Today’s choice
Previous poems
Rosie Jackson
I Am Trying to Love Frank O’Hara More
I really am! I am trying not to see his exclamation marks as cheap melodrama and his endless conjunctions as some kind of separation anxiety or fear of mortality for what do full stops signify except dying and I wish he didn’t use the word metaphysical as an insult or talk about form as nothing but a pair of pants that need to be tight enough so everyone will want to go to bed with you for as an older woman poet I feel I must navigate punctuation and line breaks with some finesse and elegance though I admit this grievance may arise from envy for even though Frank was gay he was kind of alpha male so confident and cavalier and even though he died so tragically young on Fire Island that July morning I will never reach his heights and I nearly inserted a parenthesis there or at least comma or hyphen out of habit but sometimes to be honest it is a thrill to relinquish control and to take in the smoky air of New York the jazz of those reckless American cities and share Frank’s carnal celebration of love’s life-giving vulgarity and practise his distinct style so profligate exultant unstoppable
Rosie Jackson lives in Teignmouth, Devon. Collections: Love Leans over the Table (2023), Two Girls and a Beehive: Poems about Stanley Spencer (2020), The Light Box (2016). Recent Pamphlets: Light Makes it Easy (2022), Aloneness is a Many-headed Bird (with Dawn Gorman, 2020).
Stephen C. Curro
calm river
again, his fishing line
caught on a tree
James Norcliffe
Sarsaparilla Road
travels through swamps
and reeds, over a black
water creek and a narrow bridge
David Hanlon
Not in that parking lot,
not in that residential area,
not in that blue car
splashed with mud.
Mana Misaghi
we make sure to pack a deck of cards for the train, or a sunday afternoon visit to the park. the cards will give our hands something tangible to do . . .
Taḋg Paul
An algorithm guides me through the keys
Each stanza nested in a formal loop
Mat Riches
Hey kid, this won’t mean that much to you yet,
but I didn’t taste my first proper curry
till at least twenty-one . . .
David Sapp
Aimless between
Dropping out
Of art school
And absolutely no
Friggin’ money . . .
Gareth Writer-Davies
it’s a special kind of empty
the footed earth, saluting the sky
Sam Szanto
It beckons from between plasters and hand cream,
the box bright-white, the lettering green.
