Today’s choice
Previous poems
Christtie Jay
Petition For The Woman Formerly Known As My Mother
My Lord, let the record show
she remembered everyone else
before this. If you must, take her
in teaspoons. Temper justice
with mercy. Let her forget
the wrong men, sharp belts, winters
with no oil in the tank, how to stretch
a pound until it weeps. Let her forget
grocery lists, swollen ankles, recipes,
how to turn salt into supper, all she gave
so I could be ungrateful. Let her forget
shame: every vowel it borrows, that house
that broke her hips, the three children
who stretched her body, deciding in month eight
our arms were no good. Let her forget the years
that folded her like linen, the plastic kindness
of nurses who call her sweetheart because
everyone forgets names. My Lord, she drank
your will like wine, wore Sundays like perfume.
I appeal, spare her the hallway that leads nowhere.
One more lucid hour where I am her
girl. Where the fog lifts for the sun to find her
face. Where she’s not holding the sky up or patient.
Christtie Jay is a storyteller whose work explores themes of memory, loss, and survival. Her writing has appeared on Prairie Schooner, BBC Radio, Lighthouse, A Long House, The Rumpus, among others. She is the author of the poetry album Grey Choir.
Abraham Aondoana
We did not inherit land,
only remnants of fields they burned—
black fields scorched before we understood
Lorna Rose Gill
Maybe I remember getting brunch;
or the time the dog ate my croissant;
Adam Strickson
He couldn’t play rugby – the oval slithered away
whenever he touched it and he fell in the mud
or more often was pushed with some viciousness.
Leigh-Anne Hallowby
When we first came here two seasons ago
You were barely as high as my hip
Now you can look me right in the eye
It’s almost impossible to believe
Tadhg Carey
When our plaything ricochets
falling
who knows where
everything hinging
on the line
Luis Cuauhtemoc Berriozabal
I hear the roar of
the ocean. I hear
a series of shrieks
and long screams.
Natasha Gauthier
Nobody knows what Cicero’s gardener whistled
to his figs and olives, what the consul’s young wife
hummed to herself while slaves combed beeswax
and perfumed oils from Carthage into her hair.
Jean Atkin
She creeps under the opening, then stands.
Her guide passes her the stub of a candle,
holds up his own to show the ceiling rock.
Iris Anne Lewis
The track leads through thickets, threaded with eyes.
Elusive scraps of dreams, they gleam, flicker out.