Ink Sweat & Tears is a UK based webzine which publishes and reviews poetry, prose, prose-poetry, word & image pieces and everything in between. Our tastes are eclectic and magpie-like and we aim to publish something new every day.
We try to keep waiting-time short, but because of increased submissions, the current waiting time between submission and publication is around twelve weeks.
If you have come here looking for more information on our ‘Uprising & Resistance’ Project in conjunction with Spread the Word and Black Beyond Data, please go here.
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Featured Poetry/Prose of the Day
Previously featured
Nairn Kennedy
You notice the nose: webbed veins spritzed
with little flicks of red, purple blotches
daubed with a palette-knife, broken ends
where blood-vessels gave up the ghost.
Jason Ryberg
Still Life of Fish and Bird
Recent Prose
Recent Haiku
News
‘Arrival’ by Rosie Jackson is the Pick of the Month for January 2025. Read and hear it here.
‘Stripped of sentimentality, raw and beautiful.’
‘Authentic, deceptively simple and relatable’
Word & Image
Nina Nazir
the egg woman
spends her days writing
she is alone again
she must find a way
to gather momentum
Filmpoems
Julian Dobson
17 small acts of ending
Featured Poetry/Prose of the Day
News
‘Arrival’ by Rosie Jackson is the Pick of the Month for January 2025. Read and hear it here.
‘Stripped of sentimentality, raw and beautiful.’
‘Authentic, deceptively simple and relatable’
Word & Image
Nina Nazir
the egg woman
spends her days writing
she is alone again
she must find a way
to gather momentum
Filmpoems
Julian Dobson
17 small acts of ending
Previously featured
Nairn Kennedy
You notice the nose: webbed veins spritzed
with little flicks of red, purple blotches
daubed with a palette-knife, broken ends
where blood-vessels gave up the ghost.
Jason Ryberg
Still Life of Fish and Bird
Recent Prose
Recent Haiku
Picks of the Month
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Reviews
Louise Warren reviews ‘Daylight of Seagulls’ by Alice Allen
Alice Allen’s first collection Daylight of Seagulls takes the occupation of Jersey during WW2 as its subject, but she weaves so much more. In her vivid introduction she tells us that...


