Today’s choice
Previous poems
Steph Morris
Summers in black
Who’s idea was it? I think his, as I’d started
wearing everything from Oxfam. Among my finds
collarless shirts. There was I
and my clique, ourselves fearfully
fresh, seeking out lived-in things, clothing
with more history than us.
This although a year or two back
we’d so hated hand-me-downs.
So he started offering me his old clothes first,
trying to help his son – to understand.
And as my favourite colour became the colour
he wore for work, he gave me his old shirts,
all black of course, washed-out and worn-in,
collarless, just a circular band around the neck,
with a slit either side at the front
where the stiff white strip slipped in.
Obviously I wouldn’t be wearing that bit,
ever. But the shirts I lived in
all summer, loose, but still black,
a couple of buttons open, neck free,
something most Jesus and Mary Chain fans
didn’t have – something he could do.
Steph Morris’ poems appear in his chapbook Please don’t trample us; we are trying to grow!, in the anthologies Joy//Us, Poetry Prescription: Becoming, Up//Roar, and in various magazines and gardens.
J.P. Lancaster
Ivy thrives
despite dependency.
It hangs on, has its other day.
Amy Dugmore
How much water did you have to drink this morning?
Did you sip your coffee without worrying
about its diuretic properties? Was it sunny
where you were?
Hannah Linden
I was cutlery left out in the rain, rusty
by morning, a side-slipping fiddlestick
desperate for music, starved for company.
Eve Chancellor
Imagine waking up one day and discovering
that you are a horse. At first, you might not
believe it and think you are dreaming.
Ananya S Guha
The leaves are growing out of
a harangue of loneliness
palms cupped I listen to silences
of winter or summers
Peter Leight
Instead of Dying I’m Taking a Trip
to Kansas
where the light appears
as if walking through a gate
in the air
Daniel Cartwright-Chaouki
Its timber frame held together by the waste
of its own decay
The rot a kind of glue undisturbed
Cracked panes of glass hold their fractures
Rosie Jackson
I Am Trying to Love Frank O’Hara More
I really am! I am trying not to see his exclamation marks as cheap melodrama and his endless conjunctions as some kind of separation anxiety or fear of mortality for what do full stops signify except dying
Charlotte Holm, Jennifer A McGowan
A leaky drainpipe drips
creating damp patches on uneven paving,
slime green algae blossoms
forming viridescent ripples