Today’s choice
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Day Seven of ‘Wonder’ for NPD: Helen Anderson, Sue Johns
I Wish This Phone Had a Better Camera
I need to show you these sunsets/
feisty last breaths/coral on flamingo/blood
yellow carcass/tiny theatre/blazing deaths/o soothing
apocalypse, haul my agitations on your olden back/blue borne/ shallow
purple/day vanquished/deft dip/off-black relief/pledged resurrection/
o so… very… pretty
Helen Anderson writes poetry and prose in a small town on the North Yorkshire coast. Her debut poetry pamphlet ‘Sagrada Familia’ was published by Nine Pens Press in 2022. www.facebook.com/
Written by Candlelight in March
When the light returns
I will remind the garden.
Along with the robins
who have cast off
their Christmas card coyness
to mate.
They’ll say and I’ll agree
that every worm-blind soul
must immerse themselves
in soil.
Embrace a pot plant
as worthy as an acre
pausing only for birdsong –
any bird
or in their absence
a child.
Sue Johns originates from Cornwall where she started performing as a punk poet, in the 1980’s. Publications include Hush (Morgan’s Eye Press, 2011) , Rented, Poems on Prostitution and Dependency (Palewell Press, 2018) and Track Record (Dempsey & Windle, 2021). She was highly commended in the Prole pamphlet and the Amnesty International competition. She has an MA (distinction) in Writing Poetry from Newcastle University/ The Poetry School.
Her work has appeared in anthologies such as can You Hear the People Sing (Palewell Press, 2020), Alter Egos (Bad Betty, 2019) Welling Up (Palewell Press, 2019) and Time for Song, Contemporary Cornish Poetry ( Morgan’s Eye Press, 2009), Ver Prize anthology, 2022 and magazines including Poetry News, The Morning Star, Southbank Poetry, Dreich, The Atlanta Review, Prole, The Alchemy Spoon, Brittle Star, The Big Issue, London Grip, Dream Catcher, Black Iris, Tears in the Fence, Orbis, Magma, Obsessed by Pipework and Culture Matters
@suejohns facebook
@johns_sue insta
Seán Street
We lit a candle for you
that day in Sacre Coeur,
under its white-flame dome
as high as Paris could go
Marjory Woodfield
On Kinley’s Lane, quince tree, wild blackberries, branches of feijoa reaching over a fence, fallen fruit.
Ian Seed
What was the Welsh for ‘hedgehog’? That was what he wanted to know.
Sue Wallace-Shaddad
Rectangular, with corners cut off like an octagon, muddy brown shows through the cream exterior where the edges are chipped.
Cally Ann Kerr on International Transgender Day of Visibility
How many blows does it take to crack an egg?
Is a question I never expected to ask
If you don’t know, I should tell you, an egg
Is what they call the girl inside the male mask
Gita Ralleigh, Julian Matthews, Jackie Taylor on Colouring Outside the Lines
The hue of brides, appliquéd dark with henna.
Citron’s acid curl, vernal blades between teeth.
Sue Moules
I sell the postcard
of multi-coloured sheep
over and over again.
Kevin Denwood
Name called.
Not mine.
Wasn’t I
here first?
L Kiew
I leave everything on shingle,
meet surf like a sibling,
crest over playful breakers
and chase the moon’s tail.