{"id":1724,"date":"2009-06-02T09:00:00","date_gmt":"2009-06-02T09:00:00","guid":{"rendered":"http:\/\/ink.verticalplus.co.uk\/archive\/?p=1724"},"modified":"2009-06-02T09:00:00","modified_gmt":"2009-06-02T09:00:00","slug":"valerie-oriordan-is-watching-closed-circuit-footage","status":"publish","type":"post","link":"https:\/\/inksweatandtears.co.uk\/archive\/valerie-oriordan-is-watching-closed-circuit-footage\/","title":{"rendered":"Valerie O&#39;Riordan is watching closed circuit footage"},"content":{"rendered":"<p><font size=\"2\"><span style=\"font-weight: bold; font-family: Courier New,Courier,mono;\">Closed Circuit<\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\">She&#39;s crossed the yellow line,&nbsp; her hands clenched by her sides.&nbsp; Her suede shoes are spotted with raindrops, her short dress clings wrinkled to her thighs.&nbsp; On the black-and-white security video you can&#39;t see the colour of her hair, but I can tell you it&#39;s banana-blonde, bruised darker by the rain. <\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\">The tape strobes forward, so one minute she&#39;s peering down the platform and the next she&#39;s staring back over her shoulder and you can see her eyes, wide and ringed with black, and her mouth, sagging loose like she&#39;s crying, but you can&#39;t see the tears because the picture breaks up into useless grey squares when you zoom in that far.&nbsp; &nbsp;<\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\">The policeman pauses the video so I can blow my nose.&nbsp; My handkerchief smells of her detergent, fake lemon, artificial and soapy, like her pillows. My wife&#39;s sheets smell like lavender.&nbsp; I wipe my eyes and we carry on.<\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\">Next thing she&#39;s gone, only her footprints left, pale and dry on the wet concrete, and a train whipping past.&nbsp; There&#39;s a pause, and then the video jerks a man into frame, suspends his briefcase in mid-air as he runs towards her empty space, grasping at nothing, and the briefcase smashes to the ground as he drops to his knees.&nbsp; You can&#39;t see the footprints anymore; he&#39;s sprawled in the way.&nbsp; The tape pushes a crowd to his side, presses an old woman&#39;s hands to her eyes, yanks her mouth wide open.&nbsp; Strangers jostle to see.<\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\">Everything jolts along in silence like a slide-show, without the old lady&#39;s screams or the howling of the breaks or the security guards shouting or the rattling of the rain on the train roof.&nbsp; All I can hear is the whirr of the tape machine and the pounding of blood in my ears.<\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\">The policeman passes me the note, and I say, yes, this is her writing, that is my name.&nbsp; My hands tremble as I sign the statement.&nbsp; He offers to phone my wife, emphasizes the word wife, calls me sir, and I want to grasp his pimply neck with my shaking hands and squeeze.&nbsp; But I can&#39;t concentrate on his face; the room blinks out and flashes up her face, wide eyes, wet mouth, slick hair against the skull, black-and-white, tense, fixed.&nbsp; &nbsp;<\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\">My wife reads about it later in the newspaper.&nbsp; How awful, she says, her hand to her mouth, that poor young woman, and I don&#39;t reply.&nbsp; I can barely hear her.&nbsp; The train howls through my skull, huge and endless, and everything around me vanishes, piece by piece, popping out like spent bulbs, and I&#39;m left standing on my own in the middle of a vast concrete plain, my eyes open, and all I can see are her footprints, blurred and ruined by the never-ending rain.<\/span><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><br style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-family: Courier New,Courier,mono;\"><span style=\"font-weight: bold;\">* Valerie O&#39;Riordan<\/span> has had fiction published at <\/span><span style=\"font-style: italic; font-family: Courier New,Courier,mono;\">Pequin<\/span><span style=\"font-family: Courier New,Courier,mono;\"> and <\/span><span style=\"font-style: italic; font-family: Courier New,Courier,mono;\">Dogmatika<\/span><span style=\"font-family: Courier New,Courier,mono;\">. She lives in Birmingham, England, and blogs at <\/span><a style=\"font-family: Courier New,Courier,mono;\" href=\"http:\/\/www.not-exactly-true.blogspot.com\">www.not-exactly-true.blogspot.com<\/a><br style=\"font-family: Courier New,Courier,mono;\"><\/font><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Closed CircuitShe&#39;s crossed the yellow line,&nbsp; her hands clenched by her sides.&nbsp; Her suede shoes are spotted with raindrops, her short dress clings wrinkled to her thighs.&nbsp; On the black-and-white security video you can&#39;t see the colour of her hair, but I can tell you it&#39;s banana-blonde, bruised darker by the rain. The tape strobes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-1724","post","type-post","status-publish","format-standard","hentry","category-prose-poetry"],"_links":{"self":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/1724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=1724"}],"version-history":[{"count":0,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/1724\/revisions"}],"wp:attachment":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=1724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=1724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=1724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}