Today’s choice
Previous poems
Kath Mckay
How to become two-dimensional
Die. You’re soon reduced to a photograph.
Lugubrious Co-op undertakers will zip you in a bag
and keep you cold, until you’re moved care of Michael,
with curly grey locks like Frodo, who has dropped
too much acid in his youth according to my friend: ‘Look at his eyes,’ she says.
Chill for ten days, be dressed in jacket and jeans,
your daughter’s South Park tie: You will respect my authority.
Burn. Reduced to ash, be thrown into a tree hole in Leeds,
and carried to Pittwater and scattered.
As a photograph, people can kiss your face,
but you can’t kiss back, or put your tongue
down her throat, or curl into her. Nothing left of your arms,
to wrap around her in bed. Only your photo, grinning,
fixed and unchanging. When you were quicksilver, planning
to clear the front garden, take up Spanish, go backpacking in Spain.
Kath Mckay has published three full poetry collections, the most recent, Moving the Elephant, from Michael Laskey’s Garlic Press . She also publishes short stories and longer fiction.
James Norcliffe
Sarsaparilla Road
travels through swamps
and reeds, over a black
water creek and a narrow bridge
David Hanlon
Not in that parking lot,
not in that residential area,
not in that blue car
splashed with mud.
Mana Misaghi
we make sure to pack a deck of cards for the train, or a sunday afternoon visit to the park. the cards will give our hands something tangible to do . . .
Taḋg Paul
An algorithm guides me through the keys
Each stanza nested in a formal loop
Mat Riches
Hey kid, this won’t mean that much to you yet,
but I didn’t taste my first proper curry
till at least twenty-one . . .
David Sapp
Aimless between
Dropping out
Of art school
And absolutely no
Friggin’ money . . .
Gareth Writer-Davies
it’s a special kind of empty
the footed earth, saluting the sky
Sam Szanto
It beckons from between plasters and hand cream,
the box bright-white, the lettering green.
Tamara Evans
Travel West. Submerge yourself
in the M4’s homeward drift.
