Today’s choice
Previous poems
Annie Kissack
Girl Awaits the Psychic Investigators
They’re late. The table is laid
with a clean cloth, all normal and neat.
Our visitors, city men, may find it hard
to navigate the path but we can wait.
They hope to gather evidence of a haunting;
whether he’ll oblige, I don’t yet know.
Does he discern them slipping up our track?
I might ask him; he might reply,
this weasel creature of firebright eyes,
my sharp-toothed other, our house familiar.
Some things I have admired in him include
his silky pelt attracting morning light,
the red stains stippling his jaw,
his preening cat-like proud upon the gate;
that photograph was in the papers..
I’ve noticed that the land around this farm
is demarcated in his winter-yellow tail.
Like me he’s seasonal and loves new words,
and poetry and sometimes, privacy.
Our visitors must surely find him interesting.
Will he annoy them in seven languages; Get out, it’s late!
Or amaze them with ‘Jerusalem the Golden’
(all the verses) then fall to curses?
His normal voice is needle, a scritch-scratch
that breaks skin. But boy, he can sing
and what a screech; he wakens me at night.
Soon I need to teach him dignified silence
to cope with the windswept emptiness
the other side of sound.
Not yet. It’s dusk and the tea grows cold.
But a light comes up the track
and it’s here they are at last, struggling
with ill-fitting boots and boxes
of devices to test the truth of him, of me.
The truth? Whose truth?
It’s true that sometimes he will make me laugh.
Sometimes I hate him and well he knows it:
Shut up. Shut up. Shut up!
When he gets angry or afraid he disappears;
you mustn’t ask me where he goes.
I’m capable and bright, I do well at school.
What else do they need to know?
That one day someone might shoot him dead?
Father would have done it once, Mother maybe.
I suppose if anyone ever does it, it should be me.
Annie Kissack is from the Isle of Man. In 2018 she became the Fifth Manx Bard. Subsequently published widely at home and further afield, she has two poetry collections, Mona Sings (2022) and A Suggestion of Wrens (2025).
Note: The apparent ‘haunting’ of Doarlish Cashen, a remote farm house on the west of the Isle of Man, by ‘Gef’, a wisecracking mongoose, attracted much Manx and international press attention during the 1930s. At its centre was the teenage daughter of the family.
Ash Bowden
Out again with the pitchfork churning
compost into the old green bin, stinking
and silent as an ancient earthen vat.
Mallika Bhaumik
This is not a frilly, mushy love letter
to a city whose allure lies in defying all labels and holding the mystery key to a man’s heart, though none has ever been able to lay an absolute claim on it,
Jena Woodhouse
Around midnight, the hour when pain
reasserts its dominance, a voice
behind the curtain screening
my bed from the next patient’s:
an intonation penetrating abstract thoughts
Kate Bailey
They’ve mended the park fence again,
patched it over with the usual ugly metalwork,
like a riot barricade.
Ibrar Sami
Across the barren land
where blood once played its savage Holi,
the fearless migratory birds
have returned again.
Anyonita Green
It wobbles slightly, red wine jelly.
I peer at it, nose close enough
to smell the iron, the scent of coagulant,
inhaling through slightly parted lips
Soledad Santana
Seen as she’d hung her cranial lantern
from the roof of her step-father’s garden shed,
the parabolic formula was skipped; like two calves, we followed the fence
to the end of the foot-ball pitch.
Claire Harnett-Mann
Behind the block, the night tears in scrub-calls.
Fox kill scores the morning,
ripped by prints in muck.
Hedy Hume
Stepping into the opposing seat
I smile, and the look I receive
Makes me feel the antisocial one.