Today’s choice
Previous poems
Britta Giersche
3am
a wooden door slams shut in my brain
a man perishes in a space the size of his grave from malnutrition eighty years ago
(I travel on my mother’s electric waves that held their spoken words’ shape)
I am sorry that the thud left a hole in your dream like a lost stitch in a schoolgirl’s needlework
the drumming of car tyres forms a mirror-like sound on the asphalt road
a beam of light casts a languorous glance over our bodies
for six seconds
(the length of a yawn)
I catch the warm updraft, rising from your breathing
Britta Giersche is German. She lives in London and is writing her first book of poetry.
On the seventh day of Christmas, we bring you Sue Burge, Erica Hesketh and Max Wallis
Once there was nothing sweeter than snow
On the sixth day of Christmas, we bring you Amy Rafferty, Tim Kiely and D.A.Prince
We pick up where you left off, searching still,
choosing random cards from a dealer’s deck:
twenty-one crows in a night-time tree,
deep within the dark, with all that chatter
On the fifth day of Christmas, we bring you Paul McGrane, Kevin Reid and Helen Evans
As regular as Santa Claus, she’d call
around at Christmas, the next-door neighbour
and my Sunday school teacher, Mrs Williams.
On the fourth day of Christmas, we bring you Leusa Lloyd, Lydia Benson and Charlotte Johnson
It is always Christmas in the loft
On the third day of Christmas, we bring you K. S. Moore, Kate Noakes and Rachael Smart
Picture this:
little witch girl
in Alaskan wilderness.
On the second day of Christmas, we bring you Gill McEvoy, Rachel Burns and Cindy Botha
On the way to the registry office it snows, flecks of white like spittle hitting the steamed-up bus windows, I worry the petals from my wedding posy.
On the first day of Christmas, we bring you Hannah Linden, John White and Stephen Keeler
. . . Now the villages is
en fête: dressed for a party in the dark,
across the fields, along uneven paths . . .
Anna Chorlton
She curled emerald
tights about the core of
an oak
slumbering with thick bare
limbs.
John Greening
On Stage in a home-made model theatre, c.1967 Glued to your block, in paint and ink you wait for Ah, Sweet Mystery of Life to stop. Smell of hardboard and hot bakelite. The lino curtain’s ready to go up. At which, the straightened coat hanger is shoved and on you...