Today’s choice

Previous poems

Nairn Kennedy

 

 

 

Portrait

You notice the nose: webbed veins spritzed
with little flicks of red, purple blotches
daubed with a palette-knife, broken ends
where blood-vessels gave up the ghost.

You see the waistcoat bristling
Harris Tweed, the label peeking out just so
we know, and, picked out in gold, a tiny
little compasses-and-square combo

glints in his lapel. You don’t see
the earthy animal smell of the jacket,
the whiff of stale whisky on the breath
where he’s tried to overtake

the Dylan Thomas record. You can’t see
his wife’s face, worn like an overused
tyre, or his children’s eyes blanking
out when his voice is raised.

You only catch a little of the scenes
where he rolls up in the early hours,
hammers on the door with a balled-up
fist, demands a final drink as a nightcap.

He always drives himself home, festering
in a bath of booze;  the picture doesn’t show
his kneeling wife, praying for a swerve, a skid,
the sudden emancipation of a brick wall.

 

Nairn Kennedy’s work has appeared in The London Magazine, Stand, The North, Poetry News and Under the Radar, plus several anthologies. He’s been longlisted in the National, variously commended, and runner-up in the Stanza competition.  Website: nairnkennedypoet.co.uk

Mark McDonnell

Fascinated by the priest’s teeth I don’t realise
I’m kicking the pew in front with a restless foot
until someone taps me sharply on the knee.

Sylvia Banham

Pigeons have invaded the garden, two then four, then a flock.
They roost in the apple tree to nest, reconnoitre or mate
 
ignore my sorties to deter them and shit without stint
on patio and herb bed, foul lovely hyssop and thyme.

Gordon Vells

Impotent in family life and ineffectual at work,
sometimes he would spend a full quarter-hour
just circulating the mini-roundabout on his moped,
dizzy from the power of blocking everyone else.

Patrick Wright

i protest     say how when i’m gone i’d like to rest before the choice to return & go through 
all this again     you sigh as though that’s absurd & endings are just endings     we’re mulch 
& nothing but endless fucking