Sarah Kelly (1985) is currently living in Argentina. Her poetry can be found in the chapbooks locklines and Ways of Describing Cuts (Knivesforksandspoons Press), Better than Language Anthology (Ganzfeld Press), The Salzberg Review, QUID, two poetic ‘manifesto’ essays in Rattle Journal, and will appear in the Bloodaxe anthology Dear World & Everyone In It. Her work increasingly involves the medium of papermaking, playing with the body and surfaces of both text and page. Examples can be found online in Establishment Magazine and Lex-ICON Blog Project and are currently in exhibition in the Jose Hernandez Gallery, BsAs.