Today’s choice
Previous poems
Marnie Cockrill
Clerking notes
So, what has brought you in today Mrs…?
Owens. Mrs Owens.
Ahh, nice to meet you Mrs Owens. What brings you in today?
Worry mostly, I worry, I’m a worrier. But I’m particularly worried about this.
Worry not, Mrs Owens. Is your worry irrational or rational, do you believe?
Well, I don’t know, irrational, I hope. But it is just so constant…
Supposing it is constant, how would you characterise it? When did it start?
It started a few days ago, it came with this grumbling pain, I don’t know why…
I know it’s frightening, I’m sorry. The worry, anything makes it better or worse?
Well, I’ve been taking some paracetamol. That helps a little, but the nights are the worst.
What do you worry about at night? Has anything like this happened before?
Yes, for many years now on and off but it’s getting harder and harder to ignore.
If it has been ignored before, why can’t it be ignored now? What is different?
I don’t know, Doc. It’s just frighteningly painful and I can’t get it to stop. I did wonder…
I fear we must stop getting side tracked. What is your specific concern?
Well, I wondered if perhaps something had ruptured or burst. Might I be bleeding inside?
Now, now Mrs Owens. If that were the case, I’m sure you would be in significant pain.
Wouldn’t you agree that this pain is not what is significant to you, Mrs Owens?
Marnie Cockrill is a poet and artist from north Wales, studying medicine at Exeter. This professional pursuit, combined with her delight in the natural world and fascination with human relationships informs much of her writing.
Susan Elizabeth Hale
Sometimes words are the only thing
that get you through,
But not the words you think,
not a word like love or hope
those are imprecise.
Seán Street
We lit a candle for you
that day in Sacre Coeur,
under its white-flame dome
as high as Paris could go
Marjory Woodfield
On Kinley’s Lane, quince tree, wild blackberries, branches of feijoa reaching over a fence, fallen fruit.
Ian Seed
What was the Welsh for ‘hedgehog’? That was what he wanted to know.
Sue Wallace-Shaddad
Rectangular, with corners cut off like an octagon, muddy brown shows through the cream exterior where the edges are chipped.
Cally Ann Kerr on International Transgender Day of Visibility
How many blows does it take to crack an egg?
Is a question I never expected to ask
If you don’t know, I should tell you, an egg
Is what they call the girl inside the male mask
Gita Ralleigh, Julian Matthews, Jackie Taylor on Colouring Outside the Lines
The hue of brides, appliquéd dark with henna.
Citron’s acid curl, vernal blades between teeth.
Sue Moules
I sell the postcard
of multi-coloured sheep
over and over again.
Kevin Denwood
Name called.
Not mine.
Wasn’t I
here first?