Today’s choice
Previous poems
L. Haiman
O is the Mother Letter
My baby is hungry. Grabs
me with both hands. I am
an apple, apparently no will. I give in
to his teeth and hate it. Him I love! I can’t say No and even when I do
I go back
On my word. It must be that consent is
Ancient.
Older even.
A code written
In our body, a binary of unspoken NO’s / misspoken YES’s,
I guess it must have started with a
( o )
Breast.
And mouths to feed: the need
to quench and satiate an Other at the great
Expense of self. Give comfort, forfeit
Feeling safe.
L. Haiman is a Romanian-born multidisciplinary artist who lives and works in Margate, UK. L. Haiman’s work explores bilingualism, cultural identity, and intergenerational trauma across concrete poetry and prose. L. Haiman’s poetry writing has appeared in West Trade Review, The William and Mary Review, and Ink Sweat & Tears and was shortlisted for the Alpine Fellowship.
Sally Spiers
Night’s white noise is over. Day arises
to stillness. Light crouches behind windows
Tim Brookes
In the charity shop I try on a coat
flocked with fake shearling,
shaved-soft almost: fibres
fired onto plastic to fool the wrist.
Kim Waters
You’re a character, a Roman numeral,
an internet meme. Descendant
from a peasant’s crook or cattle prod,
you’re the twelfth letter of the alphabet,
Sylvie Jane Lewis
Being quiet and easily tired by being alive among people, I take
the cowardly route to community. I curate a digital garden of oddity.
At best my phone is a menagerie of queers: trinket makers, amateur
playwrights, witches, and, over and over again, my own personal monarchy.
Maryam Alsaeid
Maybe after your bath—
you will sit for a moment,
the towel will hold you close
like a quiet prayer—
Steve Komarnyckyj, Anna Bowles and Lynnda Wardle for Holocaust Memorial Day
where I saw you praying through the angle of the door
Now hangs only in my mind I breathe on its glass wipe away fly specks
Annie Wright
Sing silver times, shimmering columns
of light on the wine-dark, temple
to moon-eyed Hecate, the insatiable.
Magnus McDowall
We rolled out on Seven Sisters Road,
two crates of Tyskie empty in my stairwell.
We were talking from the chest, walking backwards
crackling air above our heads like streetlights
Yucheng Tao
But look here, I turned my head
and discovered the Denver Museum
waiting,
nerve, a soft-boned
species hums