{"id":591,"date":"2010-03-18T14:23:33","date_gmt":"2010-03-18T14:23:33","guid":{"rendered":"http:\/\/ink.verticalplus.co.uk\/archive\/?p=591"},"modified":"2010-03-18T14:23:33","modified_gmt":"2010-03-18T14:23:33","slug":"ken-head-reviews-alan-brownjohn","status":"publish","type":"post","link":"https:\/\/inksweatandtears.co.uk\/archive\/ken-head-reviews-alan-brownjohn\/","title":{"rendered":"Ken Head reviews Alan Brownjohn"},"content":{"rendered":"<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<p><font style=\"font-family: Courier New,Courier,mono;\" size=\"2\"><b style=\"\"><span style=\"font-style: italic;\">Ludbrooke: An Introduction<\/span><o:p><\/o:p> by Alan Brownjohn<o:p><\/o:p><\/b><\/font><font style=\"font-family: Courier New,Courier,mono;\" size=\"2\"><b style=\"\"><br \/>The Poetry Trust, 2009 <\/b><a href=\"http:\/\/www.thepoetrytrust.org\"><b style=\"\"><span style=\"\">www.thepoetrytrust.org<\/span><\/b><\/a><b style=\"\"><span style=\"\"><\/span><\/b> ISBN<br \/>\n978-0-9550910-2-0, Paperback \u00a35.00 (24pp)<\/font><\/p>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\"><br \/><\/font><\/p>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\">This attractively produced pamphlet<br \/>\nof 16 poems, published in a limited edition of 300 by <b style=\"\">The Poetry Trust<\/b>, precedes <i style=\"\">Ludbrooke &amp; Others, <\/i>a collection of 60<br \/>\npoems forthcoming this year from <b style=\"\">Enitharmon<br \/>\nPress <\/b>(<a href=\"http:\/\/www.enitharmon.co.uk\">www.enitharmon.co.uk<\/a>) and currently<br \/>\nadvertised on their website.<span style=\"\">&nbsp; <\/span><\/font><\/p>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\"><o:p><\/o:p><br \/><\/font><\/p>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\">Brownjohn is a poet whose career<br \/>\ncovers many decades.<span style=\"\"> <\/span>His early work<br \/>\nwas published in such groundbreaking series as <i style=\"\">Penguin Modern Poets <\/i>(Vol. 14)<i style=\"\"><br \/>\n<\/i>and<i style=\"\"> <\/i>Studio Vista\u2019s Pocket Poets Series<br \/>\n(<i style=\"\">Jazz Poems<\/i>).<span style=\"\"> <\/span>A first <i style=\"\">Collected Poems 1952-1988<\/i> appeared in 1988.<span style=\"\">&nbsp; <\/span>Hence, it isn\u2019t surprising that the<br \/>\nliterary editor of <b style=\"\">The Times Literary<br \/>\nSupplement<\/b> should describe \u201cAlan\u2019s late flowering with <i style=\"\">Ludbrooke<\/i> as one of the best things going on in poetry at the<br \/>\nmoment\u201d, or that Dennis O\u2019Driscoll, a self-confessed fan, should regard <i style=\"\">Ludbrooke<\/i> as \u201ca brilliantly wry<br \/>\ncreation, lovably roguish, yet deeply vulnerable, too.\u201d <br \/><\/font><\/p>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\"><br \/><\/font><\/p>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\"><o:p><\/o:p>My own view of the poems, each<br \/>\nthirteen lines long and so rondels rather than sonnets, is less<br \/>\nenthusiastic.<span style=\"\"> <\/span>From the repetitive mock-formality<br \/>\nof the titles, all containing the pronoun \u201chis\u201d, <i style=\"\">His Classic Modesty<\/i>, <i style=\"\">His View<br \/>\nOf Lower Life<\/i>, <i style=\"\">His Suggestion<\/i>, and <span style=\"\"><\/span>reminiscent of minor eighteenth<br \/>\ncentury verse such as Alexander Pope\u2019s <i style=\"\">Of<br \/>\nHer Sighing<\/i> and <i style=\"\">Of Her Sickness<\/i>, the<br \/>\npoems have little to say beyond demonstrating Brownjohn\u2019s preoccupation with male<br \/>\negotism and its obverse, vulnerability.<span style=\"\"> <\/span>They are less the witty, satirical observations of human social<br \/>\ninteraction of which his writing is capable, than depressing self-mockery.<span style=\"\"> <\/span>Ludbrooke\u2019s life, like his cash flow,<br \/>\n\u201cvaries between a pose of fastidious care \/ and a pretence of letting it all<br \/>\nhang out\u201d.<span style=\"\"> <\/span>In <i style=\"\">His Visit<\/i>, rather than blaming himself for a failed stay with<br \/>\nfriends, he concludes that \u201cHe just attracts appalling hosts\u201d.<span style=\"\"> <\/span>Ludbrooke, as he admits in <i style=\"\">His Aspiration<\/i>, \u201csuffers \/ From an<br \/>\nMTD:<span style=\"\">&nbsp; <\/span>Vanity \u2013 a Media-Transmitted<br \/>\nDisease\u201d.<span style=\"\">&nbsp; <br \/><\/span><\/font><\/p>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\"><span style=\"\"><br \/><\/span><\/font><\/p>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: left;\"><font size=\"2\"><o:p><\/o:p>There are exceptions, lines which<br \/>\nresonate beyond the poem in which they appear.<span style=\"\"> <\/span>In <i style=\"\">His Autumn<br \/>\nCourtship<\/i>, for example, \u201cOn this dry day the leaves are scratching \/ Over<span style=\"\">&nbsp; <\/span>Ludbrooke\u2019s balcony like small driven<br \/>\nbones\u201d, has some of the power of the opening of <i style=\"\">Gerontion<\/i> by T. S. Eliot:<span style=\"\">&nbsp;<br \/>\n<\/span>\u201cHere I am, an old man in a dry month, \/ Being read to by a boy, waiting<br \/>\nfor rain.\u201d<span style=\"\"> <\/span>Sadly, such quality is<br \/>\ntoo thinly spread to overcome a final sense of Ludbrooke as obsessively self-regarding,<br \/>\nembittered, friendless, a failure with women, a red-wine drinker sipping<br \/>\n\u201cresented herbal tea\u201d.<span style=\"\"> <\/span>It might be<br \/>\nargued that poetry today has more pressing subjects with which to engage.<\/font><\/p>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<div style=\"text-align: left; font-family: Courier New,Courier,mono;\">\n<\/div>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: right;\"><font size=\"2\"><b style=\"\">&#8230;reviewed by Ken Head<\/b><\/font><\/p>\n<p class=\"MsoNormal\" style=\"font-family: Courier New,Courier,mono; text-align: right;\"><font size=\"2\"><b style=\"\"><\/b><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ludbrooke: An Introduction by Alan BrownjohnThe Poetry Trust, 2009 www.thepoetrytrust.org ISBN 978-0-9550910-2-0, Paperback \u00a35.00 (24pp) This attractively produced pamphlet of 16 poems, published in a limited edition of 300 by The Poetry Trust, precedes Ludbrooke &amp; Others, a collection of 60 poems forthcoming this year from Enitharmon Press (www.enitharmon.co.uk) and currently advertised on their website.&nbsp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-591","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=591"}],"version-history":[{"count":0,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/591\/revisions"}],"wp:attachment":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}