{"id":4927,"date":"2013-07-27T09:00:05","date_gmt":"2013-07-27T09:00:05","guid":{"rendered":"http:\/\/ink.verticalplus.co.uk\/archive\/?p=4927"},"modified":"2013-06-30T14:44:54","modified_gmt":"2013-06-30T14:44:54","slug":"hannah-silva","status":"publish","type":"post","link":"https:\/\/inksweatandtears.co.uk\/archive\/hannah-silva\/","title":{"rendered":"Hannah Silva"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>New Orleans<\/strong><\/p>\n<p>In a room above the streets he paints.<br \/>\nHe paints a corpse on the ground<br \/>\nand a musician on a rooftop. He dips his brush<br \/>\ninto water and sees dead bodies, floating<br \/>\nto the surface. He remembers that someone<br \/>\nonce said: \u201cGod help us.\u201d In his lost mind, politicians<br \/>\ncut the throats of babies. A helicopter doesn\u2019t stop,<br \/>\nwith a brush stroke, he sends the cop to hell.<br \/>\nIn a dab of white paint a bunch of flowers falls \u2013<br \/>\nhangs suspended, gravity abandoned<br \/>\nadorns a mass grave while a woman sings:<br \/>\nYo soy la desintegraci\u00f3n<\/p>\n<p>He wants to touch her. He knows that after this<br \/>\nthere is no more contact, no more belief.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Hannah Silva<\/strong> has performed at festivals including Latitude, the Edinburgh Fringe and Stanza. She is currently directing her play <em>The Disappearance of Sadie Jones<\/em> and touring <em>The Total Man<\/em> with Electronic Voice Phenomena. Her poems are published in anthologies by Penned in the Margins and Bloodaxe. <a href=\"http:\/\/hannahsilva.wordpress.com\/\" target=\"_blank\">This is her blog<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; New Orleans In a room above the streets he paints. He paints a corpse on the ground and a musician on a rooftop. He dips his brush into water and sees dead bodies, floating to the surface. He remembers that someone once said: \u201cGod help us.\u201d In his lost mind, politicians cut [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-4927","post","type-post","status-publish","format-standard","hentry","category-prose-poetry"],"_links":{"self":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/4927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=4927"}],"version-history":[{"count":4,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/4927\/revisions"}],"predecessor-version":[{"id":4931,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/4927\/revisions\/4931"}],"wp:attachment":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=4927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=4927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=4927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}