Today’s choice
Previous poems
Martin Mooney
Lapse
Graffiti artists, known as writers, are often misunderstood by society.
Eden Magazine
The footbridge was skinned in graffiti – slogans, threats,
declarations of love, swastikas. Grek. Kost. Lapse.
I’d assumed lapse was a tag, a nom de plume or guerre, but
as the morning drags itself towards noon the word
has surfaced and resurfaced: lapse, lapse, lapse. Noun
or verb? Am I instructed? Warned? By lunchtime
I wonder if it’s even word at all, perhaps the writer
just sprayed shapes that look like L A P S E by fluke.
And by mid-afternoon it’s drained of sense, a dazed
semantic husk, so that as I cross the bridge again
I whisper it to myself as virgin sound, unsaid till now:
brute air lip-shaped, a world in a kind of freefall.
Martin Mooney is the author of four collections – Grub (1993), Rasputin and his Children (2000), Blue Lamp Disco (2003) and The Resurrection of the Body at Killysuggen (2011). A New and Selected is due from Greenwich Exchange later in 2026
Juliet Humphreys
Though I am not a painter
this is to be a portrait
of my parents and my sister.
Julian Dobson
You too I guess
have studied the surviving starlings
as they swoop and whistle
by the snack trailer at Moorfoot
Mark Czanik
I loved the tales Luke told me of starving writers,
and the sacrifices they made following their hearts.
Philip K Dick eating dog food. Bukowski’s candy bars.
Nigel King
My compass – its needle set with a sliver of blue stone – spins and spins. Breath mists my snow
goggles. I wipe them endlessly. Even in these thick seal-skin mitts my hands are frozen. I have been
no place as still as this.
Clare Bryden
seek justice
and you hold
a seashell to your ear
hear
Gail Webb
He cuts. I lie still, teach myself
to dream of St David’s Bay,
seaweed strewn on incoming tides,
surfers slice big waves in half.
Kim Cullen
I pull a dress over my head
calm foggy blue linen
sleeved in lavender,
press frizzed hair
Mark G. Pennington
Vigo in Autumn is still a furnace
the nightjars
roost on ram-tarmacked roads
and hot guapas carrying fish baskets
Ivan McGuinness
Begins
in a bubble
strained by chalk.
Where the brim-full hill cries,
weeping tracks merge