Ink Sweat & Tears is a UK based webzine which publishes and reviews poetry, prose, prose-poetry, word & image pieces and everything in between. Our tastes are eclectic and magpie-like and we aim to publish something new every day.
We try to keep waiting-time short, but because of increased submissions, the current waiting time between submission and publication is around twelve weeks.
If you have come here looking for more information on our ‘Uprising & Resistance’ Project in conjunction with Spread the Word and Black Beyond Data, please go here.
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Buy Ink Sweat & Tears Publishing books and pamphlets here.
Featured Poetry/Prose of the Day
Previously featured
Khairina Anindya, Genevieve Beech
‘Khair’
At the feet
of al-Ka‘ba
you asked for a daughter.
‘BIRTHLIGHT’
You are ordinary
to the teenager on the bus,
the doctor at our six-week check.
Linda McKenna
We set about him with rifle butts and spades,
waiting our turn alongside our enemies,
the same sunburnt flesh, the same blistered
feet. Met where our camps, the same
Recent Prose
Recent Haiku
News
‘Dear Iran’ from Sophie Lankarani is the IS&T April 2026 Pick of the Month!
‘An artful description of the feeling by simultaneous belonging and separation of second-generation immigrant from their ancestral homeland’
‘Beautiful imagery and gorgeous melancholy longing’
Word & Image
Sabine Wilson-Patrick
hi mum im good mum how are you good good yeah
im okay yes im fine you yes I wrote my essay I got a first
I want to go home 1000 pounds yes of flesh dry cracked
Filmpoems
Panya Banjoko
She had seen more of the world
than there was left to see
and now the world saw her as old.
Featured Poetry/Prose of the Day
News
‘Dear Iran’ from Sophie Lankarani is the IS&T April 2026 Pick of the Month!
‘An artful description of the feeling by simultaneous belonging and separation of second-generation immigrant from their ancestral homeland’
‘Beautiful imagery and gorgeous melancholy longing’
Word & Image
Sabine Wilson-Patrick
hi mum im good mum how are you good good yeah
im okay yes im fine you yes I wrote my essay I got a first
I want to go home 1000 pounds yes of flesh dry cracked
Filmpoems
Panya Banjoko
She had seen more of the world
than there was left to see
and now the world saw her as old.
Previously featured
Khairina Anindya, Genevieve Beech
‘Khair’
At the feet
of al-Ka‘ba
you asked for a daughter.
‘BIRTHLIGHT’
You are ordinary
to the teenager on the bus,
the doctor at our six-week check.
Linda McKenna
We set about him with rifle butts and spades,
waiting our turn alongside our enemies,
the same sunburnt flesh, the same blistered
feet. Met where our camps, the same
Recent Prose
Recent Haiku
Picks of the Month
‘A Cry’ by Mariam Saidan is the IS&T Pick of the Month for November 2025. Read and Hear It Here!
‘I have lived this. I believe every woman from Iran who reads her words will feel every line of the poems she writes.’
‘A cry that defies repression and a spirit that refuses to be silenced.’
‘Pivotal’ by Tadhg Carey is the October 2025 Pick of the Month. Congratulations! Revisit the Poem and Hear it Read Here.
‘Beautiful, subtle merging of that moment of sporting destiny and the creative process’
‘This poem captures the momentum of sport, the exhilaration and tension, whilst also almost imperceptibly focuses our attention on the mechanics of writing poetry.’
Read and Hear it Here: Clara-Læïla Laudette’s ‘The purpose’ is our Pick of the Month for September 2025. Huge Congratulations!
‘Quietly devasting poem’
‘Fresh, alive, original, funny’
Reviews
Zain Rishi on Meredith MacLeod Davidson
From the opening poem of Meredith MacLeod Davidson’s transpiration, we find ourselves in a landscape haunted by cycles of loss. ‘Anchorless / a boat bangs against sea-weathered pylons,’ and this same lack of purpose and the inevitably of decay is infused throughout the imagery of “Deltaville”.
Shannon Clinton-Copeland on Lewis Buxton
“Every poem in Mate Arias is a supporting column in the architecture of a tenderly rendered pantheon to friendship and the myriad forms of platonic love, particularly between men. The pamphlet is made up of twenty-three sonnets, each a vignette of affection, contemplation and memory.”
Chris Hardy on Quentin Cowdry
The poems are carefully structured in regular stanzas, with well-paced, rhythmical lines and deft use of enjambment. The various subjects and themes, which differentiate and unite the work, are built on close observation of the world, of nature and human experience, and how we relate to and respond to it.








