Today’s choice

Previous poems

Kath Mckay

 

 

 

How to become two-dimensional

Die. You’re soon reduced to a photograph.
Lugubrious Co-op undertakers will zip you in a bag
and keep you cold, until you’re moved care of Michael,
with curly grey locks like Frodo, who has dropped
too much acid in his youth according to my friend: ‘Look at his eyes,’ she says.

Chill for ten days, be dressed in jacket and jeans,
your daughter’s South Park tie: You will respect my authority.
Burn. Reduced to ash, be thrown into a tree hole in Leeds,
and carried to Pittwater and scattered.
As a photograph, people can kiss your face,

but you can’t kiss back, or put your tongue
down her throat, or curl into her.  Nothing left of your arms,
to wrap around her in bed. Only your photo, grinning,
fixed and unchanging. When you were quicksilver, planning
to clear the front garden, take up Spanish, go backpacking in Spain.

 

 

Kath Mckay has published three full poetry collections, the most recent, Moving the Elephant, from Michael Laskey’s Garlic Press . She also publishes short stories and longer fiction.

Ruth Lexton

The new year slouches forward, unlovable,
barely acknowledged but for tired, gritty eyes
and a muffled scream into the kitchen towel.

Dharmavadana

She barely glances at you when you chink
your spare coins in her upturned cap, but still
spreads a spell among the pavement footfalls,

Tim Dwyer

      Shedding Annamakerrig It begins high up the chestnut tree with leaves on the twigs on the tips of branches where sap has slowed. Turning amber carried by the breeze they touch the earth, rest on the grass where autumn begins   Tim...