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Kathleen Bryson


I Am the Dreaming Herpetogaster Chimera : Painting by Kathleen Bryson

 

I Am the Dreaming Herpetogaster Chimera

I am the dreaming herpetogaster chimera and
I am part-and-parcel of the impossible animals project.
My cherry-blossoming phallic self
obviously dubbed after some ropy denizen
of the British diaspora as Herpetogaster collinsi
who didn’t want to mention the word penis
but not Phil Collins or your average cocktail.
Don’t mention the naked molerats.
I had my ambitions 509 million years ago
and by 497 million years ago they had been extinguished.
I pick through Burgess shale with raw fingers.
I don’t. I don’t have fingers. I don’t.
There is no prehistoric mysticism to any shifts
I may have provoked though it is possible that
the sway of my marine biology
in some small chaos theory manner
influenced the now-ness of you the reader
just as much as the twist flaps of those dirty gals the Lepidoptera

 

 

Kathleen Bryson is an Alaskan-born evolutionary anthropologist, with a day job as an EU VR/AI research fellow and with previous posts at Oxford and QMUL. She has had four novels previously published and 45+ poems in publications ranging from Magma to Ghost City Review. Her website is www.kathleenbryson.com.

Gary Akroyde

We searched for it

through the tarmac in every rain-bruised sky
in dark Pennine shadows where great mills

spewed out ringlets of ghost-grey fog

Nathan Curnow

I like to think it’s a story about himself and Einstein
floating in zero gravity, Albert sailing through the capsule
toward his drifting pipe, Brian playing We Will Rock You—

Ash Bowden

Out again with the pitchfork churning 
compost into the old green bin, stinking
and silent as an ancient earthen vat.

Mallika Bhaumik

This is not a frilly, mushy love letter 
to a city whose allure lies in defying all labels and holding the mystery key to a man’s heart, though none has ever been able to lay an absolute claim on it, 

Jena Woodhouse

Around midnight, the hour when pain
reasserts its dominance, a voice
behind the curtain screening
my bed from the next patient’s:
an intonation penetrating abstract thoughts

Anyonita Green

It wobbles slightly, red wine jelly.

I peer at it, nose close enough 

to smell the iron, the scent of coagulant,

inhaling through slightly parted lips