Today’s choice
Previous poems
Judith Taylor
My Dead
He reads aloud about visiting the Underworld in dreams,
seeing his dead again. Through the big window behind him
there’s a flowerbed and some long grass;
a road with not much traffic; and on the far side
a strip of whins and conifer trees – the rough.
It has a gap in it: I can see a foursome teeing off.
Middle-aged men, their torsos slipping,
spreading, around the waist; all wearing baseball caps
and expensive sleeveless knitwear
in the spring sun.
One sets up the ball, and flexes his driver
– I want to say wood, but they’re not made out of wood now, something lighter
so the head can be the biggest permitted size and still be swingable
with a bigger face to aim at the ball. Technology,
I hear myself think, in place of skill.
More flexing; then adjusting his stance. At last he takes the shot.
I don’t see where it goes, but his backswing’s rubbish.
As for his downswing – barely worth the name.
No amount of fancy kit
would have given that ball lift.
I bring my attention back, remembering
what a disappointment I was. I never really played;
what I know about golf is theoretical.
But a lot of it. I never see my dead in dreams
but I hear them. Oh, I hear them.
Judith Taylor lives in Aberdeen, where she co-organises the monthly Poetry at Books and Beans events. Her latest collection, Across Your Careful Garden, is published by Red Squirrel Press. She is one of the Editors of Poetry Scotland. Website: http://sometimesjudy.co.uk/
Ian Seed
What was the Welsh for ‘hedgehog’? That was what he wanted to know.
Sue Wallace-Shaddad
Rectangular, with corners cut off like an octagon, muddy brown shows through the cream exterior where the edges are chipped.
Cally Ann Kerr on International Transgender Day of Visibility
How many blows does it take to crack an egg?
Is a question I never expected to ask
If you don’t know, I should tell you, an egg
Is what they call the girl inside the male mask
Gita Ralleigh, Julian Matthews, Jackie Taylor on Colouring Outside the Lines
The hue of brides, appliquéd dark with henna.
Citron’s acid curl, vernal blades between teeth.
Sue Moules
I sell the postcard
of multi-coloured sheep
over and over again.
Kevin Denwood
Name called.
Not mine.
Wasn’t I
here first?
L Kiew
I leave everything on shingle,
meet surf like a sibling,
crest over playful breakers
and chase the moon’s tail.
Margaret Baldock
We launched, lovingly
into dark and silky water
unknown yet benign.
Krishh Biswal
You did not ask for knees —
They found the floor themselves.
Not from command,
But gravity.