{"id":13600,"date":"2017-05-18T08:00:42","date_gmt":"2017-05-18T08:00:42","guid":{"rendered":"http:\/\/ink.verticalplus.co.uk\/archive\/?p=13600"},"modified":"2020-12-09T14:29:15","modified_gmt":"2020-12-09T14:29:15","slug":"alan-price-reviews-later-there-will-be-postcards-by-claire-booker","status":"publish","type":"post","link":"https:\/\/inksweatandtears.co.uk\/archive\/alan-price-reviews-later-there-will-be-postcards-by-claire-booker\/","title":{"rendered":"Alan Price reviews &#8216;Later there will be Postcards&#8217; by Claire Booker"},"content":{"rendered":"<p><a href=\"https:\/\/inksweatandtears.co.uk\/archive\/wp-content\/uploads\/2017\/04\/Postcards-fr-final-xs-193x300.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13601\" src=\"https:\/\/inksweatandtears.co.uk\/archive\/wp-content\/uploads\/2017\/04\/Postcards-fr-final-xs-193x300.jpeg\" alt=\"\" width=\"193\" height=\"300\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>It&#8217;s rare to come across a new poet who not only has a confident voice, but more importantly, a sensibility that tackles death, the passage of time, ageing, childhood and a strong eye for the natural world. Such big themes are handled with wit, originality and insight. Claire Booker\u2019s range is considerable. Her skill is evident. And the sheer musicality of her work in her debut collection <em>Later There Will Be Postcards<\/em> exciting.<\/p>\n<p>With her first poem <em>The Night Mare<\/em>, you\u2019re immediately thrown into powerful imagery of sexual anxiety and identity transference, jolted by reasoning and sadness. The nightmare\u2019s the dream horse that the poet rides and feeds with a lemon.<\/p>\n<p>&nbsp;<\/p>\n<p>I take the little tongue with a mind of its own.<\/p>\n<p>Vice it. Force the rind down.<\/p>\n<p>&nbsp;<\/p>\n<p>Waking up, the dreamer recalls the past.<\/p>\n<p>&nbsp;<\/p>\n<p>When we were young enough to count ourselves in summers<\/p>\n<p>And you my turkey cock with feathers and attitude.<\/p>\n<p>&nbsp;<\/p>\n<p>Two great lines. Further great lines from her poems are worth quoting. In the moving <em>Meeting my Mother <\/em>she arrives at this consideration.<\/p>\n<p>&nbsp;<\/p>\n<p>This is not my mother. Or has she now assumed,<\/p>\n<p>In some slant way, aspects of the room?<\/p>\n<p>&nbsp;<\/p>\n<p>That\u2019s a beautiful, touching and exact way of imagining the presence of a dead parent. Whilst in Booker\u2019s last poem <em>Provencal Crosses<\/em> she recalls playing, as a child, near a cemetery. A bell sounds and she wonders where the chimes go.<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c\u2026whether they hang<\/p>\n<p>&nbsp;<\/p>\n<p>blind in the cave of immense sky and who<\/p>\n<p>makes the bell sing each hour. I am too young still<\/p>\n<p>&nbsp;<\/p>\n<p>to know that even God can be automated \u2013<\/p>\n<p>that there will be just this one time<\/p>\n<p>&nbsp;<\/p>\n<p>Of course it\u2019s unfair to simply cherry-pick lines from remarkable poems. But with poems as good as these it\u2019s hard not to do so.<\/p>\n<p>&nbsp;<\/p>\n<p>Booker has her influences \u2013 for me that\u2019s early Samuel Beckett. In the beautiful poem <em>Model in<\/em> <em>Love <\/em>(after Giacometti\u2019s \u201cWalking Woman\u201d sculpture) we have a spindly upright figure that\u2019s inimitably the Italian artist\u2019s yet also like a character in Beckett\u2019s late prose. Her poem achieves a delicate balance &#8211; both praising and criticising the act of creativity.<\/p>\n<p>&nbsp;<\/p>\n<p>how he came again and again<\/p>\n<p>simply to touch<\/p>\n<p>the intelligent slope of her shoulder.<\/p>\n<p>&nbsp;<\/p>\n<p>This is followed by the dark constriction of the poem\u2019s final lines.<\/p>\n<p>&nbsp;<\/p>\n<p>still she knows that a girl must be free<\/p>\n<p>to walk as she will \u2013<\/p>\n<p>that a pedestal impedes,<\/p>\n<p>no matter how tenderly it kisses<\/p>\n<p>the stems of her feet.<\/p>\n<p>&nbsp;<\/p>\n<p>Claire Booker is also unafraid to experiment with form. And although I think poems like <em>On Hearing the Bell Again at Chichilianne<\/em> and <em>Visiting My Father<\/em> are<\/p>\n<p>not as intense and as moving as her other pieces their technical dexterity should be applauded.<\/p>\n<p><em>Later There Will Be Postcards<\/em> is an outstanding debut pamphlet. Claire Booker\u2019s humour, startling (but never over the top) imagery, compassion and tone convinced me she\u2019s a genuinely original poet who takes great calculated risks and is able to quietly master her risk-taking. I eagerly await a full collection and even more surprises.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"m_-5895993942512918713yiv3360030323yui_3_16_0_ym19_1_1477522453559_12598\" dir=\"ltr\"><strong>Alan Price<\/strong>&#8216;s film reviews can be read online at <i id=\"m_-5895993942512918713yui_3_16_0_ym19_1_1477523226120_3133\">Filmuforia.<\/i> \u00a0A poetry collection entitled <i id=\"m_-5895993942512918713yui_3_16_0_ym19_1_1477523226120_3150\">Outfoxing Hyenas <\/i>was published by Indigo Dreamsin 2012, and his pamphlet \u00a0<i id=\"m_-5895993942512918713yui_3_16_0_ym19_1_1477523226120_3246\">Angels at the Edge <\/i><span id=\"m_-5895993942512918713yui_3_16_0_ym19_1_1477523226120_3260\">appeared in 2016.<\/span><\/div>\n<p>&nbsp;<\/p>\n<p><em>Later there will be Postcards<\/em> by Claire Booker is published by Green Bottle Press and can be ordered here:<a href=\"http:\/\/greenbottlepress.com\/our-books\/\"> http:\/\/greenbottlepress.com\/our-books\/<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; It&#8217;s rare to come across a new poet who not only has a confident voice, but more importantly, a sensibility that tackles death, the passage of time, ageing, childhood and a strong eye for the natural world. Such big themes are handled with wit, originality and insight. Claire Booker\u2019s range is considerable. Her skill [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-13600","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/13600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=13600"}],"version-history":[{"count":3,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/13600\/revisions"}],"predecessor-version":[{"id":13899,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/13600\/revisions\/13899"}],"wp:attachment":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=13600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=13600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=13600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}