Today’s choice

Previous poems

Amirah Al Wassif

 

 

 

The Double

My double sits before me now. I stare deep into her, as I do every day after midnight. When I raise my hands, she raises hers. When I wink with my right eye, she winks back. My childish braid sticks its tongue out at us both.

“Good evening, my double,” I say. “Hello,” she says. “How are things? Anything new?”

I consider the question, exactly as I do every day. Anything new?

The sun rises daily. The moon follows us everywhere. Flowers open and close, yet people still pluck them for others with broken hearts. I still count to a hundred before opening any message. The plagues are here. The jealous neighbor is here. The traumas remain.

We still let the large moths sleep among the clothes in the closet, hoping they are the souls of our dead. We still go shopping, read motivational stories, and ruin the environment while holding conferences on how to fix it. Living on Earth, we book digital outfits.

My double is like a photo negative. Her dreams have a voice; her imagination is larger than the galaxy. Yet, she asks: “Anything new?”

I narrow my eyes slyly—the philosopher. I hug myself to reassure us both. The Earth is still here. Yesterday’s breath is still on the pillow. My aunt is still fighting with her husband. New Year’s Eve repeats.

 

 

Amirah Al Wassif is an award-winning poet and author. Her poetry collection, For Those Who Don’t Know Chocolate, was published in February 2019 by Poetic Justice Books & Arts, followed by her illustrated children’s book, The Cocoa Boy and Other Stories, in February 2020. Bedazzled Ink Publishing Company released her collection, How to Bury a Curious Girl, in 2022. Most recently, her latest collection, The Rules of Blind Obedience, was published in December 2024. Her work has appeared in numerous print and online publications, including South Florida Poetry, Birmingham Arts Journal, Hawaii Review, The Meniscus, Chiron Review, The Hunger, Writers Resist, Reckoning, and Event Magazine, among others.

Nina Nazir

Nina Nazir

Star Walks, biro on paper, 2022 (text source from Sum: Tales of the Afterlife, David Eagleman, p.21)   Consistency, gel pen & biro on paper, 2022 (text source from The Power of Habit, Charles Duhigg, p.111)   Nina Nazir is a British Pakistani poet,...

Philip Foster

      The Perfect Platonic Prison The canal is the most perfect of mirrors reflecting the purples and blues of the boats and the greens and blacks and blues of the trees. They all reach down in perfect symmetry. There are shabby huts and black cats....

David Callin

      Bunnies? We were delicate creatures once: shy, wide-eyed, exotic incomers. Holes had to be dug for us. Always toothsome, we have descended the scale of what is desirable, losing caste, coarsening, getting bigger, faster, fitter, more inured to...

Ramona Herdman

      She runs a circus now Her will drives them round the world – a cavalcade of needy clowns, prima donna gymnasts, tigers. Even in mufti, you can sense the whip back on its hook by her basking boots. They keep changing the legislation, so she runs...

Jacqueline Haskell

      Convergence   After that first year, they were never the same,  the planners with their Glastonbury smiles, their beatnik topology, though they still carried the henge inside them,  a degree or two of slippage was lost at the roundabout,  the...

Ruth Aylett

      Essential Worker Queen of the sandwich bar she moves no financial indices, wears blue overalls without red braces. She has planned every movement, her rapid questions in optimum order ‘eat in?’ ‘flora on your roll?’ ‘jalapenos?’ ‘salad with...

B. Anne Adriaens

      Beware the silent child (4) The arcade is a belly of echoes, jingles glancing off games and slot machines, repeat repeat repeat, punters’ voices a murmur that dies on the carpet. You enter to spend a penny, then retrace your steps to the exit,...

Olivia Heggarty

  Beside Everything, in Paris The morning was warmer than the one before, with a blue demitasse lighting your hand up in front of Notre Dame, its steam disappearing like its insides. And the gold flush of my shoulder against your cheek. We held our mouths for...

Elizabeth Gibson

      Fish at the quarry I usually hide Fish in my stomach, let it flip away angrily in the acid, or else I stuff it in my pocket, where it gets all woolly and dry, and goes still. Today, I take Fish to the quarry, let it stew in me as I gaze out over...