Today’s choice
Previous poems
Tom Blake
After Gaston Bachelard and Sabrina Carpenter
We were the housing and the housed,
meaning nothing except that
we were always occupied,
or to put it simply never out.
After a while we walked like we were on stilts
made from string and sweetcorn tins.
We milled ginger biscuits
in our sheets.
We saw the dream house up in the distance
even when the curtains were closed.
Half the battle was not to doodle crenellations
on those final blueprints.
The house grew so large around us
that I could cat out on the bottom stair
waiting for you to pass over me,
an unmoored tower.
I promise none of this is a metaphor.
Tom Blake is a poet and music journalist who has two chapbooks out with The Red Ceilings Press: Ƨ (2023) and Peach Epoch (2025). His poems have appeared in Anthropocene and Perverse, and he is a regular contributor to KLOF magazine. Insta: tom_blake17
Paul Short
Sleep.
Elusive as lucid dreams.
Closed eyes teem wotsit-orange,
spiderweb scarlet &
thatch-brown
Ash Bowden
Out again with the pitchfork churning
compost into the old green bin, stinking
and silent as an ancient earthen vat.
Mallika Bhaumik
This is not a frilly, mushy love letter
to a city whose allure lies in defying all labels and holding the mystery key to a man’s heart, though none has ever been able to lay an absolute claim on it,
Jena Woodhouse
Around midnight, the hour when pain
reasserts its dominance, a voice
behind the curtain screening
my bed from the next patient’s:
an intonation penetrating abstract thoughts
Kate Bailey
They’ve mended the park fence again,
patched it over with the usual ugly metalwork,
like a riot barricade.
Ibrar Sami
Across the barren land
where blood once played its savage Holi,
the fearless migratory birds
have returned again.
Anyonita Green
It wobbles slightly, red wine jelly.
I peer at it, nose close enough
to smell the iron, the scent of coagulant,
inhaling through slightly parted lips
Soledad Santana
Seen as she’d hung her cranial lantern
from the roof of her step-father’s garden shed,
the parabolic formula was skipped; like two calves, we followed the fence
to the end of the foot-ball pitch.
Claire Harnett-Mann
Behind the block, the night tears in scrub-calls.
Fox kill scores the morning,
ripped by prints in muck.