Today’s choice
Previous poems
Amy Dugmore
Interview with my sonographer
How much water did you have to drink this morning?
Did you sip your coffee without worrying
about its diuretic properties? Was it sunny
where you were?
I took your advice about the elasticated waistband,
the full bladder, but did you know we can all hear your voice
in the waiting room, through the door?
What does secrecy mean to you?
When you think about feeling nervous, do you remember
your Grade 4 oboe exam or the time you were alone,
walking down a silent cut-through near midnight?
What’s the worst scan you’ve ever done?
Do you remember the man’s face?
Can you see a shadow as you get closer? Hear gravel
under heavy soles? Smell the musty lanoline of your scarf, pressed
against your mouth?
Should it hurt this much?
Do you ever get bored talking about the weather or wish for snow
or make up stories like that time you skipped school and got caught
with one of the older boys in the park,
your straps slipping down, your skirt riding up?
Were you good at stories and do you have a good imagination and does it help
in your line of work? Some people see faces
in inanimate objects – plug sockets, maps, clouds.
Some people have bad imaginations
but call it boundaries, work.
Do you ever wish you’d been a meteorologist? A zoologist?
They’re all just bodies, after all.
Does it always take this long?
What’s your biggest regret?
If you had to choose between a uterus and a kidney, which would you keep?
Is that it?
Can I breathe out now?
What’s your favourite way to give bad news?
Amy Dugmore is a poet and copywriter from Birmingham, UK. Her poems have appeared in The North, Poetry Wales, Propel and Atrium, among others. You can find her on Bluesky @aldugmore.bsky.social
Tadhg Carey
When our plaything ricochets
falling
who knows where
everything hinging
on the line
Luis Cuauhtemoc Berriozabal
I hear the roar of
the ocean. I hear
a series of shrieks
and long screams.
Natasha Gauthier
Nobody knows what Cicero’s gardener whistled
to his figs and olives, what the consul’s young wife
hummed to herself while slaves combed beeswax
and perfumed oils from Carthage into her hair.
Jean Atkin
She creeps under the opening, then stands.
Her guide passes her the stub of a candle,
holds up his own to show the ceiling rock.
Iris Anne Lewis
The track leads through thickets, threaded with eyes.
Elusive scraps of dreams, they gleam, flicker out.
Antonia Kearton
On my son’s desk lies
the periodic table of the elements.
I look. Amongst the arcane names
I recognise, easy as breathing,
carbon, oxygen, gold, beloved of kings.
Elizabeth Loudon
The first three days of war
have a surprising holiday feel.
No deadlines, just the giddy gasp of shock.
Ordinary life continues.
Oormila Vijayakrishnan Prahlad
A lacquer table, gloss under fingertips. A raised stage with dark linen. A young woman smiles with her hand-held harp, its nine strings glistening. The room swells with the cadence of her pearly notes. Beneath the pendant lights—a vision of serenity.
Pratibha Castle
Conscience
as taught her by the nuns was a bridle
on a young girl’s tongue
