Bowden
Out again with the pitchfork churning
compost into the old green bin, stinking
and silent as an ancient earthen vat.
Mallika Bhaumik
This is not a frilly, mushy love letter
to a city whose allure lies in defying all labels and holding the mystery key to a man’s heart, though none has ever been able to lay an absolute claim on it,
Jena Woodhouse
Around midnight, the hour when pain
reasserts its dominance, a voice
behind the curtain screening
my bed from the next patient’s:
an intonation penetrating abstract thoughts
Kate Bailey
They’ve mended the park fence again,
patched it over with the usual ugly metalwork,
like a riot barricade.
Ibrar Sami
Across the barren land
where blood once played its savage Holi,
the fearless migratory birds
have returned again.
Anyonita Green
It wobbles slightly, red wine jelly.
I peer at it, nose close enough
to smell the iron, the scent of coagulant,
inhaling through slightly parted lips
Soledad Santana
Seen as she’d hung her cranial lantern
from the roof of her step-father’s garden shed,
the parabolic formula was skipped; like two calves, we followed the fence
to the end of the foot-ball pitch.
Claire Harnett-Mann
Behind the block, the night tears in scrub-calls.
Fox kill scores the morning,
ripped by prints in muck.
Hedy Hume
Stepping into the opposing seat
I smile, and the look I receive
Makes me feel the antisocial one.