{"id":13421,"date":"2017-05-02T07:30:21","date_gmt":"2017-05-02T07:30:21","guid":{"rendered":"http:\/\/ink.verticalplus.co.uk\/archive\/?p=13421"},"modified":"2020-12-09T14:29:16","modified_gmt":"2020-12-09T14:29:16","slug":"claire-booker-reviews-moonrise-by-ella-chappell","status":"publish","type":"post","link":"https:\/\/inksweatandtears.co.uk\/archive\/claire-booker-reviews-moonrise-by-ella-chappell\/","title":{"rendered":"Claire Booker reviews &#8216;Moonrise&#8217; by Ella Chappell"},"content":{"rendered":"<p><a href=\"https:\/\/inksweatandtears.co.uk\/archive\/wp-content\/uploads\/2017\/03\/Moonrise2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13422\" src=\"https:\/\/inksweatandtears.co.uk\/archive\/wp-content\/uploads\/2017\/03\/Moonrise2.jpg\" alt=\"\" width=\"464\" height=\"309\" srcset=\"https:\/\/inksweatandtears.co.uk\/archive\/wp-content\/uploads\/2017\/03\/Moonrise2.jpg 750w, https:\/\/inksweatandtears.co.uk\/archive\/wp-content\/uploads\/2017\/03\/Moonrise2-300x200.jpg 300w, https:\/\/inksweatandtears.co.uk\/archive\/wp-content\/uploads\/2017\/03\/Moonrise2-140x94.jpg 140w\" sizes=\"(max-width: 464px) 100vw, 464px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Moonrise<\/em> has the cool, bright quality of its namesake. Pale grey cover, simple clarity of title and lunar etching. And the paper &#8211; what joy. Its strong, stippled surface is a reminder that books start life as plants. Creating marginalia is a treat which emits small symphonies of crisp sound. Add to this, Rosie Sherwood\u2019s evocative nightscapes &#8211; ghostly apparitions on waxed paper that offer a liminal otherness \u2013 and the whole feel is one of quality.<\/p>\n<p>But what of the writing itself? Ella Chappell\u2019s poems are both sophisticated and feral. Here is a poet who is unafraid of taking risks and mostly successful with those that she does take. From the off, we\u2019re on a trajectory through night, love, identity and meaning. In <em>01:41, 40% waning crescent<\/em><\/p>\n<p>\u201cIf two black holes collided\/ and sent epic ripples through spacetime<br \/>\nI\u2019d be happy for this moment to be crinkled up into a thousand years.<br \/>\nOur hands would hold at the rate of an unfurling fern, and slower.\u201d<\/p>\n<p>Moonrise is not short of arresting titles. Anisotropy is as intriguing as its own title. It lays out lengthwise across a double page and intersperses the italicized experiences of a female clubber with a philosophical lecture on happiness.<\/p>\n<p>\u201cThere are two categories of happiness.<br \/>\n<em>On New Year\u2019s Eve she tried to leave a club but couldn\u2019t get her coat from the cloakroom.<\/em><\/p>\n<p>Direct happiness originating in genuinely good experience.<br \/>\n<em>An Italian boy and his French friend dragged her back to the dance floor and took turns<\/em><br \/>\n<em>to push her between the bar and their warm tongues.<\/em>\u201d<\/p>\n<p>Chappell is no traditionalist, but her ear can be acute:<\/p>\n<p>\u201cThere is no way to consume the moon.<br \/>\nThe moon is as pure as fucking.<br \/>\nBut that\u2019s the truth.<br \/>\nThere are all these lonely blue-white blooms.<\/p>\n<p>And, oh god, I remember now<br \/>\nThat a man used to love me,<br \/>\nAnd some day my body will be in the ground.\u201d<\/p>\n<p>Some poems use repetition to good effect. A few might have benefitted from the red pencil.<br \/>\nBut that\u2019s the price to pay for Chappell\u2019s brutal, honest playfulness, which offers up such gems as this solipsistic riff in <em>Blue Buttercups<\/em>:<\/p>\n<p>\u201cI see my own name in retina display fifty times daily<br \/>\nAnd repeat it to myself a mantra<br \/>\nan affirmation of a concept that has disappeared<br \/>\nElla Jane Chappell watches herself, disdainful, ironic<br \/>\nwatches ellajchappell, unarmed, childlike, drunk, watches<br \/>\npure ella chappell in an abandoned Serbian dorm room\u201d . . .<\/p>\n<p>culminating in the wisdom of the lines:<\/p>\n<p>\u201cI <em>realized<\/em> all this time I had mistaken excitement for happiness.<br \/>\nPreferable<br \/>\nto brown cones of done buddleia.