Today’s choice
Previous poems
Day Three of ‘Wonder’ for NPD: Math Jones, Jean Atkin, Kate Noakes
Numinous
You see, there is this fold,
and this ridge,
and this sweet hood,
and this little shiny popping button,
and this smooth silver-glistening,
and this depth,
and deep, deep within,
there is something that touches you back.
Math Jones is a former bookseller & actor, out of London, now in Herefordshire. Writing primarily from myth & Pagan worthship, including praise-song & ritual. Two books: Sabrina Bridge (Black Pear Press, 2017) & The Knotsman (Arachne Press, 2019) with spoken-word albums on bandcamp & a poetry channel on YouTube. Has performed poetry throughout the UK.
The Folklore of Bridges
Carry no metal as you walk onto the wooden bridge
built without nails. Observe how cunningly it’s
pegged, half-lapped. See it span the grey river
as if it grew here in rocks and rain.
Tell yourself it’s still a tree, pollarded
to the purpose, in all its burled and knotty grain.
You stride the weathered planking, head full of schemes.
But for even a paperclip or the last penny in your pocket
this bridge will warp and shed you in midstream.
Only if you are blind are you safe on the bridge
that blinks an eye. All other walkers who
step out boldly under that great lid
are prone, halfway across, to find their own eye
caught in a gaze so steely, all movement
stops. But you will tap carefully around them
where they stand, their feet fast in a dream.
You’ll hear only their breath, or the bridge’s hush
of lowered lashes as you pass midstream.
They say, by the river, that to cross the bridge
that was never completed, it is wisest
to walk alone below its three stone towers.
Keep your lips sealed. Keep your thoughts on all
you find distracting. For just as the topmost stone is
never set in place, your ideas must not
reach conclusion. Fix your eyes on the sky, that gleam
of hope in the future. This bridge rests on your faith
in the unfinished, as you hesitate midstream.
Jean Atkin’s third full collection High Nowhere is published by IDP. Previous publications include How Time is in Fields (IDP); The Bicycles of Ice and Salt (IDP) and Fan-peckled (Fair Acre Press). She is a poet in education and community.
The forager’s spell
We’ll find the beach, but first through
the flowering wood, there’s celandine,
little suns of spring, casting.
Then, anemones, all in white against
the green, and the bluebells
are on their way.
That waft is garlic in swathes,
stinking our fingers as we fill a bag.
Later we’ll flavour risotto
and freeze the rest for soup.
The blackthorn and wild cherry
are starry. Leaves begin everywhere.
Ferns uncoil, moss brightens
and on a rotting stack of birch,
scarlet elf cups shine our mood
as we reach a wide sweep of sand
and the sea, roaring still from
yesterday’s storm.
Water in the cleaved cliff boils
and on the seventh wave crashes high.
Make your wish as the hours
of day and night equate,
now, on my count.
Dr. Kate Noakes lives in Bristol. Her latest books are Sublime Lungs (Two Rivers Press, 2026) and Bog Queens (Green Bottle Press, 2026). She is one third of poetry performance group, Braid, and curates the poetry events for the Clifton Literature Festival
Alicia Byrne Keane
I’ve been reading about ghost apples.
They are a real phenomenon, like how
everyone we can see on the wide street
outside this building is still living,
Gareth Culshaw
I tried to work from a van. Sitting in the passenger
seat listening to a guy whistle. His frown, a cloud
he lost when his mother died. Each wrinkle
Jennie Howitt
Those full udders will slowly burst
spitting milk onto the grass strands.
Matt Bryden
at the cider farm, eight minutes
before handover, we strike on
feeding the donkeys –
Colin Pink
to embrace you is like clasping
a fist full of briars
Simon Williams
What were these fairies called
before we knew of hummingbirds?
Bumblebee moth because of the size?
Reed-nose moth because of the proboscis?
Elizabeth Barton
On Diamond Hill
I didn’t
think of you once
as I climbed
past stunted willows
straggles of gorse
Susan Jane Sims on Mothering Sunday
Matter cannot be created and it cannot be destroyed.
I think of this as I pour the almost white ash from
the green plastic container that came in the post
into the vibrant red metal urn I have ready.
Daniel Sluman
just as the night sky shifts
beyond the minds
of the animals outside
the ceilings
we are pressed beneath change
in aspect & colour