{"id":7720,"date":"2014-11-06T08:49:01","date_gmt":"2014-11-06T08:49:01","guid":{"rendered":"http:\/\/ink.verticalplus.co.uk\/archive\/?p=7720"},"modified":"2014-11-06T13:54:21","modified_gmt":"2014-11-06T13:54:21","slug":"togara-muzanenhamo-on-poetry-disobedience-for-aldeburgh-poetry-festival-2014","status":"publish","type":"post","link":"https:\/\/inksweatandtears.co.uk\/archive\/togara-muzanenhamo-on-poetry-disobedience-for-aldeburgh-poetry-festival-2014\/","title":{"rendered":"Togara Muzanenhamo on &#8216;Poetry &#038; Disobedience&#8217; for Aldeburgh Poetry Festival 2014"},"content":{"rendered":"<p><em>The 2014 Aldeburgh Poetry Festival runs for the 7th-9th November. Today and over the weekend Ink Sweat &amp; Tears is featuring poems on the theme of \u2018Poetry &amp; Disobedience&#8217; which is the subject of the IS&amp;T-supported Short Takes this year.\u00a0\u00a0 <\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>from <strong>Lyra<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>He could smell the ocean. Almost hear the water<br \/>\nrushing up against the rocks. Great sprays of salt<br \/>\nbanking up then falling back. Red carcasses of ships<br \/>\nrusting all across the shoreline. He clutched his hip.<br \/>\nThe brass fragment jutting out \u2013 an \u2018S\u2019 with a bolt<br \/>\nloose at its upper most tip. He stopped. The sputter<\/p>\n<p>of an engine. Looking over his shoulder he could<br \/>\nsee a small black dot trailed by a tail of dust. <em>Fuck.<\/em><br \/>\nThe cliff face was bare and steep, his body pressed<br \/>\nflat against it, black like an ant. He was at the most<br \/>\ndifficult point of the climb. Here he judged the rock-<br \/>\nface jutting out above him, a large shelf he would<\/p>\n<p>have to scale using only the strength of his arms.<br \/>\nPain tore through his body, his legs cycling the air<br \/>\nas his arms trembled above his weight. He pulled<br \/>\nhimself up onto the top part of the shelf, crawled<br \/>\nfor a bit, then just lay there on his belly, sucking air.<br \/>\nBeneath him, because the sand was already warm,<\/p>\n<p>all he saw was fresh blood creeping out. A red stain<br \/>\ngrowing silently. He looked up, ahead. The mouth<br \/>\nof the cave gaped back at him. Black. He slithered,<br \/>\nangry with pain, towards the entrance, rowing hard<br \/>\non his elbows. In the cave: cool air, a thin footpath<br \/>\ndisappearing deep into the distant sound of rain.<\/p>\n<p>*<\/p>\n<p>The smell of water over stone fell heavy with iron.<br \/>\nA constant trickle riding away, deep to where colour<br \/>\nknew no other colour than black. The sound of a fire<br \/>\ncrackled and spattered. The light at first vermilion<br \/>\non the dome of the cave, then a whole riot of crystal<br \/>\nsparks revealing wet constellations: reds, purples,<br \/>\nblues \u2013 bright for a second or two \u2013 became alluvial<br \/>\nshadows, smoke cloaked. Incandescent. His people\u2019s<\/p>\n<p>words ran through his mind in rapid, furious bursts<br \/>\nof prayer. He could hear every whisper. Soft trickles of<br \/>\nwater flowed along cold walls, compelling his thirst.<br \/>\nAn arm cradled his head. Dregs of sediment and rough<br \/>\nindefinable grains seeping into the froth of his beard.<br \/>\nA woman\u2019s voice echoed. A constant stream of cool<br \/>\nwater flowed over his forehead. The cave\u2019s colourful<br \/>\ndisplay washing in waves. Its walls wet \u00adand fissured.<\/p>\n<p>*<\/p>\n<p><em>If it\u2019s them, they\u2019re coming down the south tunnels.<br \/>\nSound carries deeper there<\/em>. There were others though.<br \/>\nOthers in the caves. They would hear the shouts echo<br \/>\nthrough the water corridors. Horrible screams. <em>They\u2019ll<br \/>\nkill us all. We have to leave him!<\/em> He lay stretchered.<br \/>\nWater neck high. Oily rainbows beneath the dirty flame<br \/>\nslithering in their wake. Ahead the black passage stared<br \/>\nback at them like a lair. Deep, cold and uncertain.<\/p>\n<p>*<\/p>\n<p>For hours. Nothing. The cold on their skin like a numb<br \/>\nsuit. Darkness echoing off the wet rock. They held still.<br \/>\nOccasional voices. Movement in other tunnels. The hum<br \/>\nof a fan powering some sort of machine. They held still,<br \/>\nhuddled like eels in the cramped recess. The machine<br \/>\nhumming closer with the slow swish of wading. The light<br \/>\ngrowing stronger on the cave\u2019s wet walls, almost bright<br \/>\nas day, then suddenly brighter. Cold. Clinical. Clean.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Togara Muzanenhamo<\/strong> was born in Zambia in 1975 and brought up on the family farm in Zimbabwe before studying in France and the Netherlands. He returned to Zimbabwe where he worked as a journalist before turning his attention to the development of African screenplays. He now divides his time between writing and farming. His first collection, <em>Spirit Brides<\/em> (Carcanet 2006) was shortlisted for the Jerwood Aldeburgh First Collection Prize and his second book <em>Gumiguru<\/em> is launched at the Festival.<\/p>\n<p>His Short Take will feature on Saturday at 10.45am. For more information on his other performances and the festival see <a href=\"http:\/\/www.thepoetrytrust.org\/festival_events_links\/\" target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 2014 Aldeburgh Poetry Festival runs for the 7th-9th November. Today and over the weekend Ink Sweat &amp; Tears is featuring poems on the theme of \u2018Poetry &amp; Disobedience&#8217; which is the subject of the IS&amp;T-supported Short Takes this year.\u00a0\u00a0 &nbsp; &nbsp; from Lyra &nbsp; He could smell the ocean. Almost hear the water rushing [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-7720","post","type-post","status-publish","format-standard","hentry","category-prose-poetry"],"_links":{"self":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/7720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=7720"}],"version-history":[{"count":14,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/7720\/revisions"}],"predecessor-version":[{"id":7739,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/7720\/revisions\/7739"}],"wp:attachment":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=7720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=7720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=7720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}