Standing on top of the National Museum of Scotland

We find the roof garden.
Its little patch of moorland, birches,
heather so perfect it might hide
grouse turd, quartz, even Tunnock wrappers.
A mountain peak handkerchief
picnic-pack pooled
until the air all around is streaked with dry
leaves and the ghost of pollen.

And the sky opens out above all the glass
inaccessible VIP pathways.
How did we get here like this?
And the face of volcanos: did I mention
Arthur’s Seat with its buzz cut of tourists?
Will one of them fly?
Fighting vertigo with talk and tin cans,
the children snail the big rocks,
impossible here, and the glinty light
changes. And I feel happy
lifting off slightly over to Blackford Hill
and Salisbury Crags, bigger than
anything this family thing.

And as we trooped down to the café;
the blank plastic clock below
cried out the hour like birdsong
telling me later
that was the moment that you died.

 

 

 

 

Bridget Khursheed is a poet and geek based in the Borders; a Scottish Book Trust New Writers Award recipient, her work is widely published in magazines including Ambit, Butcher’s Dog, New Writing Scotland, Zoomorphic and Gutter; @khursheb