Today’s choice
Previous poems
Stephen Keeler
How to get here
Among the joys of love was when we got
our first apartment on a boulevard
above the trams and tree-tops and the wires
that cut the street like tangram puzzles and
our friends would come with olives and cheap wine
they found the place by following the maps
I drew in coloured inks with metro stops
hand-lettered street names and my drawing of
the dappled fountain they must pass to find
us and I drew these maps for you so that
you’d find me too I having been brought up
on maps and globes and paths marked out for on
and off the beaten track the map of you
the glorious map of you that even now
I could bring back in inks from memory
indelible as tram-lines and the paths
that crossed the park the dogs on leads the girls
with prams the foreign grass marked out with signs.
Stephen Keeler’s award-winning poetry is widely published in journals, magazines, anthologies and online. His small collection ‘They Spoke No English’ is published by Nine Pens Press and his (prose) memoir, ’50 Words for Love in Swedish’, won the 2022/23 People’s Book Prize. He was long-listed in this year’s National Poetry Competition and has edited anthologies for, among others, Candlestick Press. Substack @stephenkeelerwriter
Khairina Anindya, Genevieve Beech
‘Khair’
At the feet
of al-Ka‘ba
you asked for a daughter.
‘BIRTHLIGHT’
You are ordinary
to the teenager on the bus,
the doctor at our six-week check.
Linda McKenna
We set about him with rifle butts and spades,
waiting our turn alongside our enemies,
the same sunburnt flesh, the same blistered
feet. Met where our camps, the same
Abigail Ottley
She remembers the house of her husband He’s not, as they said he is: loathsome, most monstrous. He has a strange and sinister beauty. His eyes are obsidian, shot through with gold, a ruby burning in each. A noble brow, and magnificent cheekbones. You can...
Frank Phelan
I am most visceral
when being disarmed
by a song, a lyric
written and sung…
in the broad New Yawk vowels
Katherine Duffy
The ferry pushes the sea,
forces a long, white reply
that speaks of where we’ve been
Audrey Cotterell
In a corner chapel of the abbey
I lit a small candle, and sent the flame
as a message only half composed
Dylan Foster
there’s not much you can do
when the planets
are telling you to stop
Jeff Skinner
Can’t hear yourself think only the bass line
of a heart thumping. Your head’s clamped.
Chalice Am Bergris
It is not like an egg cracking
or an exquisite shiver of shattered glass.