\u201d<\/p>\n<p>In A great way to go back home she spars with concepts of identity, offering powerful lines such as: \u201cUnreal city, all I am is waiting on the weightless curation of personality.\u201d<\/p>\n<p>Chappell sparkles with fresh, original phrases, and when her choices are sharp, the result is a pleasure to read, offering a vibrant, uninhibited perspective on questions that matter. As in the close of her final poem <em>Draughts<\/em>:<\/p>\n<p>\u201c<em>Here is the world.<\/em><br \/>\n<em>It gets no better and no worse<\/em>.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3630\">\n<div id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3644\"><span id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3645\" lang=\"EN-US\"><strong>Claire Booker<\/strong>\u2019s debut poetry pamphlet <i id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3646\">Later there will be Postcards<\/i> is published by Green Bottle Press (<a id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3647\" href=\"http:\/\/www.greenbottlepress.com\/our-books\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=http:\/\/www.greenbottlepress.com\/our-books&amp;source=gmail&amp;ust=1489845866644000&amp;usg=AFQjCNFWVPkAJj8DQg4mdfMvN_XeDljHWg\"><span id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3648\" style=\"color: #0066cc;\">www.greenbottlepress.com\/our-books<\/span><\/a>). Her poems have appeared in Ambit, Magma, the Morning Star, North, Rialto and the Spectator among others. Her stage plays have been produced in America, Australia, Europe and the UK. <a id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3649\" href=\"http:\/\/www.bookerplays.co.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=http:\/\/www.bookerplays.co.uk\/&amp;source=gmail&amp;ust=1489845866644000&amp;usg=AFQjCNGKTkgvFOUETyfRudXwUb0cBePmjg\"><span id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3650\" style=\"color: #0066cc;\">www.bookerplays.co.uk<\/span><\/a><\/span><\/div>\n<\/div>\n<div>\n<div><\/div>\n<div id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3458\" dir=\"ltr\"><span lang=\"EN-US\"><em>Moonrise<\/em> by Ella Chappell<\/span><span id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3453\" lang=\"EN-US\"> is <\/span><span id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3455\" lang=\"EN-US\">Published by <i id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3456\">As Yet Untitled<\/i>, Price \u00a310.00. <\/span><span id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3459\" lang=\"EN-US\">19 pages of poetry, 4 pages of photo-images (by Rosie Sherwood) It is available here: <a href=\"http:\/\/www.asyetuntitled.org\/moonrise-by-ella-chappell\/\">\/moonrise-by-ella-chappell\/<\/a><br \/>\n<\/span><\/div>\n<\/div>\n<div id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3630\">\n<div id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3651\" dir=\"ltr\"><span id=\"m_-3245499253534995343m_1128123426226245504yui_3_16_0_ym19_1_1475744454450_3652\" lang=\"EN-US\">\u00a0<\/span><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Moonrise has the cool, bright quality of its namesake. Pale grey cover, simple clarity of title and lunar etching. And the paper &#8211; what joy. Its strong, stippled surface is a reminder that books start life as plants. Creating marginalia is a treat which emits small symphonies of crisp sound. Add to this, Rosie [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[5],"tags":[],"class_list":["post-13421","post","type-post","status-publish","format-standard","hentry","category-reviews"],"_links":{"self":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/13421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/comments?post=13421"}],"version-history":[{"count":3,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/13421\/revisions"}],"predecessor-version":[{"id":13839,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/posts\/13421\/revisions\/13839"}],"wp:attachment":[{"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/media?parent=13421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/categories?post=13421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inksweatandtears.co.uk\/archive\/wp-json\/wp\/v2\/tags?post=13421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}