Today’s choice
Previous poems
Sarah Nathan
There’s The Big Things
The ash that screams into the night,
the lake that dries, the child amongst the rubble,
the heat, the fire, the lack of books,
the men who’ve clearly lost their minds.
And then there’s the small. The glass that smashes
on the floor, a relic glazed in blue.
The seedlings devoured in their pots,
the text that rattles round a broken phone,
the children needing less and less,
a sense of being all alone. A backwards glance,
a hurried kiss, left on edge in sweat and fear,
not knowing how to survive at all.
In the night the stomach swells,
and water churns around. A tiny foot
imprints skin, from the inside out.
I’m woken by birds at dawn to this
back-to-front and broken dream
and now you pull away,
umbilicus strained,
a leaf that falls,
a different season yet again.
Sarah Nathan is a teacher and writer from East Lothian, Scotland. She has poems featured in The Dark Horse, Outcrop Poetry, Panorama: The Journal of Travel, Place, and Nature and forthcoming in The Poetry Lighthouse and from the roots (Glasgow University’s creative writing anthology). When not in the classroom she can mostly be found at the beach.
Matt Bryden
at the cider farm, eight minutes
before handover, we strike on
feeding the donkeys –
Colin Pink
to embrace you is like clasping
a fist full of briars
Simon Williams
What were these fairies called
before we knew of hummingbirds?
Bumblebee moth because of the size?
Reed-nose moth because of the proboscis?
Elizabeth Barton
On Diamond Hill
I didn’t
think of you once
as I climbed
past stunted willows
straggles of gorse
Susan Jane Sims on Mothering Sunday
Matter cannot be created and it cannot be destroyed.
I think of this as I pour the almost white ash from
the green plastic container that came in the post
into the vibrant red metal urn I have ready.
Daniel Sluman
just as the night sky shifts
beyond the minds
of the animals outside
the ceilings
we are pressed beneath change
in aspect & colour
Farah Ali
Notes from nature on how to survive this:
1. Learn crypsis and mimesis be a gecko or a mossy frog
2. Method actors sway like dead-leaf mantises on branches
James Benger
We tore it all down
just to watch it burn,
standing in that alley
of forgotten refuse.
Graham Clifford
Check the cavities in you where hurt goes,
exactly the right shape to house an insult
like a power tool snug and clipped in its case.