Today’s choice

Previous poems

Alice Huntley

 

 

 

I had a leaf in my hair when I arrived

the receptionist thought it was a hairclip
I didn’t know how to tell her I’d been doing my pre-op
under a beech tree, leaves drifting down like snow
fungus like a great carved shelf
bracketing the question when do we begin to die?
three ages of a tree: sapling, adult in crown
then the dying creature leaning on its own crooked arms,
fingers splayed, velvet skin slumping, gathering tenderly
over lumpen nodes where limbs once were

if our days are numbered may they be beautiful numbers,
numbers in their prime scampering soundless along
branches of all possible numbers, numbers of cells
multiplying, numbers of leaves, numbers of wrinkles
in our shared grey skin, myriad threads spooling out through
nodule and root, fibbonnaci ribbons, the final conclusion
that all is energy exchange, sugar and light, water and sap,
a slow movement from one state to the other,
that even in death, all is life.

 

Alice Huntley is an estuary girl, born by the Humber and living by the Thames. She has an MA in Chinese Studies and writes & reads with local poetry groups in Barnes & Chiswick, London. Her work deals with memory and the body and has appeared in Mslexia, Ink Sweat & Tears, Pennine Platform, London Grip, The Waxed Lemon and Poetry Worth Hearing.

Gary Akroyde

We searched for it

through the tarmac in every rain-bruised sky
in dark Pennine shadows where great mills

spewed out ringlets of ghost-grey fog

Nathan Curnow

I like to think it’s a story about himself and Einstein
floating in zero gravity, Albert sailing through the capsule
toward his drifting pipe, Brian playing We Will Rock You—

Ash Bowden

Out again with the pitchfork churning 
compost into the old green bin, stinking
and silent as an ancient earthen vat.

Mallika Bhaumik

This is not a frilly, mushy love letter 
to a city whose allure lies in defying all labels and holding the mystery key to a man’s heart, though none has ever been able to lay an absolute claim on it, 

Jena Woodhouse

Around midnight, the hour when pain
reasserts its dominance, a voice
behind the curtain screening
my bed from the next patient’s:
an intonation penetrating abstract thoughts