{"id":4133,"date":"2013-03-08T09:00:25","date_gmt":"2013-03-08T09:00:25","guid":{"rendered":"http:\/\/ink.verticalplus.co.uk\/archive\/?p=4133"},"modified":"2013-03-07T20:38:25","modified_gmt":"2013-03-07T20:38:25","slug":"alison-brackenbury","status":"publish","type":"post","link":"https:\/\/inksweatandtears.co.uk\/archive\/alison-brackenbury\/","title":{"rendered":"Julia Webb, Penelope Shuttle, Alison Brackenbury on International Women&#8217;s Day"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>Sister:<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>A passing through,<\/p>\n<p>a revisiting,<\/p>\n<p>a pack carrier,<\/p>\n<p>a ship\u2019s hold that exactly fits your past,<\/p>\n<p>a hide,<\/p>\n<p>a shelter,<\/p>\n<p>the mouth empty of cadence,<\/p>\n<p>how vowels fall soft like meadow grass<\/p>\n<p>and speech smells of green, green, green.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Julia Webb<\/strong> has an MA in poetry from the University of East Anglia. She lives in Norwich where she works as a creative writing tutor and freelance writer. She is on the editorial team for the Gatehouse Press journal <em>Lighthouse.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Outgrown<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>It is both sad and a relief to fold so carefully<\/p>\n<p>her outgrown clothes and line up the little worn shoes<\/p>\n<p>of childhood, so prudent, scuffed and particular.<\/p>\n<p>It is both happy and horrible to send them galloping<\/p>\n<p>back tappity-tap along the misty chill path into the past.<\/p>\n<p>&nbsp;<\/p>\n<p>It is both a freedom and a prison, to be outgrown<\/p>\n<p>by her as she towers over me as thin as a sequin<\/p>\n<p>in her doc martens and her pretty skirt,<\/p>\n<p>because just as I work out how to be a mother<\/p>\n<p>she stops being a child.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Penelope Shuttle<\/strong> : from <em><a href=\"http:\/\/www.bloodaxebooks.com\/titlepage.asp?isbn=1852249501\" target=\"_blank\">Unsent: New and Selected Poems\u00a0 1980 \u2013 2012<\/a><\/em>, Bloodaxe Books, October 2012<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>And<br \/>\n<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Sex is like Criccieth. \u00a0You thought it would be<br \/>\na tumble of houses into a pure sea<br \/>\nand so it must have been, in eighteen-ten.<br \/>\nThe ranks of boarding houses marched up then.<br \/>\nThey linger, plastic curtains at their doors,<br \/>\nor, still more oddly, blonde ungainly statues.<br \/>\nThe traffic swills along the single street<br \/>\nand floods the ears, until our feet<br \/>\nturn down towards the only shop for chips,<br \/>\nto shuffling queues, until sun slips<br \/>\nbehind the Castle, which must be, by luck,<br \/>\none of the few a Welsh prince ever took.<br \/>\nOr in the caf\u00e9, smoked with fat, you wait.<br \/>\nWill dolphins strike the sea\u2019s skin? \u00a0They do not.<\/p>\n<p>And yet, a giant sun nobody has told<br \/>\nof long decline, beats the rough sea to gold.<br \/>\nThe Castle rears up with its tattered flag,<br \/>\nhand laces hand, away from valleys\u2019 slag.<br \/>\nAnd through the night, the long sea\u2019s dolphined breath<br \/>\nwhispers into your warm ear, \u2018Criccieth\u2019.<br \/>\n\u00a0<\/p>\n<p><strong>Alison Brackenbury<\/strong>\u2019s eighth collection <em>Then, <\/em>Carcanet 2013, can be ordered <a href=\"http:\/\/www.amazon.co.uk\/Then-Alison-Brackenbury\/dp\/1847771181\" target=\"_blank\">here<\/a>.\u00a0 Sample poems, and blogs about them (with intriguing photos), can be seen at<a href=\"http:\/\/www.alisonbrackenbury.co.uk\/\" target=\"_blank\"> www.alisonbrackenbury.co.uk <\/a><\/p>\n<p><em>(And<\/em> was first published in <em>The London Magazine<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Sister: &nbsp; A passing through, a revisiting, a pack carrier, a ship\u2019s hold that exactly fits your past, a hide, a shelter, the mouth empty of cadence, how vowels fall soft like meadow grass and speech smells of green, green, green. &nbsp; Julia Webb has an MA in poetry from the University of East [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-4133","post","type-post","status-publish","format-standard","hentry","category-prose-poetry"],"_links":{"self":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/4133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=4133"}],"version-history":[{"count":14,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/4133\/revisions"}],"predecessor-version":[{"id":4135,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/4133\/revisions\/4135"}],"wp:attachment":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=4133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=4133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=4133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}