Today’s choice
Previous poems
Dawn Sands
Prevention Science
Walking home from the lecture on Frankenstein
through the November mizzle, small breaths of exhaust
sighing in the twilight headlights, particles of wet air commingling.
When I look into the branches of the evergreens
I can imagine myself in Shelley’s Geneva, the still lake glittering
in the half-light. It is no surprise
to see her sitting on the bed when I go in, sixteen and pre-Creature.
At night she has sex with her future husband on
or near her mother’s grave, but for now her legs are folded
on the mattress, dark curls brushing her shoulders.
She has read philosophy, and is educated in classical antiquity. Tea?
I ask. She nods. I flick the switch on the kettle. She is unperturbed
by electricity, seems content in this urban microcosm of unwashed plates,
orange rinds and chocolate wrappers, photos of old friends and I in technicolour
— on the bus, in class, in the dresses
we wore to bid farewell to youth. Ciardi’s
High Tension Lines Across a Landscape on a poster
stuck to the wall; laptop, iPad, phone. Bible.
Psalm 21 on the wardrobe, I lift my eyes to the hills.
I take out the pump for the air mattress. Mary grins
and grabs the sleeping bag. She already knows what it is,
this tangle of purple cloth that feels like a cloud. We watch Star Wars:
Revenge of the Sith, because Mary loves sci-fi and men with
troubled designs of great futures. We caterpillar
down the hallway steps in the early hours, land in a heap
of synthetic fabric on the plastic floor. In the morning,
she has gone, crept back to the early nineteenth century in
polyester pyjamas to have sex on her mother’s grave.
I pulled Mary Shelley out of time, and still I could not save her.
Dawn Sands is an undergraduate English student at the University of Warwick. A Foyle and Tower Poet, she has also been published by Poems on the Underground, PERVERSE, and elsewhere. You can find her on Instagram @dawnllswriter.
Oormila Vijayakrishnan Prahlad
A lacquer table, gloss under fingertips. A raised stage with dark linen. A young woman smiles with her hand-held harp, its nine strings glistening. The room swells with the cadence of her pearly notes. Beneath the pendant lights—a vision of serenity.
Pratibha Castle
Conscience
as taught her by the nuns was a bridle
on a young girl’s tongue
K. S. Moore
Teenage years
everything begins
it never ends
Jim Murdoch
I didn’t know what to do with all my dad’s love
so, I minded it for him fully intending to give it back one day.
Finola Scott
Such a knife, a real Et Tu Brute number. Bone handled, incisive. Decades of marriage
had whetted the blade to feather lean. Anniversaries marked in metal.
Sarah James/Leavesley
My mother’s knife made the first cuts –
she removed my fertile light bulbs,
then stuffed my womb with shredded tissues.
Max Wallis
god grant us the serenity / to accept the things we cannot change / the courage to change the / things we can / and the wisdom to know el differencio /
Play, National Poetry Day: Heather Hughes, Laura Webb, Jude Brigley
We searched so long for that clover.
Every time the sun shone we scoured
the fields and woods, running past
the children playing with skipping ropes
Play, For National Poetry Day: Suzanna Fitzpatrick, Charlotte Dormandy, Lee Fraser
10 Children dart in the dark, screamers
streaming sweets and neon, their parents
