Ink Sweat & Tears is a UK based webzine which publishes and reviews poetry, prose, prose-poetry, word & image pieces and everything in between. Our tastes are eclectic and magpie-like and we aim to publish something new every day.
We try to keep waiting-time short, but because of increased submissions, the current waiting time between submission and publication is around twelve weeks.
If you have come here looking for more information on our ‘Uprising & Resistance’ Project in conjunction with Spread the Word and Black Beyond Data, please go here.
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Featured Poetry/Prose of the Day
Previously featured
Iris Anne Lewis
And so I went into the owl.
Eyes, green as moss,
darken to black. Oak tassels
spell-woven to feathers.
Nairn Kennedy
You notice the nose: webbed veins spritzed
with little flicks of red, purple blotches
daubed with a palette-knife, broken ends
where blood-vessels gave up the ghost.
Recent Prose
Recent Haiku
News
‘Dear Iran’ from Sophie Lankarani is the IS&T April 2026 Pick of the Month!
‘An artful description of the feeling by simultaneous belonging and separation of second-generation immigrant from their ancestral homeland’
‘Beautiful imagery and gorgeous melancholy longing’
Word & Image
Sabine Wilson-Patrick
hi mum im good mum how are you good good yeah
im okay yes im fine you yes I wrote my essay I got a first
I want to go home 1000 pounds yes of flesh dry cracked
Filmpoems
Erin Coppin and Dr Jo Scott
British Columbia, Canada, 2021: We are surviving the vagaries of climate change
1. Heat dome: I’ve had to water my plants two times a day so they don’t die.
2. Five hundred and ninety-five people died as a direct result of extreme heat.
Featured Poetry/Prose of the Day
News
‘Dear Iran’ from Sophie Lankarani is the IS&T April 2026 Pick of the Month!
‘An artful description of the feeling by simultaneous belonging and separation of second-generation immigrant from their ancestral homeland’
‘Beautiful imagery and gorgeous melancholy longing’
Word & Image
Sabine Wilson-Patrick
hi mum im good mum how are you good good yeah
im okay yes im fine you yes I wrote my essay I got a first
I want to go home 1000 pounds yes of flesh dry cracked
Filmpoems
Erin Coppin and Dr Jo Scott
British Columbia, Canada, 2021: We are surviving the vagaries of climate change
1. Heat dome: I’ve had to water my plants two times a day so they don’t die.
2. Five hundred and ninety-five people died as a direct result of extreme heat.
Previously featured
Iris Anne Lewis
And so I went into the owl.
Eyes, green as moss,
darken to black. Oak tassels
spell-woven to feathers.
Nairn Kennedy
You notice the nose: webbed veins spritzed
with little flicks of red, purple blotches
daubed with a palette-knife, broken ends
where blood-vessels gave up the ghost.
Recent Prose
Recent Haiku
Picks of the Month
‘Reimagination of Gravity’ by Paul Chuks is July’s Pick of the Month! Read and Hear it Here.
This poem was as unexpected as a story plot! I loved it.
Wonderful way of observation
Rachael Clyne’s ‘Homeland’ is the June 2025 Pick of the Month! Read and hear it here.
‘Diaspora dialogue; the place and the displaced’
‘Thought provoking. A rich, reflective poem that carries itself well.’
‘The way the land responds to human tragedy’
‘Wallpaper’ by Joseph Blythe is the May 2025 Pick of the Month. Hear it read here now!
‘Vivid, precisely imagined, powerful’
‘This poem is the rawest I’ve read in a while.’
Reviews
In Praise of… : Arup K. Chatterjee reviews ‘A Different Story’ by Amlanjyoti Goswami
A Different Story conjures a subject that resists acts of dumping trauma, instead alchemizing them into dry humor and decorous irreverence, sans complacency or arrogance
In Praise Of…: Fathima Zahra reviews ‘this too is a glistening’ by Pratyusha, Jessica J. Lee, Alycia Pirmohamed and Nina Mingya Powles
Moving between immersive and sensory details from their walks, swims and time together, the writing switches between present and past recollections.
In Praise Of…: Setareh Ebrahimi reviews ‘Where the Land Forgets Itself’ by Connor Sansby
Where the Land Forgets Itself is both humorous and subversive. It leaves the reader questioning: What is material? What is reality? It is a fundamental quizzing of everything where nothing is assumed but pain, and beauty.








