Today’s choice
Previous poems
Jean Atkin
Lighting the Strangers into the cave
for Celia Fiennes, who rode 3000 miles around England on horseback in 1697
She hears the locals call it
the Devil’s Arse.
the hill on one End jutting out
in two parts and joyns in one at ye top
this Cleft between you Enter a great Cave
She creeps under the opening, then stands.
Her guide passes her the stub of a candle,
holds up his own to show the ceiling rock.
She hears the drip of water. In her riding skirt
that sweeps the ground, her narrow, heeled boots,
Celia clambers over stones and under stalactites
there is often Cause of Stooping very Low to pass by
and ye Rocks do drip water in many places
wch makes it damp and strikes Cold to you
haveing Lost ye sight of day
Although a Puritan, Celia writes it in her diary:
‘the Devil’s Arse’.
She is less prudish than the men
who come exploring
a generation later, resort
to asterisks.
Jean Atkin’s third full collection High Nowhere is was published last year by IDP. Previous publications include How Time is in Fields (IDP); The Bicycles of Ice and Salt (IDP) and Fan-peckled (Fair Acre Press). She is a poet in education and community. www.jeanatkin.com
Stephen Komarnyckyj
you are the shadow slipping through the mirror
Jo Farrant
We’re stuck on a scene, frozen, like the ice cubes I begged Mum to get with the little flowers in them. Like taking a test in the school gym but your knees are so big they’re banging into the desk.
Douglas K Currier
Afternoon hangs in the air, and the birds leave.
Frogs begin to talk to each other, and the heat congeals.
Stephen Chappell
If you could call that friend,
the special one,
the one you always love and know loves you
Marius Grose
Until the dead, sucked from leaf mould graves
are rising in forest sap, to make connections
inside strange green brains
Andrew Keyman
a day later you’re in l.a. picking out cars with the magic
only money can buy
Chrissy Banks
So many times I walked
head down half asleep
along that ordinary road to school
Christopher M James
She’d had the two of us, had learnt
how children bury their riddles, how love
unearths them
Opeyemi Oluwayomi
They are piercing knife between
the city, detaching the body from the head,
& squeezing the blood out of the flesh,
so there can be an end to what hasn’t begun.