Today’s choice
Previous poems
Kath Mckay
How to become two-dimensional
Die. You’re soon reduced to a photograph.
Lugubrious Co-op undertakers will zip you in a bag
and keep you cold, until you’re moved care of Michael,
with curly grey locks like Frodo, who has dropped
too much acid in his youth according to my friend: ‘Look at his eyes,’ she says.
Chill for ten days, be dressed in jacket and jeans,
your daughter’s South Park tie: You will respect my authority.
Burn. Reduced to ash, be thrown into a tree hole in Leeds,
and carried to Pittwater and scattered.
As a photograph, people can kiss your face,
but you can’t kiss back, or put your tongue
down her throat, or curl into her. Nothing left of your arms,
to wrap around her in bed. Only your photo, grinning,
fixed and unchanging. When you were quicksilver, planning
to clear the front garden, take up Spanish, go backpacking in Spain.
Kath Mckay has published three full poetry collections, the most recent, Moving the Elephant, from Michael Laskey’s Garlic Press . She also publishes short stories and longer fiction.
Helen Akers
we’re trying to construct a frame for this
‘highly reactive impulsive emotion’
the nurse is looking into it
Jenny Robb
By the light of a wolf moon,
my father turns mad.
Anne whispers to a girl in the wind,
and a friend blows into my life.
Diane Webster
Squirrels dream of a cougar,
a cougar given permission
to crouch like an assassin
awaiting its prey . . .
Bill Jones
Three jackdaws walked widdershins
around the birdfeeding station.
Zumwalt
I see
how you see
us in meetings:
merchandise
to slip
off
the shelf.
Anya Reeve
Stubborn, we closed our fists
To better ward away the brume
John Grey
it’s more
of a gathering
than a town
Antony Dunn
Have you heard the one about
how I’m hoping to bow out –
playing guitar for the Cure
Alex Scarborough
I measure distance in Spotify playlists
so I can’t be trusted with maps.